In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all ... See full summary »
Two scientists are placed in hibernation and should be awaken after three years. But when they wake up, it turns out that it has been fifty years, and they are the only two males in a new, underground society composed exclusively of women.
What Will You Do When You Catch Me? is a parody of comunist times in Poland. A state-owned company director is having an afair during his delegation. Later on, his mistress turns out to be ... See full summary »
The main character is the manager of a sport club, nicknamed "Teddy Bear" by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a ... See full summary »
Magda buys an old Mercedes to go to Paris with four strangers willing to save money on travelling together. But it turns out the car is stolen and the girl quite carefree which makes leaving Warsaw very problematic.
A young boy working in a car repair shop wants to work for a local gangster. He has a tough life at home and work isn't exactly easy and he really feels like it will be his only way of getting somewhere.
It seems that ever since the success of "Chlopaki Nie Placza" Poland has seen a little to many crime films. First of all, one genre gets boring and it hardly portrays an accurate representation of the country. Sure there are gangsters in Warsaw, but aren't they in every big city? Not that all Polish crime films are bad, "Symertria" for one, was a very good and hard hitting drama about some truly rough spots in life, but unlike this film, "Symetria" presented fundamental truths and insights into life and its problems. "To ja, zlodziej" really goes nowhere interesting on top of looking very amateurish. The acting is almost theatrical with its over expressive acting (especially during arguments) and the camera work just plain dull. The only true highlight is the typically good performance by veteran actor Janusz Gajos.
Poland really needs some insightful filmmakers to liven up its post-Soviet cinema. Even the greats like Wajda have worn a bit thin since seem to do just adaptations of literature. That's not wholly bad, but some original movies and story lines that talk about Poland NOW and not in the past would be most welcome. --- 5/10
Not rated, has profanity and some violence which would most likely score it an R by MPAA standards.
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