| William Baldwin | ... | Billy Brennan | |
| Jon Seda | ... | Sally 'Fish' Pescatore | |
| Elizabeth Mitchell | ... | Dr. Karen Winterman | |
| Adam Baldwin | ... | Vinnie Krailes | |
| Byron Minns | ... | Edmund (as Byron Keith Minns) | |
| Leonard Termo | ... | Al Lucito | |
| Richard Portnow | ... | Lieutenant Shatkin | |
| Sofia Milos | ... | Carmela Krailes | |
| Una Damon | ... | Kim | |
| Billy Mayo | ... | McKracken | |
| John Capodice | ... | Frankie Carbonaro | |
| Christian Camargo | ... | Brian Jacobs | |
| Suzanne Carney | ... | Brenda | |
| Michael Ray Clark | ... | Second Cop | |
| Erich Martin Hicks | ... | Maintenance Man | |
| Loren Lazerine | ... | Bunky | |
| Christina Liao | ... | Lady Bartender | |
| Elyse Mirto | ... | Young Woman (as Elyse Marie Mirto) | |
| John Nielsen | ... | Young Man | |
| Dominic Oliver | ... | Jukie | |
| Peewee Piemonte | ... | Bodyguard | |
| Thomas Rosales Jr. | ... | First Cop (as Thomas Rosales) | |
| Joe Sabatino | ... | Richie Mauropides | |
| Jeff Silverman | ... | Manager | |
| Kevin Sizemore | ... | Bartender | |
| Bonnie Snyder | ... | Old Woman | |
| Jim Vickers | ... | Detective | |
| Max Zekowski | ... | Baby |
Directed by | |||
| Heywood Gould | |||
Writing credits(in alphabetical order) | ||
| Heywood Gould | ||
Produced by | |||
| Alan B. Bursteen | .... | executive producer | |
| Michael P. Flannigan | .... | producer | |
| Yoram Pelman | .... | producer | |
| Marc Schaberg | .... | executive producer | |
| Roee Sharon | .... | producer | |
Original Music by | |||
| John Leftwich | |||
Cinematography by | |||
| David Rush Morrison | |||
Film Editing by | |||
| Joel Goodman | |||
Casting by | |||
| Ferne Cassel | |||
Production Design by | |||
| Cosmas A. Demetriou | |||
Set Decoration by | |||
| Christopher Carlson | |||
Costume Design by | |||
| Mary Malin | |||
Makeup Department | |||
| Felicia Herron | .... | hair stylist | |
| Lisa Herron | .... | assistant hair stylist | |
| Lori Rozman | .... | hair department head | |
| Carol Strong | .... | key makeup artist | |
| Kim Tarver | .... | assistant makeup artist (as Kimberly Fiallo Tarver) | |
| Lynda Kyle Walker | .... | assistant hair stylist | |
Production Management | |||
| Patricia Gould | .... | post-production supervisor | |
| Larry T. Lewis | .... | production supervisor | |
| Yoram Pelman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Fred Mandel | .... | second assistant director | |
| Greg Zekowski | .... | first assistant director | |
Art Department | |||
| Russell R. Anderson | .... | set dresser (as Russell Anderson) | |
| Stephen J. Apelian | .... | on-set dresser | |
| Scott Belshe | .... | set dresser (as Scott C. Belshe) | |
| Randy Bobbitt | .... | art department coordinator | |
| Anna Chassagne | .... | painter | |
| Doug Devine | .... | set dresser | |
| Doug Dow | .... | labor foreman | |
| Scott C. Garrett | .... | drapery foreman | |
| Sean Ginevan | .... | propmaker | |
| Joshua Hagley | .... | set dresser | |
| Kim Kirschbaum | .... | painter | |
| Thomas D. Krausz | .... | propmaker | |
| Nina Lalezari | .... | art department assistant | |
| Gregory Meichtry | .... | assistant property master | |
| Dutch Merrick | .... | assistant property master (as Steve 'Dutch' Merrick) | |
| Erik Polczwartek | .... | set dresser | |
| Nicholas Rymond | .... | set dresser (as Nick Rymond) | |
| Greg Sanger | .... | lead man | |
| Anthony Tomeo | .... | painter | |
| Stefan Wilcox | .... | property master | |
| Todd Young | .... | construction coordinator (as Todd A. Young) | |
Sound Department | |||
| Kris Campbell | .... | adr supervisor | |
| Ken Dufva | .... | foley artist | |
| Rik Elliott | .... | 5.1 mixes | |
| Ken Ginnaty | .... | sound utility | |
| Mark C. Grech | .... | boom operator | |
| Catherine Harper | .... | foley artist | |
| Kamal Humphrey | .... | sound utility | |
| John Kootchie | .... | foley artist | |
| Steven Morrow | .... | production sound mixer | |
| Donald Murray | .... | dialogue supervisor | |
| Nancy Parker | .... | foley artist | |
| John Rice | .... | sound editor | |
| Katherine Rose | .... | foley artist (as Catherine Rose) | |
| Phillip Seretti | .... | post-production sound supervisor | |
| Phillip Seretti | .... | sound re-recording mixer | |
| Robert W. Vandling | .... | sound effects supervisor | |
| Janja Vujovich | .... | post-production sound coordinator | |
Special Effects by | |||
| Gary F. Bentley | .... | special effects technician | |
| Erich Martin Hicks | .... | special effects coordinator (as Erich Hicks) | |
Stunts | |||
| Cheryl Bermeo | .... | stunts | |
