| Photos (See all 32 | slideshow) |
| Bruce Willis | ... | Col. William A. McNamara | |
| Colin Farrell | ... | Lt. Thomas W. Hart | |
| Terrence Howard | ... | Lt. Lincoln A. Scott | |
| Cole Hauser | ... | Staff Sgt. Vic W. Bedford | |
| Marcel Iures | ... | Col. Werner Visser | |
| Linus Roache | ... | Capt. Peter A. Ross | |
| Vicellous Reon Shannon | ... | Lt. Lamar T. Archer (as Vicellous Shannon) | |
| Maury Sterling | ... | Pfc. Dennis A. Gerber | |
| Sam Jaeger | ... | Capt. R.G. Sisk | |
| Scott Michael Campbell | ... | Cpl. Joe S. Cromin | |
| Rory Cochrane | ... | Sgt. Carl S. Webb | |
| Sebastian Tillinger | ... | Pvt. Bert D. 'Moose' Codman | |
| Rick Ravanello | ... | Maj. Joe Clary | |
| Adrian Grenier | ... | Pvt. Daniel E. Abrams | |
| Michael Weston | ... | Pfc. W. Roy Potts | |
| Jonathan Brandis | ... | Pvt. Lewis P. Wakely (scenes deleted) | |
| Joe Spano | ... | Col. J.M. Lange | |
| Sam Worthington | ... | Cpl. B.J. 'Depot' Guidry | |
| Brad Hunt | ... | Pvt. G.H. 'Cookie' Bell | |
| Rúaidhrí Conroy | ... | Cpl. D.F. Lisko | |
| Tony Devlin | ... | Pvt. Donald W. West | |
| Michael Landes | ... | Maj. M.F. Giannetti | |
| David Barrass | ... | Maj. Hans Fussel | |
| Gary Gold | ... | McNamara's Aide | |
| Danny Babington | ... | Pvt. S.T. Engler | |
| Holger Handtke | ... | Maj. Johann Wirtz | |
| Grey Williams | ... | Pvt. R.S. Croutch | |
| René Ifrah | ... | Pvt. T.S. Krasner | |
| Steve Sarossy | ... | Lt. M.K. Adams | |
| Rocky Marshall | ... | Capt. Robert M. Swann | |
| Christian Kahrmann | ... | MP Sergeant | |
| Jim Boeven | ... | MP Sergeant | |
| Dan van Husen | ... | Boxcar Sergeant | |
| Georg Vietje | ... | Morning Guard | |
| Lukás Kantor | ... | Cranky Corporal | |
| Jakub Zdenek | ... | Delousing Private | |
| Jan Nemejovský | ... | Spike Guard | |
| Jan Marsík | ... | Tower Sentry | |
| Bohumil Svarc | ... | Nighttime Appel Guard | |
| Jirí Maria Sieber | ... | Kooler Guard (as Jirí M. Sieber) | |
| Dugald Bruce Lockhart | ... | Capt. Lutz (as Dugald Bruce-Lockhart) | |
| Richard Kardhordó | ... | Barracks 27 POW | |
| Jan Jakubec | ... | Lowly Guard | |
| Karel Belohradský | ... | Guard | |
| Jan Tesarz | ... | Guard | |
| Radek Kuchar | ... | Guard | |
| Martin Kohout | ... | Guard | |
| Vladimír Kulhavý | ... | Guard | |
| Martin Cízek | ... | Guard | |
| Alan T. Ward | ... | Barracks 22 Officer | |
| Stephen Fisher | ... | Barracks 22 Officer | |
| Dan Brown | ... | Barracks 22 Officer (as Daniel Fleischer-Brown) | |
| Peter Varga | ... | Russian POW | |
| Jan Dostál | ... | Russian POW | |
| Vít Herzina | ... | Russian POW | |
| Michael Beran | ... | Pvt. Pugh | |
| Joel Sugerman | ... | Unnamed GI | |
| rest of cast listed alphabetically: | |||
| Ted Hollis | ... | German Officer (uncredited) | |
Directed by | |||
| Gregory Hoblit | |||
Writing credits(WGA) | ||
| John Katzenbach | (novel) | |
| Billy Ray | (screenplay) and | |
| Terry George | (screenplay) | |
Produced by | |||
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| David Foster | .... | producer | |
| Wolfgang Glattes | .... | executive producer | |
| Patricia Graf | .... | associate producer | |
| Gregory Hoblit | .... | producer | |
| David Ladd | .... | producer | |
| Arnold Rifkin | .... | producer | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Alar Kivilo | |||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Deborah Aquila | |||
| Jessica Horáthová | |||
Production Design by | |||
| Lilly Kilvert | |||
Art Direction by | |||
| Martin Kurel | |||
| John Warnke | (supervising art director) | ||
Set Decoration by | |||
| Patrick Cassidy | |||
Costume Design by | |||
| Elisabetta Beraldo | |||
Makeup Department | |||
| Paul Engelen | .... | key makeup artist | |
| Melissa Lackersteen | .... | makeup artist | |
| Ivana Nemec | .... | hair stylist (as Ivana Nemcova) | |
| Radek Petr | .... | hair stylist | |
| Gerald Quist | .... | makeup artist: Bruce Willis (as Jerry Quist) | |
| Rene Stejskal | .... | special makeup effects artist | |
| Milan Vlcek | .... | key hair stylist | |
| Eva Vytlelová | .... | key makeup artist | |
| Michael White | .... | key hair stylist | |
| Marlene D. Williams | .... | hair stylist: Bruce Willis (as Marlene Williams) | |
