| Harvey Keitel | ... | Zolo | |
| Joey Lauren Adams | ... | Inspector Julia Hyde | |
| Ed Quinn | ... | Dr. Richard Avery | |
| Gulshan Grover | ... | Sr. Inspector Vijay Kumar | |
| Stefan Djordjevic | ... | Sam Avery | |
| rest of cast listed alphabetically: | |||
| Shamaz Begum | ... | Young Prostitute | |
| Sherlyn Chopra | ... | Indian Nanny (as Mona Chopra) | |
| Suresh Gera | ... | Concierge | |
| B. Gurudas | ... | Bookseller | |
| Sue Hainsworth | ... | Sylvia | |
| K. Krishna Kumar | ... | Phone Man | |
| Meghna Maheshwari | ... | Woman in Sari | |
| Dennis Marcis | ... | Man at Brothel | |
| Tony Mirrcandani | ... | Kidnapper (as Tony Mirchandani) | |
| Kumar Murukurchy | ... | Heavy Set Man | |
| Maliki Sarah Paul | ... | Convention Speaker | |
| Simon Paul | ... | Bellman | |
| Raman Punjabi | ... | Pick-up Man | |
| Yousuf Quasim | ... | Goonda #1 | |
| D.S. Raju | ... | Driver | |
| Rakesh | ... | Drug Courier | |
| Panduranga Rao | ... | African Doctor | |
| Ram Mohan Rao | ... | Old Begger | |
| Ramchander Rao | ... | Old Man | |
| Roshan | ... | Doorman | |
| Charan Saluja | ... | Sub Inspector | |
| Deependra Shadab | ... | Thug at Club | |
| Roy Shadab | ... | Thug at Club | |
| Lalith Sharma | ... | Police Superintendent | |
| Satish Sharma | ... | Inspector Ganesh | |
| Amarjeet Singh | ... | Turbanned Doctor | |
| Raju Singh | ... | Goonda #2 | |
| Vasu Vangala | ... | Sub Inspector | |
| Vinay Varma | ... | Tiger | |
Directed by | |||
| Jack Sholder | |||
Writing credits(in alphabetical order) | ||
| Michael Cordell | written by | |
| Gregory Gieras | screenplay | |
Produced by | |||
| Vicky Pike | .... | producer | |
| Morris Ruskin | .... | producer | |
Original Music by | |||
| J. Peter Robinson | |||
Cinematography by | |||
| Ajayan Vincent | (director of photography) | ||
Film Editing by | |||
| Andy Horvitch | |||
Production Design by | |||
| Jonathan A. Carlson | |||
Makeup Department | |||
| Julie Duffer | .... | key hair stylist | |
| Sharon Phillon | .... | key makeup artist | |
Production Management | |||
| Shani Tuch | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Carl Lawrence Ludwig | .... | first assistant director | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| Brad Bryan | .... | sound mixer | |
| Alan Decker | .... | sound re-recording mixer | |
| William Griggs | .... | sound designer | |
| Tim Philben | .... | sound re-recording mixer | |
| Tim Tuchrello | .... | first assistant sound editor | |
| David Weisberg | .... | adr mixer | |
Visual Effects by | |||
| Brady Hallongren | .... | title opticals supervisor | |
| Sean Hewitt | .... | optical printer operator | |
| Rita Schrag | .... | optical printing supervisor | |
| Jim Stewart | .... | optical designer | |
Stunts | |||
| Abid Baluch | .... | stunt double | |
| Arif Baluch | .... | stunt double | |
| Shaik Kamruddin | .... | stunt coordinator | |
| Shaik Sohail | .... | stunts | |
Camera and Electrical Department | |||
| Jacques Haitkin | .... | director of photography: additional photography | |
| Shyamala Rao | .... | still photographer | |
| Brad Wallace | .... | assistant camera: additional photography | |
Casting Department | |||
| Dan Parada | .... | additional casting: Los Angeles | |
Editorial Department | |||
| Chris Weber | .... | negative cutter | |
Music Department | |||
| Bradford Ellis | .... | orchestrator (as Bradford T. Ellis) | |
| Rick Hart | .... | score mixer | |
| Lise Richardson | .... | supervising music editor (as Lisé Richardson) | |
| J. Peter Robinson | .... | orchestrator | |
| J. Peter Robinson | .... | score mixer | |
Other crew | |||
| Francesco Belfiore | .... | personal assistant: Harvey Keitel | |
| Dave Keffer | .... | title designer | |
| Justin Leibow | .... | title designer | |
| Mat Nastos | .... | production assistant | |
| Prabhan Sanyal | .... | script supervisor | |
| Asb Subramanyam | .... | location manager | |
| Denis O'Sullivan | .... | assistant: Harvey Keitel (uncredited) | |
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| Leather and Iron | Trade | King of New York | From Hell | Party Monster |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section |
This movie starts downhill the moment we fly with our protagonist to India, which is a montage of canned footage and poor set designs. The enciting scene where Ed Quinn's son is kidnapped is shot in a gaudy rendition of an Indian convention center, with stereotypical Hindi designs and gold plating covering every wall and pillar. Quinn runs outside to see if he can find his son, and we cut to yet another canned shot of Delhi street life.
The film says it was shot in India. I cannot believe that anyone with a budget to shoot overseas would create such atrocious sets rather than shoot on-location. I cannot believe that any native Indian would take part in such a grotesque representation of the nation and its people. The script is predictable, and while Joey Laruen Adams and Harvey Keitel aren't bad actors, this story does their respective careers no favors.
I hate to be rude, because it is an accomplishment that this film went through production and distribution, but the best moment in the film is the fade to black. This film shows no respect to the nation of India or its people, nor to the tenents of a good script or good acting.