It's the Christmas season. Wealthy Chicago ad executive Drew Latham has long avoided the family traditions of Christmas, but has dreaded being alone on the actual day. So when his tropical Christmas vacation with girlfriend Missy Vangilder falls through with Missy breaking up with him in the process, Drew, in going through some self-therapy, decides what he really needs is to relive the memorable Christmases from his childhood, which includes spending time with his parents and younger brother. As that is not possible, he decides to rent a family, namely ones he's never met before, the Valcos - husband and wife Tom and Christine and their teenaged son Brian - who now live in Drew's childhood home in suburban Chicago. Tom initially wants nothing to do with Drew until an exorbitant sum of money is involved, all written in a contract which expires at the end of Christmas day. What Drew is initially unaware of, or what he chooses to remain ignorant about, is that the Valcos are going ... Written by
The production was shot without a completed script. As a result, there were many delays and arguments over what to shoot. James Gandolfini admitted, in a behind the scenes interview, that most of the film was "improvised". See more »
At 1.14 in, when Missy is outside in the car talking to Drew on the phone, the bracelet is clearly on her right wrist. Once inside the house the bracelet is now on her left wrist and stays there for the duration of the movie. See more »
Folks, my firm's done a tremendous amount of marketing research and we've discovered two critical things, one; most Americans feel that Christmas is a time for family. Two; most Americans feel that in order to stand being around their family, for even one or two days, they need to swill as much alcohol as humanly possible.
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A ridiculous and perverse premise has somehow made its way onto cinema screens this Christmas. Just like Christmas With The Kranks and The Polar Express, Surviving Christmas winds towards a festive moral that aims to fill the audience with yuletide cheer. The execution of said moral in this particular seasonal release is highly questionnaire but unmistakably funny.
Surviving Christmas has been slammed by the critics remorselessly. Nobody seems to have liked this twisted retelling of the story of Scrooge, and I believe I have found the answer: nobody likes Ben Affleck.
Affleck plays a rich ad executive who pays a dysfunctional family to take him in and make Christmas just how it was when he was a child. This seriously strange idea could, in the right hands, been a gross out smash hit in the Farrely brothers style. Instead, Mike Mitchell decides to take the whole thing a little too seriously and what results is a comedy that is uncomfortable with itself. As a result the actors are left unsure whether to play their characters straight or exaggerated. This can be all be blamed on the script, or lack thereof. Filming took place without a finished draft, and thus, parts of the film were improvised and unfunny material remains in the final cut.
Nevertheless, there are many positive attributes to this genre subverting film. James Gandolfini is very entertaining as the constantly resentful Tom Valco whose only vice, in true Christmas spirit, is money.
Ben Affleck style in comedic roles is disliked by many, but his specific brand of humour is allowed to thrive in this unnatural plot and situation driven comedy. The character of the son (Josh Zuckerman) is underdeveloped, as is the family's relationship with its neighbours, but again the unfinished script can be held accountable.
Surviving Christmas is by no means a great film, but it is certainly not as bad as it has been labelled. Unfortunately, most won't get a chance to decide for themselves until this film is released on DVD as it was grossly under marketed in the UK. An offbeat comedy and a genuine step forward for the Scrooge remakes that when given the chance to shine in its own right, works quite well.
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