The story takes place in two parallel time planes. The first plot follows the events of one autumn night in 1978. Edward Srodon, a zootechnician, makes an accidental stopover in a farmhouse... See full summary »
In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all ... See full summary »
A comedy. The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. ... See full summary »
Leon, the 40-year-old former soldier who is an alcoholic now, gets a job as a bodyguard. His duty is to take care of one of the Mafia leader's daughters. His problems begin when he falls in love with the 16-year-old girl.
The main character is the manager of a sport club, nicknamed "Teddy Bear" by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a ... See full summary »
Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw's police, is released from prison where he was doing time for his brutality and murders. He is ... See full summary »
A young boy working in a car repair shop wants to work for a local gangster. He has a tough life at home and work isn't exactly easy and he really feels like it will be his only way of getting somewhere.
It seems that ever since the success of "Chlopaki Nie Placza" Poland has seen a little to many crime films. First of all, one genre gets boring and it hardly portrays an accurate representation of the country. Sure there are gangsters in Warsaw, but aren't they in every big city? Not that all Polish crime films are bad, "Symertria" for one, was a very good and hard hitting drama about some truly rough spots in life, but unlike this film, "Symetria" presented fundamental truths and insights into life and its problems. "To ja, zlodziej" really goes nowhere interesting on top of looking very amateurish. The acting is almost theatrical with its over expressive acting (especially during arguments) and the camera work just plain dull. The only true highlight is the typically good performance by veteran actor Janusz Gajos.
Poland really needs some insightful filmmakers to liven up its post-Soviet cinema. Even the greats like Wajda have worn a bit thin since seem to do just adaptations of literature. That's not wholly bad, but some original movies and story lines that talk about Poland NOW and not in the past would be most welcome. --- 5/10
Not rated, has profanity and some violence which would most likely score it an R by MPAA standards.
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