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Reign of Fire (2002)

6.2
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Ratings: 6.2/10 from 94,394 users   Metascore: 39/100
Reviews: 562 user | 134 critic | 30 from Metacritic.com

A brood of fire-breathing dragons emerges from the earth and begins setting fire to everything, establishing dominance over the planet.

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Cast

Cast overview, first billed only:
...
...
...
...
Scott Moutter ...
Jared Wilke (as Scott James Moutter)
...
Eddie Stax
...
...
Barlow
...
Devon
...
Gideon
...
Goosh
...
Burke (Tito)
Chris Kelly ...
Mead
...
...
Karen Abercromby
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Storyline

It is twenty years in the future, and the planet has been devastated by vicious fire-breathing dragons. The last vestiges of humanity now struggle for survival at remote outposts. In a ruined castle in the English countryside, Quinn is desperately trying to hold together a band of frightened, restless survivors. As a boy, Quinn watched his mother die protecting him from one of the beasts, and is still haunted by the memory. One day, a group of American rogues shows up, led by a brash, tough-guy named Van Zam. He claims to have discovered a way to kill the dragons once and for all, and enlists Quinn's help. But doing so will force Quinn to confront his own frightening memories. This, and Quinn's responsibilities to those that are under his protection, results in a battle of wills between the two men. In the end, events cause them both to realize that they must work together to defeat the monsters--both without and within. Written by LOTUSB1973

Plot Summary | Plot Synopsis

Taglines:

They're extremely intelligent. Highly evolved. And they don't like sharing the planet. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense action violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

12 July 2002 (USA)  »

Also Known As:

Where Heroes Go Down  »

Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

$214,648 (Japan) (30 May 2003)

Gross:

$1,720,747 (Japan) (6 June 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

It was filmed in Ireland, in the Wicklow Mountains. They were only allowed to film there under the condition that they clean up entirely after themselves, without damaging the landscape. See more »

Goofs

The type of helicopter carrying the main characters appears to vary from shot to shot during the journey from Northumberland to London, sometimes appearing to be an Agusta A109 with a conventional tail rotor, but in other shots it appears to be an Aerospatiale Dauphine with an enclosed "fenestron" tail rotor. See more »

Quotes

[first lines]
Worker #1: Hello, Quinn.
Worker #2: Good morning, Quinn. How's is going mate.
Young Quinn: What's up, guys.
Worker #3: Working the late shift, are ya?
Young Quinn: Ha! Someone's got to clean up after you guys.
See more »

Connections

References Mad Max Beyond Thunderdome (1985) See more »

Soundtracks

Walk Away
Written by Mad at Gravity and J. Lynn Johnston
Performed by Mad at Gravity
Courtesy of ARTISTDirect Records/BMG
See more »

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User Reviews

Superb visuals make this a bit more than just glorious mindless fun.
16 July 2002 | by (Berkeley, California) – See all my reviews



`Reign of Fire's' premise is simple: the world has been wiped out by airborne, fire-breathing dragons, who at first multiplied by the thousands but now themselves are starving and dying off. A few bands of people remain here and there trying to survive. Quinn (Christian Bale, with whiskers and glottal stops), who was on the scene as a boy in London when the first sleeping dragon awakened in a cave unearthed by an Underground project his mum was working on, leads a group of survivors in the north of England who're just trying to get a crop going for the next year and save a little mob of children. In comes Van Zan (Mathew McConaughey, with shaved head and brawny tattooed arms) leading an American helicopter crew. He's become a dragon slayer and since he's found there's only one male dragon left and it's somewhere around London, he's come to solicit aid. Quinn refuses. Van Zan pushes on to London without Quinn. They fail. He returns and begs Quinn to come as guide. What follows is the finale.

If you probe too deeply into the premise you're not going to have any fun, but fun is what this movie offers, glorious mindless fun and, above all, fabulous apocalyptic visuals of twisted metal, crepuscular landscapes, dark hulking ruins, and men crawling through them to fire off weapons at the evil birds, which look very graceful as they sweep through the skies and spurt out long expanding streams of fire. Shots are so stunningly composed you want them to freeze-frame. Within the dark end-of-the-world light there is amazing clarity. Working with Ridley Scott's cinematographer Adrian Biddle, X-Files director Rob Bowman has produced the best fantasy landscape this year next to `Lord of the Rings.' When Van Zan leads a hunt in the sky, it's like a computer game, and sometimes we see the game through the eyes of the dragon and it looks like a degraded digital film. However, it's not ingenuity of conception but sheer aesthetic appeal that makes the visuals of this movie so good.

The other large positive factor is the very solid, mostly English cast including a number of appealing youngsters led by Scott James Moutter as Jared, Quinn's adopted son, not to mention Bale, who brings a striking level of naturalness and conviction to his role as the sensitive, conscience-stricken Quinn. Bale's a foil to McConaughey's American macho militarist icon. McConaughey, whose finely chiseled face can be seen staring in mirrors in `Thirteen Conversations About One Thing,' is having a lark playing a brute here, but in the moments when he isn't shouting, he gives Van Zan almost as much conviction as Bale gives Quinn. Ladies are in short supply in this story: there's Alex (Izabella Scorupco) as Van Zan's helicopter pilot who winds up with Quinn, and for five minutes there's Alice Krige as young Quinn's mum. But since this movie's ideal audience might surely be young teenage boys, that's probably enough. Other things are lacking too, such as more variety in the dragons, more recognizable details of the wrecked London of the final scenes, some more colorful characters among Quinn's community, as in post-apocalyptic classics like `Mad Max.' But to say that is to miss the point, which is that this is a fast, exhilarating ride that's a feast for the eyes. If you want to view all this as a `B' horror picture, fine: just grant that it's a first-class version. To be seen, by all means, on a big screen, preferably in a big, old-time movie house.


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