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CQ (2001)

6.4
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Ratings: 6.4/10 from 3,904 users   Metascore: 56/100
Reviews: 53 user | 64 critic | 26 from Metacritic.com

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

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Title: CQ (2001)

CQ (2001) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
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Enzo
Massimo Ghini ...
Fabrizio
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Felix DeMarco
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Mr. E
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Chairman
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Pippo
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Dr. Ballard
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Brigit
Bernard Verley ...
Trailer Voiceover Actor
L.M. Kit Carson ...
Fantasy Critic
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Fantasy Critic
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Storyline

Paris, 1969. The filming of a sci-fi movie set in the distant year 2000 is in trouble. The director's obsession with the actress who plays the sexy secret agent Dragonfly has clouded his judgment and the film has no ending. A young American, in Paris to document his life on film with total honesty, is brought in to finish the movie with a bang. This proves to be difficult when the line between his fantasy life and reality becomes blurred, and he finds himself seduced by the charms of Dragonfly. Written by Kimberly

Plot Summary | Add Synopsis

Taglines:

What is Real? What is Art? What is...the End? See more »

Genres:

Drama | Comedy | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for some nudity and language | See all certifications »
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Details

Country:

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Language:

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Release Date:

29 January 2003 (France)  »

Filming Locations:

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Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$54,942 (USA) (24 May 2002)

Gross:

$411,034 (USA) (6 September 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jason Schwartzman choreographed the vampire dance sequence. See more »

Goofs

When Dragonfly swerves her car in reverse in the tunnel, there are skid marks already on the ground along the path her tires take. See more »

Quotes

Paul: You have, um... an eyelash right here. If you blow on it you can make a wish.
Valentine: I wish cats could talk.
See more »

Connections

References Danger: Diabolik (1968) See more »

Soundtracks

Airplane
Written by Patrick Woodcock and Pierre Begon-Lours and 'Stephane Luginbuhl'
Performed by Mellow
See more »

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User Reviews

 
Lost in Distribution
17 July 2007 | by (London, England) – See all my reviews

Sofia Coppola may have got all the kudos with The Virgin Suicides and Lost in Translation, but, from a 60s movie buff's point of view, the other Coppola kid, Roman, turned out an even more enjoyable feature, CQ. Shame that no-one saw it. Barely released in the US (and not released at all in most countries), it's an engaging little number that pits underground cinema against Eurotrash movie-making at a time when people still thought even pulp cinema could be the stuff of revolution (1969-70 to be precise).

A riff on Sullivan's Travels and 8½, it sees Jeremy Davies' editor of Franco-Italian co-pro 'Codename: Dragonfly' struggling to come up with a new ending while making his own personal film with borrowed equipment. Oh, and falling in love with the fictional main character, confusing film and reality (not only is he too busy documenting 'the truth' of his life to see it around him but he even enters the film to sort out a plot hole) and possibly being targeted for retribution by Gerard Depardieu's fired firebrand director. (The door panel that Depardieu breaks that is later framed and given to the editors is actually one that Francis Ford Coppola smashed on one of his films!) Filled with sly 60s cinema references from Fellini to Warhol (even the trailer he cuts for the film is inspired by the one for Dr Strangelove) and with some character touches straight out of James Joyce, the visual influence is much more Danger: Diabolik than Barbarella (John Phillip Law even appears in the film within the film), and Dean Tavoularis' spot-on production design and Robert Yeoman's superb photography are both pitch-perfect. Davies, so irritating in Soderbergh's disastrous Solaris, is quietly fine here, Jason Schwartzman has fun as a bizarre hybrid of a young papa Coppola mixed with Roger Corman via Austin Powers, Giancarlo Giannini does Dino De Laurentiis to a tee (with Sofia Coppola cameoing as his mistress), and there's good work from Dean Stockwell and Massimo Ghini as well. At the end of the day there's not much there, but Coppola's love of movie-making makes it surprisingly joyful to watch if you're in a receptive mood.


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