A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
Paris, 1969. The filming of a sci-fi movie set in the distant year 2000 is in trouble. The director's obsession with the actress who plays the sexy secret agent Dragonfly has clouded his judgment and the film has no ending. A young American, in Paris to document his life on film with total honesty, is brought in to finish the movie with a bang. This proves to be difficult when the line between his fantasy life and reality becomes blurred, and he finds himself seduced by the charms of Dragonfly. Written by
The design for the inner workings of the Dragonfly robot at the end of the film are based on Paul's wristwatch, which we see at the beginning of the film. See more »
During the chase scene, Dragonfly scrapes and destroys almost all of the rear left-side "winglet" on the white sports car she is driving, yet in the next shot, the winglet is seen to be completely intact and undamaged. See more »
Do you think you are clever?
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CQ (2002) *** Jeremy Davies, Angela Lindvall, Elodie Bouchez, Gerard Depardieu, Giancarlo Giannini, Massimo Ghini, John Phillip Law, Jason Schwartzman, Dean Stockwell, Billy Zane. Filmmaker Roman Coppola proves to be a chip off the old block (his dad is Francis Ford, duh!) with this sweetly dark comic valentine to foreign films of France and Italy focusing on a struggling film editor/auteur wannabe (Davies in all his squirmy, milquetoasty glory) assigned to a disastrous sci-fi B flick where he winds up being a replacement director and falls deeply in love with his gorgeous starlet (Lindvall, the epitome of sex echoing the leonine good looks of Catherine Deneuve at her start) in the process. Coppola has a keen technical sense incorporating set and production design, costumes, camerawork, editing and low-key acting to make a picture perfect ode to the hurly-burly world of filmmaking then and now. If there is a criticism it is that it is a bit slight in its theme (filmmaker's navel gazing fails to see the big picture: love is all around) yet there's a nice homage to Coppola's relationship with his famous father in the interplay between Davies and his onscreen father Stockwell, an absent-minded businessman, echoing nicely. The title is a play on Seek You = CQ.
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