Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
A prequel series, set 100 years before the original Star Trek series, which focuses on the early years of Starfleet, leading up to the formation of the Federation and the Earth-Romulan Wars. The series is set aboard the Earth ship Enterprise NX-01, captained by Jonathan Archer.
Captain Jean-Luc Picard and his crew return to battle a chilling new adversary... that just happens to hold a shocking link to Picard! In the wake of a joyful wedding between William Riker and Deanna Troi, Picard receives another reason to celebrate: the Romulans want peace and the captain will be the Federation's emissary. But as the Enterprise heads towards Romulus, a brilliant villain awaits--harboring a diabolical plan of destruction and an unimaginable secret that will give Picard his most fearsome challenge. Shinzon, a Romulan-made clone of Picard, wants nothing less than the conquest of the Romulan Empire, the complete destruction of Earth and the death of Captain Picard himself. Written by
Robert Lynch <firstname.lastname@example.org>
It was generally believed that Jeri Ryan (Seven of Nine from Star Trek: Voyager (1995)) was offered a cameo in the earliest draft of the movie's script, but was unable to commit when she got a role on Boston Public (2000). The cameo was supposedly given to Kate Mulgrew (Admiral Kathryn Janeway) instead. However, during a 2014 Star Trek convention, Ryan admitted that the studio had offered her a much larger role, which would have replaced an unspecified character in the film. She passed on the opportunity, not wanting to take a break from Boston Legal already, and also out of fear of being typecast. But her biggest concern was that her presence in the movie would make no sense, as her character didn't know anyone from the Next Generation crew. The studio then offered her a cameo as a guest at the wedding in the beginning, which she also refused for much the same reasons. A cameo for admiral Janeway was created instead. See more »
Guinan is not in the wide shot of the wedding toast. And many of the extras are in different spots in the wide shot compared to the coverage shots. See more »
Senators, consider the opportunities for the Empire. At last, the destinies of the planets Romulus and Remus will be united. Shinzon of Remus is offering us a chance to make ourselves stronger than ever before. It would be madness to reject it. I beg you not to let prejudice or politics interfere with this Alliance. By joining Shinzon's forces with ours, not even the Federation will be able to stand in our way.
That's enough! The decision has been made. The military does not ...
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There are no opening credits save the title. See more »
If the rumors are to be believed, then approximately fifty minutes of footage for Star Trek: Nemesis are lying somewhere in Paramount's vault. While the movie itself is technically well-edited with a slick Hollywood gloss, this might explain why everyone but Picard and Data are left short-handed with minimal screen time and dialogue. Hopefully, the missing footage will find its way to the DVD release, where we can get the final tribute the crew of The Next Generation deserves.
As a story for a final adventure, Nemesis isn't quite the epic one may hope for. The plot mostly focuses on the parallels between Picard and the new Romulan leader, a human named Shinzon (Tom Hardy), who claims to desire peace between the Romulans and the Federation. He also has a special bond to Picard, which I won't give away, suffice to say Data also gets to experience something similar throughout the film. Essentially, the plot isn't particularly interesting and it works primarily as a set-up for the climactic space battle, definitely the movie's highlight.
Before then, the only setpieces worthy of interest are a gratuitous but enjoyable car chase (!) on a desert planet that resolves in a grin-inducing fashion, and a fast-paced shootout on board Shinzon's warship, the Scimitar, which also resolves in a pretty cool manner. That's all the action we get in the first 80 or so minutes, meaning there's a lot of talky scenes that go nowhere and clumsily insert the good ol' "Nature vs. Nurture" debate to no avail. Outside of the action, what makes the first 3/4's of the movie watchable are the excellent special effects and the crew's camaraderie. Acting wise, we get excellent performances from Patrick Stewart and Brent Spiner (by the way, is it just me or does Stewart look even more physically fit than ever? Old age is doing little to bring him down)
Clearly, the final space battle is what we've been waiting for, and after 10 movies and 23 years, we get what is easily the most elaborate action sequence of the entire Trek franchise. The segment runs just short of a half-hour and features the Enterprise going toe-to-toe with the Scimitar, and to keep the concept of one starship battling another from getting boring (because let's face it, that gets old in a matter of minutes), director Stuart Baird throws in a few more ships, some more phaser fights from boarding enemy parties (which prove to be the most exciting parts of the movie), fisticuffs, and even a self-destruct sequence that could prove fatal for everyone. It's a doozy of an action scene, even if it is slightly marred by Troi's psychic link and tiresome reports of collapsing shields. This is the sequence that makes the movie worth watching to sci-fi action fans.
Personally, I would have preferred had Baird just spaced the action out more evenly (a la First Contact), rather than stuffing it all in the conclusion, since the plot itself is hard to hold interest on its own. Still, from the space battle alone, this is more action-packed than any of the original crew's films and comes out just ahead of First Contact in terms of quantity, if not in quality. The finale also features the death of a beloved character, which isn't executed quite as properly as it should have, but is touching on its own. Once again, I'm hoping the director's cut will fix that up. Until then, this is just satisfying enough to those who thirst for outerspace action.
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