God is disappointed with the human race and wants his stone tablets back. An angel is given the assignment and, with Gabriëls help, tries to manipulate several humans on earth to get his ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with,... See full summary »
God is disappointed with the human race and wants his stone tablets back. An angel is given the assignment and, with Gabriëls help, tries to manipulate several humans on earth to get his job done. But humans have a will of their own... Written by
After all the auditions for 16-year-old Quinten were done without much success, Jeroen Krabbé stared out of the window and Neil Newbon happened to pass by. "That's what Quinten should look like" he mumbled, not yet knowing the guy was an actor. See more »
A moderate attempt to adapt the sublime book by H. Mulisch
Of course, the book was too good to make it into a movie. Nevertheless, the film is entertaining for non-readers and is above all, it's an equivocal enterprise. Acting is not very convincing (ada is terrible played, and humiliating is the acting of Krabbé himself, why does he always want to be "in the picture"?). The book is 900 pages and you can't fit that in two hours. The magical atmosphere, the unreal aura, and the creative style are not recognizable in the film. For example; the interventions from God and his angels are ridiculous as you see the film, where in the book, it's strange, magical and structuring. Another example; the friendship between Onno and Max is heavenly in the book, fragmentary in the film. For me, it was a 6/10; if you want a 10/10 go and read the book. But i know, it's "time-consuming" as they say, and time still seems to be money, bullsh*t of course! Time is life, time is the discovery of a heavenly book...
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