Tyler is a restless, streetwise 21-year-old Hong Kong native who's had trouble gaining the trust of others all his life. He secretly fantasizes about living the good life in South America. ... See full summary »
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Wong Chau-Sang
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with a replacement inspector who is getting in their way. Meanwhile, the crime boss plots a killing spree on them.
Tyler is a restless, streetwise 21-year-old Hong Kong native who's had trouble gaining the trust of others all his life. He secretly fantasizes about living the good life in South America. After a while, he is forced to deal with the reality of impending fatherhood. Hankering for quick cash, however, he joins a bodyguard company. Later, he makes friends with a once disillusioned mercenary determined to begin life in a new way. However, their companionship is brief: they both are uncontrollably forced toward opposite sides of a deadly showdown... Written by
L.H. Wong <firstname.lastname@example.org>
Wu Bai was requested by the director to compose a Happy Birthday song that nobody has ever heard of just half an hour before filming. Then he was given half an hour again to come up with alternate lyrics for the song, used for a later scene of them singing in the car. See more »
It is said in the beginning there was nothing. Everything was pitch black. The one in charge said that wouldn't do. Then there was light. Light is good. It lets you see the world around you. The next day, sky appeared. That same sky has rainbows. And lightning, too. Very interesting. On the third day, there was water. Water brought plants... and animals. Then began the game of survival of the fittest. On the sixth day, He created man. Most imperfect. After that, woman. He thought ...
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The only thing about this movie I didn't understand was why people found it incoherent (not a single mainstream reviewer got it). It's not linear, paint-by-numbers Hollywood exposition - but there IS a definite plot and if you pay attention there's actually some very nice subtle storytelling. Surrounded of course by some very kinetic, "let's see you rip this off" action scenes. Tsui Hark is out ahead of the curve again.
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