When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
This is a gentle, innocent film about the reflections of an aging man, who returns to his home town after the death of his best friend. Memories of life at age 11 floods back as it was a magical time that changed his life. Three 11 year old children (Bobby, Carol, and Sully) share their lives. Carol and Bobby have a special affection for one another including sharing a kiss "by which all others will be measured". Bobby lives with his mother, a bitter, vain woman who looks for pleasures for herself without sharing much with her son. Into their lives comes a mysterious new boarder, who befriends the boy but generates distrust from the mother. As time passes, the man and boy share confidences and special powers are revealed. The man warns the boy to be on the lookout for the "lowmen", who were seeking him. The two share a summer's adventures and come to love one another before the inevitable happens. A confrontation with a school bully also changes everyone. Written by
John Sacksteder <firstname.lastname@example.org>
In the scene on the porch where Bobby first reads the newspaper to Ted who asks him "Have you kissed her (Carol Gerber) yet?", Scott Hicks points out (commentary at 24:29) that the shot at the end of the scene, a close up of Bobby over Ted's shoulder in which Anthony Hopkins ad-libbed the line "But you will kiss her" was included during editing because of Anton Yelchin's response: a glance up with wide eyes with his right eye quickly narrowing to a glare (at around 24 mins). See more »
The money that Bobby throws at his mother changes from behind her feet to in front of her feet. See more »
Bobby Garfield (Adult):
Whenever it wants, the past can come kicking the door down. And you never know where it's going to take you. All you can do is hope it's a place you want to go.
Bobby Garfield (Adult):
[answering machine message]
Hi, you have reached the Garfield family. Jill and the boys are away skiing, you can reach them on their various cellphones. Me, I'm going to be on the road for a few days. I'll be back Tuesday.
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WV Films LLC and WXFilm Partners L.P. is the author of this motion picture for the purposes of copyright and other laws See more »
What can I say, they've made another great Stephen King story into another great movie. Although it doesn't hurt to have the likes of Anthony Hopkins in your film to give it that stature and elegance. This film is one of those movies where you leave sad, but yet feeling good about everything, not many movies do this, some would include American Beauty and The Green Mile. The film is set in the backdrop of the 1960's where a strange man (Anthony Hopkins) moves into the apartment above a young boy and his mother. The boy quickly befriends the stranger and soon learns about the man's mysterious gift. I won't spoil anything for anyone because this is definitely a movie worth seeing and not knowing what happens before you go into it. Also I recommend reading the book, it is truly one of Stephen King's best.
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