A dramatized biography of William Tyndale, the 16th Century reformer determined to translate the Bible into English, which illegal act set him at odds with the Catholic Church, Sir Thomas More and King Henry VIII.
Based on the controversial novel by Philippa Gregory, "The Other Boleyn Girl" is a fictionalised account of the life of Lady Mary Boleyn who becomes mistress to England's King Henry VIII, ... See full summary »
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a ... See full summary »
Helena Bonham Carter,
The life of Edward VII (1841 - 1910), the King of the United Kingdom. Before becoming the king he developed a reputation of a playboy which angered his mother, Queen Victoria. He was a reformer and modernizer, but also an elitist.
Following the death of her father George VI princess Margaret hopes to marry the war hero Peter Townsend but is told that if she does she will be cut out of the Civil List and receive no ... See full summary »
The duke of York, nicknamed Bertie, was born as royal 'spare heir', younger brother to the prince of Wales, and thus expected to spend a relatively private life with his Scottish wife ... See full summary »
The Virgin Queen explores the full sweep of Elizabeth's life: from her days of fear as a potential victim of her sister's terror; through her great love affair with Robert Dudley; into her ... See full summary »
An outstanding production of an under-produced opera
Saint Saens' Henry VIII may not be among the greatest operas and doesn't contain many well-known arias, but it does deserve to be better known with a story and theme that almost everybody would know if they studied Henry VIII and the Tudors and would have no difficulty following and the music is very melodic and beautiful. As of now, this production is the only one of the opera on DVD and it does absolutely nothing to disgrace it, if anything it's one of those productions where you do appreciate the opera more. It is a fantastic production visually, with lots of handsome colours and sumptuous costumes and sets that are remarkably true to the Tudor period. The cinematography is both unobtrusive and expansive, and compliments the production values perfectly. The staging is very traditional and all the better for it, I don't think because of how specific the setting is that the opera would work updated, and has a lot of compelling drama and with lively choreography when needed. If you liked the music for Samson and Delila, Saint Saens' most well-known opera and unsurprisingly, you will like the music for Henry VIII. It is very beautifully played by the orchestra, with plenty of vigour and nuances, and tautly conducted by Alain Guingal. The picture and sound quality are very good, especially for Kultur, apart from the occasional moment in ensembles where some were more prominent than others. There are some great performances here, especially from the most authoritative titular performance of Phillippe Rouillon, who does bear a physical and visual resemblance to Henry that it is like seeing him come alive, and Michele Command's sincere Catherine of Aragon whose Act III aria is one of the production's highlights. Lucile Vignon has a generously-sized voice that has an appealing sound to it, and she brings dignity to Anne Boleyn and while Alain Gabriel is a touch under-powered as Don Gomez he still has a lovely voice and is no slouch as an actor either. All in all, an outstanding production of an opera that should be heard and produced more because while it's not one of the greats it's still a very worthwhile opera indeed. 10/10 Bethany Cox
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