| Photos (See all 47 | slideshow) | Videos (see all 27) |
| Mona Marshall | ... | Kaite (25 episodes, 1998) | |
| Jeff Nimoy | ... | Nicholas D. Wolfwood (11 episodes, 1998) |
Series Directed by | |||
| Satoshi Nishimura | (26 episodes, 1998) | ||
Series Writing credits | ||
| Yôsuke Kuroda | (3 episodes, 1998) | |
| Yasuhiro Nightow | (2 episodes, 1998) | |
Series Produced by | |||
| Shigeru Kitayama | .... | producer (26 episodes, 1998) | |
| Shigeki Komatsu | .... | executive producer (26 episodes, 1998) | |
| Masao Maruyama | .... | executive producer (26 episodes, 1998) | |
| Masao Morosawa | .... | producer (26 episodes, 1998) | |
Series Original Music by | |||
| Tsuneo Imahori | (26 episodes, 1998) | ||
Series Film Editing by | |||
| Yukiko Ito | (26 episodes, 1998) | ||
| Harutoshi Ogata | (26 episodes, 1998) | ||
| Satoshi Terauchi | (26 episodes, 1998) | ||
Series Production Design by | |||
| Masahiro Otake | (unknown episodes) | ||
Series Art Direction by | |||
| Hidetoshi Kaneko | (26 episodes, 1998) | ||
Series Production Management | |||
| Toru Iikawa | .... | assistant production manager (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Yutaka Sato | .... | assistant unit director (unknown episodes) | |
Series Art Department | |||
| Satoshi Nishimura | .... | storyboard artist: opening animation / storyboard artist (26 episodes, 1998) | |
Series Sound Department | |||
| Shizuo Kurahashi | .... | sound effects editor (26 episodes, 1998) | |
| Kazunari Tanaka | .... | sound recordist (26 episodes, 1998) | |
| Keiko Terao | .... | sound producer (26 episodes, 1998) | |
Series Special Effects by | |||
| Toyohiko Sakakibara | .... | special effects (unknown episodes) | |
Series Animation Department | |||
| Akihiko Isozaki | .... | color designer: Studio OZ (26 episodes, 1998) | |
| Noriyuki Jinguji | .... | mechanical designer (26 episodes, 1998) | |
| Takahiro Yoshimatsu | .... | animation director: opening animation / character designer / ... (26 episodes, 1998) | |
| Yoshimitsu Ôhashi | .... | animator: ending animation (25 episodes, 1998) | |
| Takuya Iida | .... | background artist (unknown episodes) | |
| Matsatsugu Kawai | .... | inbetween checker (unknown episodes) | |
| Hiroki Matsumoto | .... | background artist (unknown episodes) | |
| Masumi Nishikawa | .... | background artist (unknown episodes) | |
| Akiko Ohashi | .... | animator / inbetween artist (unknown episodes) | |
| Mayumi Okada | .... | background artist (unknown episodes) | |
| Yuka Okamoto | .... | background artist (unknown episodes) | |
| Toshiyuki Yoshimura | .... | background artist (unknown episodes) | |
Series Editorial Department | |||
| Akihiko Sozaki | .... | color coordinator (unknown episodes) | |
Series Other crew | |||
| Yôsuke Kuroda | .... | series organization (26 episodes, 1998) | |
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| "Cowboy Bebop" | "Fullmetal Alchemist" | Cowboy Bebop: The Movie | Star Wars: Episode VI - Return of the Jedi | Star Wars |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Animation section | IMDb Japan section |
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A lot of animes set people off. Slow beginnings, long series, and lack of substance make a lot of anime shows completely unwatchable to the newcomer.
Those animes should take a lesson from Trigun. If there was ever an anime that told a story best in 26 episodes, it's definitely this one. Vash The Stampede, a supposed outlaw with a $$60 million reward, must set out to find where his life started and how to go on now. On his journey he is tagged along by reporters Meryl Stryfe and Milly Thompson, and is later accompanied by the gun-toting priest Nicholas D. Wolfwood.
Every episode has its own wonderful story and solves a little more of the mystery of Vash's life, always wanting you hungering for more but feeding you enough to love that episode just as much as any other. I, for one, was very able to connect to the characters as each has their own colorful and lovable personality. It brought a lot of life to an anime series that you aren't treated to often.
There's no way you can't enjoy Trigun - it's an anime series for all and definitely one that will last throughout anime history as one of the best. It may not be glittered with massive CG and high-budget animation, but that's not what is important. If you haven't seen this yet, go see it now.