Second Unit Director or Assistant Director | |||
| Jeff J.J. Authors | .... | first assistant director (as Jeffrey Steven Authors) | |
| Darrin Brown | .... | second second assistant director | |
| Penny Charter | .... | second assistant director | |
| Petr Drozda | .... | assistant director | |
| Oldrich Mach | .... | first assistant director: second unit | |
| Jirí Ostry | .... | first assistant director | |
| Douglas Plasse | .... | second assistant director (as Doug Plasse) | |
| Frantisek Rezek | .... | second assistant director | |
| David Rosenbloom | .... | second unit director | |
| Jan Strasik | .... | assistant director: second unit | |
| Janet Zdyb | .... | third assistant director | |
Art Department | |||
| Jakub Berdych | .... | stand-by painter | |
| Steve Brennan | .... | on-set dresser | |
| Elizabeth Flaherty | .... | art department coordinator | |
| David Gulick | .... | property master | |
| Tomas Hais | .... | set dresser | |
| Pavel Hemmy | .... | lead man | |
| Klara Holubova | .... | props interpreter | |
| Roman Illovsky | .... | assistant art director | |
| Dita Lampová | .... | set designer | |
| Tomás Lehovec | .... | stand-by props | |
| P.K. MacCarthy | .... | storyboard artist | |
| Zdenek Maska | .... | construction foreman | |
| Jirí Matolín | .... | construction coordinator | |
| Stefan Mily | .... | set dresser | |
| Cesar Orozco | .... | propmaker | |
| Marketa Puzmanova | .... | assistant art department coordinator | |
| Barbara Sandberg | .... | art department assistant (as Barbara Bryndova) | |
| Iva Vacková | .... | construction foreman | |
| David Voborsky | .... | assistant art director | |
| Jiri Zucek | .... | assistant property master | |
Sound Department | |||
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| Jessica Bellfort | .... | assistant supervising sound editor (as Jessica Rankin) | |
| Tom Bellfort | .... | supervising sound editor | |
| Steve Boeddeker | .... | sound designer (as Stephen Boedekker) | |
| Steve Boeddeker | .... | sound re-recording mixer (as Stephen Boedekker) | |
| Karen Brocco | .... | dialogue assistant | |
| Lindakay Brown | .... | dialogue editor | |
| Tim Burby | .... | digital sound transferer | |
| Lisa Chino | .... | assistant supervising sound editor | |
| John Countryman | .... | digital sound transferer | |
| Chris Dibble | .... | sound engineer | |
| Tony Eckert | .... | foley mixer | |
| Simon Geanuer | .... | assistant sound engineer | |
| Jonathan Greber | .... | digital sound transferer | |
| David C. Hughes | .... | sound effects editor | |
| David Hunter | .... | digital editorial services | |
| Noah Katz | .... | digital editorial services | |
| Joanna Laurent | .... | foley editor (as Joey Laurent) | |
| Kyrsten Mate | .... | sound effects editor (as Krysten Comoglio) | |
| Marilyn McCoppen | .... | adr editor | |
| Frank 'Pepe' Merel | .... | foley mixer | |
| Steve Morris | .... | engineering services | |
| Colin O'Neill | .... | assistant sound effects editor | |
| Steve Pellut | .... | assistant sound engineer | |
| Steve Romanko | .... | sound | |
| David M. Ronne | .... | production sound mixer (as David Ronne) | |
| Jurgen Scharpf | .... | sound mix technician | |
| Robert Shoup | .... | foley editor (as Bob Shoup) | |
| Jan Skala | .... | cable person | |
| Daniel Sperry | .... | stereo sound consultant: Dolby (as Dan Sperry) | |
| Greg Steele | .... | adr mixer | |
| Erich Stratmann | .... | sound effects editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Cary Weitz | .... | boom operator | |
| Gwendolyn Yates Whittle | .... | adr supervisor | |
| Gwendolyn Yates Whittle | .... | dialogue supervisor | |
| Roberto Cappannelli | .... | sound re-recording mixer (uncredited) | |
| Brian Magerkurth | .... | sound re-recordist (uncredited) | |
| George Peterson Jr. | .... | sound re-recordist (uncredited) | |
| Ronald G. Roumas | .... | sound re-recordist (uncredited) | |
Special Effects by | |||
| Jaroslav Kolman | .... | special effects technician | |
| Martin Kubricht | .... | special effects crew | |
| Martin Kulhánek | .... | special effects technician | |
| Martin Oberlander | .... | special effects technician | |
| Pavel Sagner | .... | special effects coordinator | |
