A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
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Paris, 1969. The filming of a sci-fi movie set in the distant year 2000 is in trouble. The director's obsession with the actress who plays the sexy secret agent Dragonfly has clouded his judgment and the film has no ending. A young American, in Paris to document his life on film with total honesty, is brought in to finish the movie with a bang. This proves to be difficult when the line between his fantasy life and reality becomes blurred, and he finds himself seduced by the charms of Dragonfly. Written by
Special features on the DVD include two cuts of the movie-within-a-movie, "Codename: Dragonfly" - "Paul's Version" and "Andrzej's Version." See more »
During the chase scene, Dragonfly scrapes and destroys almost all of the rear left-side "winglet" on the white sports car she is driving, yet in the next shot, the winglet is seen to be completely intact and undamaged. See more »
[to rebels, over public address system]
We will soon be ready to leave our lunar domes to descend and bring change to earth. We need to be free to make love all day. Every day. Must be free.
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Watching the trailer for this movie, I couldn't help but feel excited.
Look at all the swank 60's spy movie references!
Well ... this wasn't the movie I'd hoped for. I believe that "CQ" is Roman Coppola's (son of famous Francis Ford Coppola) first feature-length movie. And I suppose that all first-time directors flail and hick-up in their first (hell, even second and third) films.
But Coppola very blatantly tries to conceal all his director and writer disabilities by shrouding the film with 60's pop-culture trivia ... something that I'm sure his "hipster" handbook directed him to do.
The premise involves an American attempting to edit a ridiculously avant-gard sci-fi/spy Modesty Blaise-esque movie in Paris ... while in his personal time he whines and moans about how he isn't adept enough to sustain a meaningful relationship ... all this through the eyes of a camera. And whilst he records his day-to-day life on film ... he neglects his stunning french girlfriend.
So ... our young American in Paris ends up taking the reigns of the spy movie and plenty of hijinx ensue.
It isn't hard to predict how the movie will end. And if you wait around long enough and can somehow see past Coppola's bloated, pretentious and pedestrian writing and direction ... then you'll have earned a shining ticket to complain about how great this movie COULD have been.
And people wonder why nobody remembers (or wants to remember) this movie. Chalk it all up to the futile attempts of a son of a great director to become more than his father.
Remember ... even old Francis Ford had to LEARN filmmaking. Anyone ever see "Dementia 13?" It wasn't a HORRIBLE movie ... but then again ... it wasn't "Apocalypse Now," either.
Roman's sister, Sophia Coppola has done so interesting work. If anyone inherited Francis Ford's filmmaking genes ... my guess is that it's her. "The Virgin Suicides" is a really excellent movie. "Lost in Translation" wasn't bad either.
So ... Roman ... keep on making those music videos. Your video for "The Strokes" was painfully dull ... but it was a little easier for me to switch channels.
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