| Mark Chadwick | .... | stunts | |
| Ousaun Elam | .... | stunts (as Ousan Elam) | |
| Steven Lambert | .... | stunts (as Steve Lambert) | |
| Julius LeFlore | .... | stunts | |
| Robert Powell | .... | stunts | |
| Mike Smith | .... | stunts | |
| Jim Stephan | .... | stunts | |
| Jim Stephen | .... | stunts | |
| Jim Vickers | .... | stunt coordinator | |
| Al Wyatt Jr. | .... | stunts (as Alan Wyatt) | |
| Merritt Yohnka | .... | stunts | |
Camera and Electrical Department | |||
| Steven A. Adelson | .... | Steadicam operator (as Steve Adelson) | |
| Robert P. Bennett | .... | camera operator | |
| J.D. Bishop | .... | lighting technician | |
| Douglas Blagg | .... | dolly grip | |
| Eric S. Boland | .... | chief lighting technician | |
| Ben Bowling | .... | lamp operator | |
| Dean Campbell | .... | key grip (as Dean 'Machine' Campbell) | |
| Brett Elliott | .... | grip | |
| Pål Bugge Haagenrud | .... | camera operator (as Paul Haagenrud) | |
| Jim Herbert III | .... | generator operator | |
| Jonas Lagunoff | .... | best boy grip | |
| Mike Macias | .... | lamp operator | |
| Irene C. Park | .... | camera loader | |
| Chephren Rasika | .... | grip | |
| Robert Stillman | .... | best boy grip (as Bob Stillman) | |
| Brent Studler | .... | assistant chief lighting technician (as Brent 'Ike' Studler) | |
| Stefan Tarzan | .... | first assistant camera | |
| Gary Webster | .... | second assistant camera | |
| Rafael Winer | .... | still photographer | |
Casting Department | |||
| Jennifer Murdocca | .... | casting assistant | |
| Jenny Syrup | .... | extras casting | |
Costume and Wardrobe Department | |||
| Antonio Martinez Garcia | .... | wardrobe supervisor | |
| Nisa Kellner | .... | key set costumer | |
| Valerie Manahan | .... | set costumer | |
Editorial Department | |||
| Patricia Gould | .... | assistant editor | |
| Dana Ross | .... | color timer | |
Music Department | |||
| Mader | .... | composer: additional music | |
| Steve Mccroskey | .... | music editor | |
Transportation Department | |||
| John W. Barbee | .... | transportation coordinator | |
| Michael Dawes | .... | driver | |
| Gary Jackson | .... | transportation captain | |
Other crew | |||
| Briana Ahl | .... | production assistant | |
| Curt L. Ayers | .... | craft service | |
| Jared Bentley | .... | production assistant | |
| Michael Enriquez | .... | key set production assistant | |
| Eric Fierstein | .... | location manager | |
| Jennifer Frierson | .... | stand-in | |
| Josh Greene | .... | production assistant | |
| Christopher Hyssong | .... | set production assistant | |
| Kristin Kelly | .... | assistant production coordinator | |
| Christina Lizarraga | .... | first assistant accountant | |
| Edward Meeker | .... | assistant location manager | |
| Talithia Miles | .... | production assistant | |
| Farzad 'Fuzz' Namdjoo | .... | production assistant | |
| Frederic Perrin | .... | caterer | |
| Mary Anne Seward | .... | script supervisor | |
| Robert Shapiro | .... | production accountant | |
| Kevin Sizemore | .... | stand-in | |
| Shari Sontag | .... | production accountant | |
| Tim Turner | .... | post-production accountant | |
| Jim Vickers | .... | fight choreographer | |
Thanks | |||
| Braden Bursteen | .... | special thanks | |
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| Pale Blue Balloons | The Big Easy | The Hard Truth | Army of One | Street Knight |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This is an example of the latter-day version of the "B" movie -- the direct-to-video/cable job. As such, if you don't mind cheapness (New York City seems to be portrayed by a small town in Canada) or occasional silliness, it's pretty good. William Baldwin is noble as a cop contending with a corrupt partner (an effectively scary Adam Baldwin) and a murderous joker of a bad guy (Jon Seda having a heck of a time). He falls for a threatened witness, a shrink played with soulful intelligence -- no kidding -- by Elizabeth Mitchell. There's even a nasty hit man haunted by the memory of his musician father. The Baldwin/Mitchell dialog scenes are quite acceptable, and Seda makes your heart race whenever he's on camera. This movie stretches to encompass a theme of redemption and loss, film-noir style, and just about manages it. The action scenes, such as they are, suffer from budget stretching. A bad guy is running away from cops; after he runs half a block, nobody's chasing him anymore. But the conviction of the actors makes it work. Warner Brothers might have produced something like this to play on double bills, and the audiences would've come away satisfied.