We see two stories told over four time lines, which wind down to a devastating ground zero collision, as we watch a double tragedy unfold in a small Oklahoma town. The two stories are told ... See full summary »
Tim Blake Nelson
Mary Kay Place,
Billy, a rancher, is telling Elgin, sadly, about how he can no longer care for "Momma", who never made it to Kansas. He talks about her life, and speculates on whether it was good or not, ... See full summary »
During WWII, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow that his camp would never experience the same thing. But those who were ... See full summary »
The true story of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. Nyiszli was one of Auschwitz's Sonderkommandos - Special Squads of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of helping to exterminate fellow Jews in exchange for a few more months of life. Together, the Sonderkommandos struggled to organize the only armed revolt that would ever take place at Auschwitz. As the rebellion is about to commence, a group from the unit discovers a 14-year-old girl who has miraculously survived a gassing. A catalyst for their desperate attempt at personal redemption, the men become obsessed with saving this one child, even if doing so endangers the uprising which could save thousands. To what terrible lengths are we willing to go to save our own lives, and what in turn would we sacrifice to save the lives of others? Written by
Sujit R. Varma
Jeff Danna is the credited composer, but there is no score in the actual film. He only wrote music for the title and end credit sequences. He also arranged a classical piece used as source music. See more »
The movie suggests that two crematoria were destroyed during the rebellion. In reality only crematorium 4 was destroyed. See more »
No punches pulled in this one. "The Grey Zone" is to "Schindler's List" what "Menace II Society" was to "Boyz N The Hood". Tim Blake Nelson gives an incredibly moving account of men and women who know they're dead, but are simply looking for clear consciences on the way out. The performances are excellent (with the possible exception of a miscast Keitel), and the lack of sentiment gives a much more realistic depiction of what these human beings actually had to go through. Be prepared: the last 10 minutes of this film are completely unsettling.
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