Tyler is a restless, streetwise 21-year-old Hong Kong native who's had trouble gaining the trust of others all his life. He secretly fantasizes about living the good life in South America. ... See full summary »
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Wong Chau-Sang,
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with a replacement inspector who is getting in their way. Meanwhile, the crime boss plots a killing spree on them.
Tyler is a restless, streetwise 21-year-old Hong Kong native who's had trouble gaining the trust of others all his life. He secretly fantasizes about living the good life in South America. After a while, he is forced to deal with the reality of impending fatherhood. Hankering for quick cash, however, he joins a bodyguard company. Later, he makes friends with a once disillusioned mercenary determined to begin life in a new way. However, their companionship is brief: they both are uncontrollably forced toward opposite sides of a deadly showdown... Written by
L.H. Wong <email@example.com>
It is said in the beginning there was nothing. Everything was pitch black. The one in charge said that wouldn't do. Then there was light. Light is good. It lets you see the world around you. The next day, sky appeared. That same sky has rainbows. And lightning, too. Very interesting. On the third day, there was water. Water brought plants... and animals. Then began the game of survival of the fittest. On the sixth day, He created man. Most imperfect. After that, woman. He thought ...
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I really thought I would like this movie. It's Hong Kong action, which I love, and it was directed by Tsui Hark, who has directed some really good examples of the genre.
However, I was sorely let down. Yes, some of the action sequences are creatively staged and shot, and are unlike any action sequences in American movies. They were entertaining - but I could only get so involved in them. For one thing, a lot of them are so confusing, that I wasn't sure who was who, who wanted to do what, and who was after who. The editing and zippy camera movements really make it hard to get a hold of things like that at times.
And speaking of confusing....the script provided the most confusion. I did understand the core plotlines enough. But subplots and character motivations were extremely jumbled. At times, things seem to be introduced with no explanation (like the opening robbery sequence - I wasn't sure who was on each side, and what they were exactly trying to do!) Some actions by the characters come with no explanation, and some characters exit the movie before their motivations are fully explained.
As well, I didn't care for the two protagonists - they just seemed like long-haired punks to me, with nothing that compelled you to see what they would do (unlike, say, the hit man in THE KILLER.)
Tsui Hark needs to look back on his earlier movies, where there were more understandable stories, and action sequences that didn't scramble your brain with rapid editing and breakneck camera moves. When he does that, I'll be first in line for his subsequent movie.
3 of 9 people found this review helpful.
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