Spain, 1966, a high-school English/Latin teacher, Antonio, drives to Almeria in hopes of meeting his hero, John Lennon. Along the way, Antonio picks up two runaways. The movie title, Living... See full summary »
Natalia de Molina,
Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but... See full summary »
A fourteen year old lad discovers his first love at the point of his pencil whilst drawing the portrait of a sickly but coquettish fifteen year old girl. In the neighbourhood an old ... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
Carolo and Benito are two losers with a loose screw who share their passion for cinema. They've written a script for Benito to direct and Carolo to act, but they also need a leading actress so they approach their muse, Amanda Castro, a famous star whose career is starting to go downhill because of her drug problems and bitter character. She takes them for whackos (which indeed they are a bit) and refuses to listen to them. So then, driven by their determination, the two men kidnap her and take her to a remote house in the woods, where filming will take place, in the hope that her initial hostility will turn to friendship once she gets to know them and their project... Written by
Pablo Montoya <[email@example.com]>
Charming, and much better than the similarly-themed Cecil B. Demented
Obra Maestra ("Masterpiece" in Spanish) was released in Spain more or less at the same time as Cecil B. Demented, and this was quite a coincidence, since both movies have very a similar set-up: A famous actress is kidnapped by guerrilla filmmakers so she will star in their crazy no-budget stab at making a movie. This superficial similarity in the plot line can only have hindered Obra Maestra's chances at an international distribution, and this is really unfortunate, because the similarities end very soon, and Obra Maestra is so much better than John Waters's disjointed farce.
This is a truly charming gem of a movie with real heart, where there are no good or bad people but just three very different characters thrown together in an uncomfortable situation and trying to come to terms with their limitations. The evolution of the characters and their relationships feels credible, not at all forced, and you end up appreciating them and seeing both the good things and not-so-good things about them, just as they also learn to do. And on top of this, it's very funny as well. Carbonell and Segura are two of Spain's top comedians, and they're on great form here, their characters made even more ridiculous by playing against the "bitter bitch" Gil, who is basically reprising one of her usual roles and can do this in her sleep. The best thing is that, like all the best comedies, Obra Maestra can make you laugh, but also be very touching. Don't miss this film if you ever come across it, you won't regret it.
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