A Nazi doctor, along with the Sonderkomando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral grey zone.
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A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
Adam Baldwin,
Vincent D'Onofrio
During the U.S.-Viet Nam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.
A depiction of the brutal battle of Stalingrad, the Third Reich's 'high water mark', as seen through the eyes of German officer Hans von Witzland and his battalion.
Director:
Joseph Vilsmaier
Stars:
Dominique Horwitz,
Thomas Kretschmann,
Sebastian Rudolph
A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Director:
Joel Schumacher
Stars:
Colin Farrell,
Matthew Davis,
Clifton Collins Jr.
14-year-old György's life is torn apart in World War II Hungary as he is sent to a concentration camp where he is forced to become a man, and learns to find happiness in the midst of hatred, and what it really means to be Jewish.
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Injuries sustained by two Army ranger behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.
The true story of Dr. Miklos Nyiszli, a Hungarian Jew chosen by Josef Mengele to be the head pathologist at Auschwitz. Nyiszli was one of Auschwitz's Sonderkommandos - Special Squads of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of helping to exterminate fellow Jews in exchange for a few more months of life. Together, the Sonderkommandos struggled to organize the only armed revolt that would ever take place at Auschwitz. As the rebellion is about to commence, a group from the unit discovers a 14-year-old girl who has miraculously survived a gassing. A catalyst for their desperate attempt at personal redemption, the men become obsessed with saving this one child, even if doing so endangers the uprising which could save thousands. To what terrible lengths are we willing to go to save our own lives, and what in turn would we sacrifice to save the lives of others? Written by
Sujit R. Varma
Jeff Danna who is the credited composer did not score the movie. There is no score in the actual film but he did write music for the title and end credit sequences. He also arranged a classical piece used as source music. See more »
Goofs
In the first set of end credits listing the stars, Brían F. O'Byrne's last name is spelled "O'Bryne"; it is spelled correctly in the second set, listing the entire cast. See more »
Tim Blake Nelson takes his stage play--an adaptation of a book by Miklos Nyiszki--to the big screen,and what a story it is!
An unthinkable,unconscionable deal has been worked out between a certain group of Nazi death camp inmates and their captors: in order to avoid the ovens(in all likelihood,only temporarily),these inmates would use their talents(among them,musical) to placate and ease along the funneling of other Jews and "undesirables" into the death chambers. A strong cast and an even stronger screenplay/script is augmented by very intelligent cinematography. Particularly good turns by David Arquette,Steve Buscemi,Daniel Benzali and Mira Sorvino as the inmates,all desperate,all convinced of what they have to do to survive and in Arquette's character's case,not even certain if it is even worth it.
It would be tempting to slam "Schindler's List" after seeing this,but I won't. SL is meant as an epic,a tribute,a story of the upside of surviving through the most dense of human tragedy,whereas GZ is a decidedly darker exploration of what happens to people in the same situation but are pushed into much less noble,much more selfish and desperate devices. Both are strong examples of the genre,but where GZ triumphs is that that it explores the most damning actions through the consciences of people faced with decisions that nobody should have to make. It is an unflinching portrait of a dark chapter in human history,rife with detail and completely lacking of lecturing. THis film is for anyone who wants to see an unvarnished and stark portrayal of the human condition brought to its lowest denominator. A must-see for college classrooms and Holocaust museums anywhere!
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Tim Blake Nelson takes his stage play--an adaptation of a book by Miklos Nyiszki--to the big screen,and what a story it is!
An unthinkable,unconscionable deal has been worked out between a certain group of Nazi death camp inmates and their captors: in order to avoid the ovens(in all likelihood,only temporarily),these inmates would use their talents(among them,musical) to placate and ease along the funneling of other Jews and "undesirables" into the death chambers. A strong cast and an even stronger screenplay/script is augmented by very intelligent cinematography. Particularly good turns by David Arquette,Steve Buscemi,Daniel Benzali and Mira Sorvino as the inmates,all desperate,all convinced of what they have to do to survive and in Arquette's character's case,not even certain if it is even worth it.
It would be tempting to slam "Schindler's List" after seeing this,but I won't. SL is meant as an epic,a tribute,a story of the upside of surviving through the most dense of human tragedy,whereas GZ is a decidedly darker exploration of what happens to people in the same situation but are pushed into much less noble,much more selfish and desperate devices. Both are strong examples of the genre,but where GZ triumphs is that that it explores the most damning actions through the consciences of people faced with decisions that nobody should have to make. It is an unflinching portrait of a dark chapter in human history,rife with detail and completely lacking of lecturing. THis film is for anyone who wants to see an unvarnished and stark portrayal of the human condition brought to its lowest denominator. A must-see for college classrooms and Holocaust museums anywhere!