A modern supernatural horror film that explores the dark side of the human psyche, and the terror in facing up to one's darkest fears. Set in London, England, the film begins with a group ... See full summary »
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Judy Ann Santos,
This is a British movie set in Brighton. It shows teenage angst and female gang behaviour. The leader of the gang is Hayley (Lara Belmont) and the other gang members are Jo (Beccy Armory)... See full synopsis »
A group of British students enbark on summoning spirits on a Ouija board after a night of clubbing. But someone breaks the link before they have finished and now a demon is trapped in their world and the only way to banish it, is for all the people who summoned it to die. Written by
During a Ouija session, several drunken teenagers summon a djinn which proceeds to kill them, one by one.
Though clearly influenced by American horror movies, LONG TIME DEAD finds an echo in Michael Armstrong's UK thriller THE HAUNTED HOUSE OF HORROR (1969), in which bored teenagers inadvertently sparked the wrath of a deadly killer - in Armstrong's film, the villain was an all-too-human maniac, whereas Marcus Adams' updated version unleashes the forces of supernatural terror on its hapless protagonists. Alec Newman (from the TV remake of DUNE) is the unofficial leader of the group, whose father (Michael Feast) was involved in similar jiggery-pokery many years earlier, leading to several deaths witnessed by Newman as a child.
The movie opened in UK theaters to scathing reviews and dismal box-office, and while the artless, multi-authored screenplay wanders aimlessly from scene to scene (the curse of so many modern horror films), it isn't nearly as bad as various reviews have suggested. Performances are uniformly fine (particularly Newman as the damaged young man forced to come to terms with his father's terrible legacy, and former soap star Joe Absolom as a potential victim), and Adams stages the various set-pieces with brisk precision, building to a fiery showdown between Newman and the unstoppable monster. The narrative makes little sense, but the movie is efficient and watchable, and amounts to passable popcorn entertainment, nothing more or less.
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