A group of female friends in San Francisco investigate a serial killer targeting newlyweds.

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Writers:

(written for television by), (novel)
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Cast

Cast overview, first billed only:
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Chris Raleigh
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...
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Chessy Jenks
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Warren Jacobi
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Joanna Wade
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Lt. Roth
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Derek Lee
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Nicholas Jenks
Kristina Copeland ...
Merrill Cale
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David Brandt (as John Henry Reardon)
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Melanie Brandt
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Becky DeGraaff
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Storyline

A homicide inspector -- Lindsay Boxer -- who teams with three other professional women to catch an ingenious serial killer targeting newlyweds on their wedding nights. But while Boxer is trying to solve the biggest case of her career, she is also falling in love with her partner -- and privately waging her own battle with a life-threatening illness. Written by Jill Carmen

Plot Summary | Plot Synopsis

Taglines:

The honeymoon murders...to catch the killer, she'll become the bait.


Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »
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Details

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Language:

Release Date:

23 February 2003 (USA)  »

Also Known As:

Always a Bridesmaid  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

When Nicholas Jenks escapes from the Department of Corrections car, he kicks out the rear window in order to get out. When the police are at the crash scene, the window is back in place. See more »

Connections

References The Fugitive (1963) See more »

Soundtracks

Tell Me That You Love Me Tonight
Written by Joe Lervold , Larry Batiste & Dennis Wadlington
Courtesy of Master Source
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User Reviews

A Wonderful Example
23 October 2004 | by (Los Angeles) – See all my reviews

One might actually enjoy '1ST TO DIE' as it probably makes good background chatter during a bout of house-cleaning or roof-repair.

Only half of the principal characters are well-played. Gil Bellows, Megan Gallagher and Mitch Pileggi deserve some applause for their efforts. However, the rest of the cast play their characters either over-the-top or with the enthusiasm of a grape. The scenes with Tracy Polan (shrill) and Carly Pope (tedious) are so awful as to be beyond any credibility - the worn-out dialog can only be blamed for so much. 'The Women's Murder Club' scenes are so poorly conceived, that the entire idea falls flat early on. And what can one say about Pam Grier?

The film is a full 160 minutes long, the last twenty encompassing every tiresome twist one has come to expect. A wonderful example of truly awful writing.


1 of 2 people found this review helpful.  Was this review helpful to you?

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