By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
This is a gentle, innocent film about the reflections of an aging man, who returns to his home town after the death of his best friend. Memories of life at age 11 floods back as it was a magical time that changed his life. Three 11 year old children (Bobby, Carol, and Sully) share their lives. Carol and Bobby have a special affection for one another including sharing a kiss "by which all others will be measured". Bobby lives with his mother, a bitter, vain woman who looks for pleasures for herself without sharing much with her son. Into their lives comes a mysterious new boarder, who befriends the boy but generates distrust from the mother. As time passes, the man and boy share confidences and special powers are revealed. The man warns the boy to be on the lookout for the "lowmen", who were seeking him. The two share a summer's adventures and come to love one another before the inevitable happens. A confrontation with a school bully also changes everyone. Written by
John Sacksteder <firstname.lastname@example.org>
Scott Hicks points out a digital effects slowdown on Bobby (commentary at 36:28) as he comes out of Ted's room after finding Ted in a trance and hugging him, thinking something was wrong. During the editing process they decided that a slower motion segment was needed to hint that, by touching Ted, some of Ted's psychic perception had transferred to Bobby. Since it was too late to reshoot the scene with a high speed camera (which preserves the image quality), a digital slowdown was done. He also points out an in-camera slowdown of the Monte man's hands (40:56) combined with a digital slowdown of the Monte man's face (41:05) and an in-camera slowdown of Bobby's face (41:20) in the carnival scene. See more »
When Bobby picks up the payphone, we hear a modern dial tone (at around 1h 21 mins). That tone was not introduced until the late-1960s, along with the introduction of touch-tone dialing. See more »
Bobby Garfield (Adult):
Whenever it wants, the past can come kicking the door down. And you never know where it's going to take you. All you can do is hope it's a place you want to go.
Bobby Garfield (Adult):
[answering machine message]
Hi, you have reached the Garfield family. Jill and the boys are away skiing, you can reach them on their various cellphones. Me, I'm going to be on the road for a few days. I'll be back Tuesday.
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Thanks to the citizens of Richmond and Staunton, Virginia See more »
For some, Stephen King is just a mere auteur of horror stories. If you look closer, you'll see he is much more. Nearly all his stories are melancholic tales about the loss of childhood innocence. With a paranormal twist, but that really isn't the most important. I even think that Hearts in Atlantis would have worked even better, if the whole paranormal thing would have been left out. The most interesting aspects of the story are Bobby Garfield and his relationship with his mother, girlfriend and Ted. Whenever Ted brought up the low-men, my personal interest curve got a bit of a dip, but hey it's a Stephen King movie, I guess we'll have to live with it.
As it is, Hearts in Atlantis remains a wonderful film. It's the kind of film where the scenes in the present are filmed in gloomy blue and grey tones, and all the flashbacks get a golden sepia treatment. Sure it's been done before, but rarely have the effects been of such a shattering beauty.
Anthony Hopkins, never shy of giving a bombastic performance, is remarkably soft-spoken in this one, though I doubt that he was really interested in this movie. The star of the show, however, is Anton Yelchin as Bobby Garfield. He looks like the young Elijah Wood, with the same angelic blue eyes, and he's truly captivating. He even has genuine chemistry with the girl that plays his love interest. A big fat wow' is in order here, let's hope he'll get the chance to exploit his talents further.
It's a shame this movie failed at the box-office, but then again so did The Shawshank Redemption. So let's all rent/buy this wonderful film, and boost that IMDb score.
I gave this one a 9/10.
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