Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends ... See full summary »
Award-winning director Yoav Shamir (Defamation, Checkpoint) sets out on an entertaining and insightful international quest, exploring the notion of heroism through a multi-faceted lens. ... See full summary »
THE PARTY IS OVER tells the story of three college roommates and each of their bizarre, obsessive relationships. When Natan meets Sana, a strong-willed Muslim, he must confront his ... See full summary »
Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions. Written by
The Party's Over is a carefully constructed and thought-provoking look at both the democratic and republican parties, centering around each of their conventions before the 2000 election. The film makers got access to both conventions and do a wonderful job of showing the amazing hypocrisy of the US democratic process.
The film makers are clearly and unapologetically left-leaning, but that doesn't translate to sparing anyone. Only the greens come out well, but even that is undermined by the outcome of the 2000 election, which is the film's enervating denouement.
Mr. Hoffman does a great job with the interviews, becoming more confident as he moves along, and there's a charming exchange between him and Michael Moore, to whom he bears physical similarity.
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