The Grey Zone (2001)

A Nazi doctor, along with the Sonderkomando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral grey zone.

Director:

Tim Blake Nelson

Writers:

Miklos Nyiszli (book), Tim Blake Nelson (play),

Stars:

David Arquette, Velizar Binev, David Chandler

1 win & 3 nominations.

Cast

Cast overview, first billed only:
David Arquette	...	Hoffman
Velizar Binev	...	Moll
David Chandler	...	Max Rosenthal
Michael Stuhlbarg	...	Cohen
George Zlatarev	...	Lowy (as Georgy Zlatarev)
Dimitar Ivanov	...	Old Man
Daniel Benzali	...	Simon Schlermer
Allan Corduner	...	Dr. Miklos Nyiszli
Steve Buscemi	...	'Hesch' Abramowics
Harvey Keitel	...	SS-Oberscharfuhrer Eric Muhsfeldt
Henry Stram	...	SS-Hauptsturmfuhrer Josef Mengele
Kamelia Grigorova	...	Girl
Lisa Benavides	...	Anja
Shirly Brener	...	Inmate
Mira Sorvino	...	Dina

Storyline

The true story of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. Nyiszli was one of Auschwitz's Sonderkommandos - Special Squads of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of helping to exterminate fellow Jews in exchange for a few more months of life. Together, the Sonderkommandos struggled to organize the only armed revolt that would ever take place at Auschwitz. As the rebellion is about to commence, a group from the unit discovers a 14-year-old girl who has miraculously survived a gassing. A catalyst for their desperate attempt at personal redemption, the men become obsessed with saving this one child, even if doing so endangers the uprising which could save thousands. To what terrible lengths are we willing to go to save our own lives, and what in turn would we sacrifice to save the lives of others?

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Plot Keywords:

auschwitz | jew | sonderkommando | prisoner | jewish | 

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Taglines:

The Story You Haven't Seen

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Genres:

Drama | War

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Motion Picture Rating (MPAA)

Rated R for strong holocaust violence, nudity and language

Details

Official Sites:

Lions Gate Entertainment

Country:

USA

Language:

English German

Release Date:

30 November 2001 (Spain)

Also Known As:

A szürke zóna

Filming Locations:

Bulgaria

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$24,526 (USA) (18 October 2002)

Gross:

$507,443 (USA) (13 December 2002)

Company Credits

Production Co:

Goatsingers, The, Killer Films, Martien Holdings A.V.V.

Technical Specs

Runtime:

108 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

A 90%/scale reproduction of the Auschwitz/Birkenau death camp was constructed near Sofia, Bulgaria, for the shooting of this film. The actual plans for the original Auschwitz camp were used to build the set.

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Goofs

The sonderkommandos mounted the uprising in a hurry. The krematorium IV Kommando rebelled after they knew they were about to be liquidated. They used only blunt weapons and self made grenades and set the krematorium 4 on fire (only one). The rebellion wasn't planned from the start.

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Quotes

Gestapo Interrogator, SS-Untersturmfuhrer: [executing prisoners] I could say that I don't want to be doing this, but that wouldn't be true.

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Connections

Referenced in Film Geek (2005)

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Soundtracks

"Roses from the South, Opus 388"
(1880)
Composed by Johann Strauß (as Johann Strauss)
Orchestrated and arranged by Jeff Danna and Andrew Lockington
Performed and conducted by members of the Bulgarian Symphony Orchestra

User Reviews

THE GREY ZONE is so good it's literally painful to watch.

This might not sound like a recommendation, but when you consider the film's subject matter, "painful" is actually a good word to describe THE GREY ZONE's brilliance. Director Tim Blake Nelson has crafted a fascinating portrayal of the Sonderkomando, Jewish concentration-camp prisoners who help the Nazis in order to ensure for themselves a few extra months of life, as well as creature comforts denied to the other prisoners. The script and cast are equally effective. David Arquette proves himself to be not merely the idiot bastard son of the Arquette family with a powerful performance; Harvey Kietel and Steve Buscemi are brilliant as always. The film's real strength, making it the greatest Holocaust film I've ever seen, is its relevance; we may think ourselves to noble to sell out our brethren to save our own lives, but we would certainly reconsider if actually faced with this choice. In the end, Nelson brilliantly implies that perhaps the nightmare world of the Sonderkomando is really not so different from our own workaday reality.