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Revolution #9 (2001)

 |  Thriller  |  22 April 2001 (USA)
6.8
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Ratings: 6.8/10 from 302 users   Metascore: 63/100
Reviews: 23 user | 11 critic | 10 from Metacritic.com

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Title: Revolution #9 (2001)

Revolution #9 (2001) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
...
James Jackson
...
Kim Kelly
...
Scooter McCrae
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Stephanie
...
Joe Kelly
...
Dr. Ray
Jase Blankfort ...
Tommy Kelly
...
Gale
Jonathan Hogan ...
Dr. Phil Karlson
...
Dr. Fred Land
James Burton ...
Therapist Fuller (as Jim Burton)
David Deblinger ...
Jay
...
Sarah McCrae
...
John Ford
...
Judge Hathaway (as Phyllis Sommerville)
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Storyline

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Genres:

Thriller

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Release Date:

22 April 2001 (USA)  »

Also Known As:

Revolución n° 9  »

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Box Office

Budget:

$300,000 (estimated)
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Did You Know?

Crazy Credits

No maggots were harmed during the making of this film. See more »

Connections

References Faces of Death (1978) See more »

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User Reviews

 
Excellent and disturbing study of one mans nervous breakdown
19 September 2001 | by (globetrotter) – See all my reviews

Apart from a denouement that will leave many angry (i.e those who need everything spelt out for them) this acute and heady psychological drama is well worth checking out.

A goofy 20something (Adrienne Shelley) brings home her handsome catch to meet her folks before announcing their engagement. Look for this in the great opening scene; the discussion the boyfriend is having with his girlfiends young brother over the computer as it's a beautiful piece of foreshadowing.

The gist of the premise is simply this; new boyfriend seems everything a gal could want, until he starts showing signs of beligerance and paranoia. Most of this is aimed at a wishy-washy commercial for a new perfume - he thinks there's something sinister in the subliminals. When he starts looking to others for sympathy to his plight in bringing this secret order to world attention, he ends up with social-egg on his face.

Things progress downhill as we watch his mind unfold. Without the usual theatrics associated with this disease-of-the-week formula, this film packs a wallop and one is sucked into the maelstrom that is his altered state of consciousness. A brave indie that doesn't sell itself out for \the-please-love-me school of sundance wannabe commercialism.


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