Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
John Quincy Archibald's son Michael collapses while playing baseball as a result of heart failure. John rushes Michael to a hospital emergency room where he is informed that Michael's only hope is a transplant. Unfortunately, John's insurance won't cover his son's transplant. Out of options, John Q. takes the emergency room staff and patients hostage until hospital doctors agree to do the transplant. Written by
During the intro, the truck's brand that hits the woman's car and killed her afterwards is Mack. This can be seen on the front of the truck. And after that throughout the whole movie, Denzel uses a Mack cap in so many occasions. See more »
The rear-view mirror has been removed from John's pickup. See more »
[laughing in realization]
I get it, you a member of the Slapaho Tribe.
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John Q (Denzel Washington) is just an average man, he works at a factory and his wife and his son Michael are his whole world. When his son is taken ill and needs an needs an urgent heart transplant, he soon learns that his insurance won't cover the bills and he has no real hope of raising the cash himself. In an act of desperation he holds the emergency room hostage, it's all he can do to get his son the care he needs.
I felt the film was fundamentally flawed, yet it was made and performed with such passion and realism, what at first seems like a far-fetched plot is soon forgotten about, and you have to just go with the flow of this emotionally charged drama.
The cast is very strong, and the direction holds the story together very nicely; but most of all it achieves what it sets out to do, and that is move the audience.
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