After more than forty years apart, Andreas and Claire embark on an affair as reckless and intense as when they were young lovers. Widowed musician Andreas decides to get back in touch with ... See full summary »
This documentary on the life of artist Vincent Van Gogh is told through his letters to his brother Theo from 1872 until his tragic death. We gain first hand insight into the man, his motivations and his humanity.
Dramatization of Russian ballet star Vaclav Nijinsky's diaries which detail his madness as well as his homosexual relationship with Ballet Russe impresario Sergei Diaghilev and his marriage to his Hungarian wife.
An unfocused twentysomething (Peter Fenton) moves in with a former co-worker (Sacha Holder), who is suffering from low self-esteem because of her weight, looks, and a case of eczema. Their ... See full summary »
After more than forty years apart, Andreas and Claire embark on an affair as reckless and intense as when they were young lovers. Widowed musician Andreas decides to get back in touch with his one great love, Claire, who is still married to her first husband, John. Andreas and Claire find that the connection they shared when they were young is still there and they soon become involved in a rekindled love affair. However, this time around, there are more complications, including the possibilities of ill health and death, as well as the impact their relationship might have on John. Written by
Sujit R. Varma
This film took my breath away. It's been many months, perhaps years, since I last felt so moved by a feature film.
Paul Cox has certainly outdone himself with this one. There were times when I was reminded of `A Woman's Tale', his offering from around ten years ago, particularly during the discussions about life, death and love. In particular, his theme about death being a part of life continues in this feature.
The performances of Tingwell, Blake and Norris are outstanding, and the scenes of intimacy are tasteful and beautiful. The Australian scenes were filmed in Adelaide, and this city scrubs up well and does the story justice.
Cox makes ample use of his usual visual signatures - faces through glass doors, reflections in water, wind chimes, caged birds, people talking from the other side of trees in autumnal glory. However, for me, the scene in the church when Andreas plays `Jerusalem' on the pipe organ, managed to gather together the visual with the aural, and deliver a hefty dose of the emotional as well.
An astonishing film, and the most believable love story I have ever seen on the big screen.
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