| Jaroslav Stolba | .... | special effects foreman | |
| Jirí Vater | .... | special effects technician | |
| Jirí Vojtech | .... | special effects technician | |
Visual Effects by | |||
| Jill Bogdanowicz | .... | digital colorist: Cinesite | |
| Shawn Broes | .... | digital mastering editor | |
| Jeff Christopherson | .... | digital imaging engineer | |
| Chadd B. Cole | .... | pre-visualization | |
| Clay Dale | .... | visual effects | |
| Vince Di Meglio | .... | pre-visualization | |
| Victor DiMichina | .... | imaging supervisor: Pixel Magic | |
| Scott Dougherty | .... | visual effects producer: Cinesite | |
| Harry Eisenstein | .... | pre-visualization | |
| Jim Gorman | .... | digital compositor | |
| Mike Hardison | .... | CG supervisor: Pixel Magic | |
| Bonnie Kanner | .... | executive producer: Pixel Magic | |
| Christopher Keith | .... | visual effects coordinator: Los Angeles (as Christopher L. Keith) | |
| Kevin Kipper | .... | digital artist | |
| Vincent Lavares | .... | digital asset manager: Cinesite | |
| George Macri | .... | visual effects producer: Pixel Magic | |
| James Madigan | .... | visual effects location assistant: Prague | |
| Michelle Massie | .... | visual effects production manager | |
| Don Mccoy | .... | digital artist | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Sal Migliore | .... | assistant colorist | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Patrick Murphy | .... | digital compositor: Pixel Magic | |
| Terry Naas | .... | visual effects artist | |
| Daniel Naulin | .... | digital effects artist (as Dan Naulin) | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Payam Shohadai | .... | visual effects supervisor: BWVFX | |
| Neal Sopata | .... | digital artist | |
| John T. Van Vliet | .... | visual effects supervisor | |
| Kevin VanHook | .... | pre-visualization | |
| Juan Carlos Vargas | .... | visual effects (as Juan Vargas) | |
| Todd Vaziri | .... | compositing supervisor: OCS/Freeze Frame/Pixel Magic [us] | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Chris Zapara | .... | digital artist | |
| Jim Gorman | .... | 3D modeler (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| Antonio Torres | .... | digital artist: checking & retouching, Cinesite (uncredited) | |
Stunts | |||
| Pavel Cajzl | .... | stunts | |
| Bud Davis | .... | stunt coordinator | |
| Petr Drozda | .... | additional stunt coordinator | |
| Rene Hajek | .... | stunts (as Renné Hájek) | |
| Romana Hajkova | .... | assistant stunt coordinator | |
| Petr Hnetkovský | .... | utility stunts (as Petr Hnetkovsky) | |
| Jan Holicek | .... | stunts | |
| Jiri Horky | .... | stunts | |
| Jirka Horký | .... | stunts | |
| Dusan Hyska | .... | stunts | |
| Jindrich Klaus | .... | stunts (as Jindra Klaus) | |
| Ladislav Lahoda | .... | additional stunt coordinator | |
| Robert Lahoda | .... | stunts (as Robin Lahoda) | |
| Miroslav Lhotka | .... | stunts | |
| Ivan Mares | .... | stunts | |
| David Motl | .... | stunts | |
| Jaroslav Peterka | .... | stunts | |
| Jaroslav Psenicka | .... | stunts (as Jarda Psenicka) | |
| Jiri Simberský | .... | stunt double | |
| Jirka Simberský | .... | stunts | |
| Leo Stransky | .... | stunt performer | |
Casting Department | |||
| Gary Davy | .... | casting: UK | |
| Kelly O'Brien | .... | casting associate | |
| Nicole Sage | .... | casting assistant | |
| Horst D. Scheel | .... | additional casting: Germany | |
| Jennifer L. Smith | .... | casting assistant | |
| Tricia Wood | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | costumer | |
| Iva Bártová | .... | costumer | |
| Jirina Eisenhamerova | .... | costumer | |
| Miroslav Fantys | .... | costumer | |
| Vera Mirová | .... | costume supervisor | |
| Dan Moore | .... | key costumer | |
| Katerina Polanska | .... | costumer (as Katerina Polanská) | |
| Ladislav Procházka | .... | costumer | |
| Dasa Pávková | .... | costumer | |
| Adrian Simmons | .... | costumer | |
| Patricie Soptenková | .... | set costumer | |
| Jitka Svecova | .... | costumer (as Jitka Svecová) | |
| Dita Valentinova | .... | costume interpreter | |
Editorial Department | |||
| Julian Andraus | .... | assistant editor | |
| Jill Bogdanowicz | .... | digital film colorist | |
