Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Drew Latham is an executive leading an empty, shallow life with only wealth on his side. Facing another lonely Christmas ahead, Drew wants to revisit his old childhood home and possibly relive some old holiday memories. But when he arrives, he finds that the house in which he was raised is no longer the home in which he grew up. Inhabited by another family, Drew offers a nice financial reward that has the family ringing. But is Drew's generous cash offer only the beginning of an annoying visitor who's a little too overeager to celebrate Christmas? Written by
On Christmas eve Alicia's hair changes frequently from wavy to curly as the night progresses. It seems to get curlier as it gets later. See more »
Folks, my firm's done a tremendous amount of marketing research and we've discovered two critical things, one; most Americans feel that Christmas is a time for family. Two; most Americans feel that in order to stand being around their family, for even one or two days, they need to swill as much alcohol as humanly possible.
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A ridiculous and perverse premise has somehow made its way onto cinema screens this Christmas. Just like Christmas With The Kranks and The Polar Express, Surviving Christmas winds towards a festive moral that aims to fill the audience with yuletide cheer. The execution of said moral in this particular seasonal release is highly questionnaire but unmistakably funny.
Surviving Christmas has been slammed by the critics remorselessly. Nobody seems to have liked this twisted retelling of the story of Scrooge, and I believe I have found the answer: nobody likes Ben Affleck.
Affleck plays a rich ad executive who pays a dysfunctional family to take him in and make Christmas just how it was when he was a child. This seriously strange idea could, in the right hands, been a gross out smash hit in the Farrely brothers style. Instead, Mike Mitchell decides to take the whole thing a little too seriously and what results is a comedy that is uncomfortable with itself. As a result the actors are left unsure whether to play their characters straight or exaggerated. This can be all be blamed on the script, or lack thereof. Filming took place without a finished draft, and thus, parts of the film were improvised and unfunny material remains in the final cut.
Nevertheless, there are many positive attributes to this genre subverting film. James Gandolfini is very entertaining as the constantly resentful Tom Valco whose only vice, in true Christmas spirit, is money.
Ben Affleck style in comedic roles is disliked by many, but his specific brand of humour is allowed to thrive in this unnatural plot and situation driven comedy. The character of the son (Josh Zuckerman) is underdeveloped, as is the family's relationship with its neighbours, but again the unfinished script can be held accountable.
Surviving Christmas is by no means a great film, but it is certainly not as bad as it has been labelled. Unfortunately, most won't get a chance to decide for themselves until this film is released on DVD as it was grossly under marketed in the UK. An offbeat comedy and a genuine step forward for the Scrooge remakes that when given the chance to shine in its own right, works quite well.
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