During WWII, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow that his camp would never experience the same thing. But those who were ... See full summary »
The true story of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. Nyiszli was one of Auschwitz's Sonderkommandos - Special Squads of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of helping to exterminate fellow Jews in exchange for a few more months of life. Together, the Sonderkommandos struggled to organize the only armed revolt that would ever take place at Auschwitz. As the rebellion is about to commence, a group from the unit discovers a 14-year-old girl who has miraculously survived a gassing. A catalyst for their desperate attempt at personal redemption, the men become obsessed with saving this one child, even if doing so endangers the uprising which could save thousands. To what terrible lengths are we willing to go to save our own lives, and what in turn would we sacrifice to save the lives of others? Written by
Sujit R. Varma
Although Harvey Keitel plays SS-Oberscharfuhrer Eric Muhsfeldt, Keitel himself is of Jewish-Polish heritage. See more »
After the execution some of the extras are visibly moving their heads and hands. See more »
[outside the gas chamber]
You're all fine! The quicker you get undressed, the quicker you'll be clean, settled and reunited with your families.
Morris, Man with Watch:
Remember the number of the hook you hang your clothes on!
Morris, Man with Watch:
He's a liar! I can't believe it's Jews doing this!
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THE GREY ZONE is so good it's literally painful to watch.
This might not sound like a recommendation, but when you consider the film's subject matter, "painful" is actually a good word to describe THE GREY ZONE's brilliance. Director Tim Blake Nelson has crafted a fascinating portrayal of the Sonderkomando, Jewish concentration-camp prisoners who help the Nazis in order to ensure for themselves a few extra months of life, as well as creature comforts denied to the other prisoners. The script and cast are equally effective. David Arquette proves himself to be not merely the idiot bastard son of the Arquette family with a powerful performance; Harvey Kietel and Steve Buscemi are brilliant as always. The film's real strength, making it the greatest Holocaust film I've ever seen, is its relevance; we may think ourselves to noble to sell out our brethren to save our own lives, but we would certainly reconsider if actually faced with this choice. In the end, Nelson brilliantly implies that perhaps the nightmare world of the Sonderkomando is really not so different from our own workaday reality.
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