Nathalie and Louise are friends from childhood. While studying drama at University Louise becomes hopelessly obsessed with her friend. Jealous of the male friends she has she breaks up the ... See full summary »
Christmas, family, and infidelity. Yvette's husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas,... See full summary »
In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife - and more talk when he decides to take her... See full summary »
Nathalie is the name a Parisian prostitute assumes for a special mission or "private investigation." She is engaged in this unusual and secretive task by a professional, upper-middle-class ... See full summary »
Didier Travolta (Franck Dubosc) is a 40-year-old disco music fan who has no job, lives with his mother, and has a son he hasn't seen for a while in Britain. The mother of his son refuses to... See full summary »
Three disparate people meet in a bizarre skiing accident: a doctor who had just been left by his wife, a beautiful but direction less woman, and the bumbling Algerian man who caused the ... See full summary »
Nathalie and Louise are friends from childhood. While studying drama at University Louise becomes hopelessly obsessed with her friend. Jealous of the male friends she has she breaks up the friendship, followed by a suicide attempt. Later, Louise marries, but finds time to see the, by now quite accomplished actress, Nathalie. They fight through the years, La Repetition following them as their friendship comes together and breaks up frequently, while never actually reaching anything that can be called a climax. Written by
How not to think of Herbert Ross's "the turning point" where Ann Bancroft fulfilled her ambitions when her friend Shirley McLaine became a housewife?Okay,the French movie has the lesbian side but even that has become so natural now (remember Claude Chabrol's "les biches" ,1967).But whereas Herbert Ross's story was interesting and entertaining,Catherine Corsini's work is stodgy ,pretentious,cold and so intellectual it's sometimes unbearable .It makes me think of the worst hour of the nouvelle vague.Sure Emmanuelle Beart is a beautiful actress,but elsewhere .Pick up Claude Chabrol's "l'enfer" or FRançois Ozon's "8 femmes "instead.Or De Palma's "Mission :Impossible" for those whose tastes run that way.
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