| Jeremy Bradley | .... | apprentice editor | |
| Gary Burritt | .... | negative cutter | |
| Ben Oh | .... | editorial production assistant | |
| Gregory Plotkin | .... | first assistant editor | |
| Richmond Riedel | .... | assistant editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
| John Quinn | .... | post-production assistant (uncredited) | |
Music Department | |||
| Bill Abbott | .... | music editor | |
| Jeff Atmajian | .... | orchestrator | |
| Simon Changer | .... | score assistant engineer | |
| Paul Englishby | .... | music arranger: song "Der Fuehrer's Face" | |
| Gary Gold | .... | producer: song "Der Fuehrer's Face" | |
| George Hamer | .... | orchestral contractor | |
| Denise Okimoto | .... | assistant music editor | |
| David Snell | .... | conductor | |
Transportation Department | |||
| Zdenek Flídr | .... | transportation coordinator | |
| Silvie Janculová | .... | transportation captain | |
Other crew | |||
| David Antol | .... | location assistant | |
| Samantha Armstrong | .... | script supervisor | |
| Ota Bares | .... | animal trainer | |
| Michael Buster | .... | dialect coach | |
| Magda Chýlková | .... | first assistant accountant | |
| Sarka Cimbalova | .... | accommodation captain | |
| Hal Cook | .... | military advisor | |
| Chris Cozens | .... | auricle operator | |
| Hannah Davies | .... | assistant: Rachel Portman | |
| Robert C. Doyle | .... | historical consultant | |
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Megan Dunleavy | .... | assistant: David Ladd | |
| Hana Duplinska | .... | assistant: Gregory Hoblit (as Hanka Duplinská) | |
| Jakub Eliasek | .... | production assistant | |
| Larry Garrison | .... | unit publicist | |
| Martha Haight | .... | assistant: Arnold Rifkin | |
| Ryan E. Heppe | .... | development executive | |
| Veronika Horka | .... | production coordinator | |
| Lenka Kadlecova | .... | production assistant | |
| Ernestine Kahn | .... | dialogue coach | |
| Jiri Kotlas | .... | production assistant | |
| Jiri Krejcir | .... | location manager | |
| Nigel Lamb | .... | pilot: P-51 | |
| Robs Lamplough | .... | pilot: P-51 | |
| Mike Lane | .... | client services | |
| Al LeBrun | .... | adr voice | |
| Sean Mewshaw | .... | key set production assistant: Los Angeles | |
| Petr Moravec | .... | managing director | |
| Jack Murphy | .... | choreographer | |
| Marie Namai | .... | assistant: Gregory Hoblit | |
| Eva Napolean | .... | client services | |
| Gordon Ng | .... | client services | |
| Carol Phiniotis | .... | screening coordinator | |
| Lucie Pokorná | .... | assistant: Wolfgang Glattes | |
| Lee Proudfoot | .... | pilot: P-51 | |
| Andrea Pugner | .... | location assistant (as Andrea Pugnerová) | |
| Eda Raban | .... | caterer | |
| Peggy Rosson | .... | accountant (as Peggy Ann Rosson) | |
| Renee Russo | .... | client services | |
| Vladimir Seiml | .... | assistant location manager | |
| Bill Silcock | .... | copyist | |
| Katerina Silna | .... | assistant production coordinator (as Katka Silná) | |
| Debra Silverman | .... | clearance | |
| Greg Smith | .... | production assistant: re-shoot | |
| Janice F. Sperling | .... | production coordinator | |
| Mike Stokey | .... | technical advisor (as Michael Stokey) | |
| Martin Supka | .... | first aid | |
| Michael Swafford | .... | first assistant accountant | |
| John Torrijos | .... | video services (as John 'J.T.' Torrijos) | |
| Louise Weber | .... | assistant: Bruce Willis | |
| Pierre Weidemann | .... | assistant: David Foster | |
| Robert 'Bobby Z' Zajonc | .... | helicopter pilot | |
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| Miracle at St. Anna | Captain America: The First Avenger | The A-Team | Cross of Iron | Downfall |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
If one were to place too great an emphasis on many of the smug and self-serving views expressed by various contributors here, it may well appear somewhat of an enigma that HART'S WAR still rates 6.3 overall. Obviously many who have voted have not posted a review. Equally obviously, to offset its many detractors...a significant number of people must have liked it. I'm one of them!
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.