Bristol, England, early 19th century. A beautiful young stranger who speaks a weird language is tried for the crime of begging. But when a man claims that he can translate her dialect, it ... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Celebrity couple Joe and Sally Therrian are going through yet another rough stage in their six-year marriage: while Joe's novels have been climbing higher and higher on the best-seller lists, Sally's film career has been steadily sinking into oblivion. Joe's been given the rights to cast and direct the screenplay of his latest book, but rather than resurrect Sally's career by casting her in the lead role, he's given it to Sally's rival, Skye Davidson. Even worse, he's invited Skye to their anniversary bash. Will the marriage, or anything else for that matter, survive the party? Written by
Jean-Marc Rocher <email@example.com>
I can understand how many will find THE ANNIVERSARY PARTY an indulgent, sneering little movie lacking in focus and ultimate catharsis; but I enjoyed it, quite a bit actually, if only to see some of Hollywood's finest talent freeing themselves from the studios for the intimacy of a digital shoot. I admired Party for being bold, clever, funny, cutting and occasionally brilliant. The ending felt a bit forced at first (the off screen family death as catalyst for conclusion was used to better effect in TWO GIRLS AND A GUY - another actor-driven digital indie), but ultimately it fit for Sally and Joe to end where they began, Narcissist and Echo.
Other comments have provided good synopses; I won't elaborate save for one obvious theme so far missed, that of chasing lost youth. It's quite depressing really, for at this party, Generation X officially goes over the hill. All my life I've been vaguely annoyed at self-obsessed Baby Boomer flicks like The Big Chill and The Ice Storm that seemed to congratulate an entire generation for being so damn dysfunctional. Well (*sigh*), now such movies will be made about my generation, here defined as neither willing nor ready to grow up. Gwyneth as "Skye @#*%ing Davidson" has the one thing all else at the party have lost, and the little pills she brings offers a last, desperate attempt to participate in her "youth culture" (ages 8-29 need only apply). Klein's presence (an obvious reference to the Big C) suggests that some Boomers are still chasing that lost youth. Meanwhile, Gen-X is just getting started.
"So much for Ecstasy."
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