Chekovs Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquillity of a country house is disturbed by the arrival of the estates tyrannical owner and his ... See full summary »
Aging screenwriter Felix Bonhoeffer has lived his life in two states of existence: in reality and his own interior world. While working on a murder mystery script, and unaware that his brain is on the verge of implosion, Felix is baffled when his characters start to appear in his life, and vice versa.
This is a gentle, innocent film about the reflections of an aging man, who returns to his home town after the death of his best friend. Memories of life at age 11 floods back as it was a magical time that changed his life. Three 11 year old children (Bobby, Carol, and Sully) share their lives. Carol and Bobby have a special affection for one another including sharing a kiss "by which all others will be measured". Bobby lives with his mother, a bitter, vain woman who looks for pleasures for herself without sharing much with her son. Into their lives comes a mysterious new boarder, who befriends the boy but generates distrust from the mother. As time passes, the man and boy share confidences and special powers are revealed. The man warns the boy to be on the lookout for the "lowmen", who were seeking him. The two share a summer's adventures and come to love one another before the inevitable happens. A confrontation with a school bully also changes everyone. Written by
John Sacksteder <email@example.com>
The book "Hearts in Atlantis" is actually a collection of five stories (in order, 'Low Men in Yellow Coats', 'Hearts in Atlantis', 'Blind Willie', 'Why We're in Vietnam', and 'Heavenly Shades of Night Are Falling'), across different time eras with different characters. Scott Hicks notes (commentary at 29:31) that screenwriter William Goldman had taken quite a few liberties with the material to narrow its scope and focus. Since the first and last stories were the only two in which Bobby appeared, but were forty years apart in time, Goldman used the first story as a flashback bookended between two parts of the last story and discarded the other three stories. See more »
The shot is flipped at the end of the movie when Bobby is riding his Schwinn bike. The kickstand is on the right side and the chain on the left (at around 1h 35 mins), opposite of where they should be (at 15:32-15:56). Also, note that one can clearly see the name "Schwinn" reversed on the side of the bike in this scene (at around 1h 35 mins). See more »
Bobby Garfield (Adult):
Whenever it wants, the past can come kicking the door down. And you never know where it's going to take you. All you can do is hope it's a place you want to go.
Bobby Garfield (Adult):
[answering machine message]
Hi, you have reached the Garfield family. Jill and the boys are away skiing, you can reach them on their various cellphones. Me, I'm going to be on the road for a few days. I'll be back Tuesday.
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Thanks to the citizens of Richmond and Staunton, Virginia See more »
For some, Stephen King is just a mere auteur of horror stories. If you look closer, you'll see he is much more. Nearly all his stories are melancholic tales about the loss of childhood innocence. With a paranormal twist, but that really isn't the most important. I even think that Hearts in Atlantis would have worked even better, if the whole paranormal thing would have been left out. The most interesting aspects of the story are Bobby Garfield and his relationship with his mother, girlfriend and Ted. Whenever Ted brought up the low-men, my personal interest curve got a bit of a dip, but hey it's a Stephen King movie, I guess we'll have to live with it.
As it is, Hearts in Atlantis remains a wonderful film. It's the kind of film where the scenes in the present are filmed in gloomy blue and grey tones, and all the flashbacks get a golden sepia treatment. Sure it's been done before, but rarely have the effects been of such a shattering beauty.
Anthony Hopkins, never shy of giving a bombastic performance, is remarkably soft-spoken in this one, though I doubt that he was really interested in this movie. The star of the show, however, is Anton Yelchin as Bobby Garfield. He looks like the young Elijah Wood, with the same angelic blue eyes, and he's truly captivating. He even has genuine chemistry with the girl that plays his love interest. A big fat wow' is in order here, let's hope he'll get the chance to exploit his talents further.
It's a shame this movie failed at the box-office, but then again so did The Shawshank Redemption. So let's all rent/buy this wonderful film, and boost that IMDb score.
I gave this one a 9/10.
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