It is twenty years in the future, and the planet has been devastated by vicious fire-breathing dragons. The last vestiges of humanity now struggle for survival at remote outposts. In a ruined castle in the English countryside, Quinn is desperately trying to hold together a band of frightened, restless survivors. As a boy, Quinn watched his mother die protecting him from one of the beasts, and is still haunted by the memory. One day, a group of American rogues shows up, led by a brash, tough-guy named Van Zan. He claims to have discovered a way to kill the dragons once and for all, and enlists Quinn's help. But doing so will force Quinn to confront his own frightening memories. This, and Quinn's responsibilities to those that are under his protection, results in a battle of wills between the two men. In the end, events cause them both to realize that they must work together to defeat the monsters--both without and within. Written by
The dead dragon was designed and built by Artem, with visual effects by the Secret Lab. See more »
When the female American helicopter pilot jumps off the landing pad, she is introduced as a member of the US Calvary instead of US Cavalry. See more »
Good morning, Quinn. How's is going mate.
What's up, guys.
Working the late shift, are ya?
Ha! Someone's got to clean up after you guys.
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`Reign of Fire' is a no-more-than-passable sci-fi monster movie, strong on production values and special effects and weak on just about everything else. Once again we have the typical gray-and-khaki hued post-apocalyptic world filled with burnt out cities, roaming bands of grimy-faced survivors, and enough soot, dirt and rust to make the audience feel the need for a shower once they get out of the theatre (in other words, the `Mad Max' look).
The apocalypse in this case comes in the form of a race of fire-breathing dragons that are awakened from their millennia-long state of dormancy thanks to a deep-drilling construction project in downtown London. We are told that these ash-eating dragons hibernate for eons at a time waiting for the earth to replenish itself before embarking on another mission of total bio-global destruction. This is, in fact, the explanation for the demise of the dinosaurs, though, if this were indeed the case, one might question just how this species managed to so completely avoid leaving any evidence of its existence in the fossil record. In this kind of movie, it is probably best not to ask questions of this sort and to just go along with the sheer inanity of it all.
The first specimen to be unleashed is discovered by a young London lad named Quinn Abercrombie who, 18 years later, has grown up to be the hunky Christian Bale, leader of a group of survivors holed up in a kind of mountainside fortress with very little hope for a future. That is, of course, until one fateful day when `Dragon Slayer' Denton Van Dan (Matthew McConaughey) makes his sooty-faced appearance. From then on it becomes a battle of the minds and muscles between these two strong-willed individuals who have decidedly different ideas about how best to ensure the survival of the human race.
Movies like `Reign of Fire' pretty much preclude any real critical analysis. Suffice it to say that the special effects and art direction are quite impressive throughout, the dialogue bland and purely functional, and the performances adequate to the admittedly rather unchallenging task. And the characters are at least allowed to show their human side at times, displaying various amounts of fear, uncertainty and emotional vulnerability even at those moments when they are having to be at their most daring and heroic. There is one truly inspired scene in which two of the adults beguile the children by acting out the Luke Skywalker/Darth Vader `I am your father' confrontation scene from `The Empire Strikes Back.' More clever moments like that would have helped make `Reign of Fire' a more distinctive film than it currently is.
Oh well, if nothing else, the theatre-shaking soundtrack is enough to keep you awake, if not exactly interested, at all times. But cranking up the volume is often the first indication that a movie has very little else to offer.
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