On a winter night, Ken and Nora host a birthday party in their house by the beach. But why does the guest of honor suddenly die? The remaining friends spend the night discussing sex, death and the secret of happiness till dawn, waiting for an answer.
Adam Henry Garcia
Japan's number one extreme reality show is having it's first all-American special! Six lucky contestants, chosen from thousands of applicants, will have the chance to win millions of ... See full summary »
Sarah Joslyn Crowder,
Tony Curtis Blondell,
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Ever seen the show "Survivor" and wished they would just start killing each other?? Series 7 literally gives its contestants the guns. The film is not merely a satire on reality TV. It is an example of just how far people will shamelessly go for fame. 6 contenders are pitted against each other in a no holds barred, kill or be killed contest. The reigning champ is Dawn, a hard-nosed, mother-to-be. We go back and forth between Dawn and the other 5 contenders to see if someone can dethrone Dawn and become the new Champion. What is the prize? How are the contestants picked? These questions are not as important as asking yourself how shameless has our society become? Written by
Jeff Mellinger <firstname.lastname@example.org>
Writer/Director Daniel Minahan's childhood friend, Dawn Lagarto, is given a "Special Thanks" credit. He originally wrote the story using her name for the main character. When it came time to start filming the producers had legal concerns regarding the use of a real person's name, but actress Brooke Smith felt an affinity for the name and wanted to retain it for her character. Minahan called the real Dawn Lagarto and got her blessing to use the name. The real Dawn Lagarto is not an unwed mother, has never participated in a reality TV series, and has never killed anyone. See more »
The truck Tony drives off with the baby in is a Ford Ranger (a mid-size truck). The stock footage of a chase from a helicopter shows a truck that is supposed to be Tony's, but is now a full-sized Chevy. Back in the close-ups, it's a Ford Ranger again. See more »
He is in intensive care following a self-inflicted knife wound to the back.
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After the title credits, a warning appears "Due to the graphic nature of this program, viewer discretion is advised." See more »
Only A Matter of Time Until Actual Reality Shows Go This Far...
SERIES 7: THE CONTENDERS is both a taut thriller and a deft satire on the outlandish lengths TV networks will go to in order to lure viewers. Set in the near future, SERIES 7 is cleverly constructed as a marathon of seventh-season episodes of "The Contenders," a hit reality show in which contestants are selected via state lotteries and given guns with which they're expected to hunt down and kill their fellow contestants (although they're free to use their own weapons and be inventive). The object: to stay alive. The prize: whoever remains alive after 3 Contenders seasons wins his/her freedom from the high-rated program/ordeal. The champ is Dawn Lagarto (Brooke Smith of SILENCE OF THE LAMBS), a pregnant, troubled but essentially decent drifter. Trapped in the program for the past two seasons, Dawn's reluctantly willed herself into becoming a frighteningly efficient killing machine to keep herself and her unborn baby alive. For her third and final season, "The Contenders" sends Dawn to her hometown of Newbury, Connecticut. Her fellow contestants/adversaries include prim but ruthless ER nurse Connie (Marylouise Burke of MUST LOVE DOGS and A PRAIRIE HOME COMPANION); teenage Lindsay, whose well-meaning but overbearing parents (Mom is played by Donna Hanover, TV personality and Rudy Giuliani's ex!) coach her for the show as if she were trying out for an athletic competition; unemployed asbestos-removal worker Tony, who's trying to use this cruel TV twist of fate to unite his family; crazed conspiracy theorist Franklin; and Jeff, an artist who's dying of testicular cancer -- and who also happens to be Dawn's high school sweetheart. The lingering flames of love and resentment between these two, and the reactions of Jeff's long-suffering wife, provide the film's most poignant and suspenseful moments, as well as one of its funniest: clips of the low-budget student film they made in high school, including every 1980s video cliché imaginable and Joy Division's technodirge "Love Will Tear Us Apart" on the soundtrack. SERIES 7's authentically television-like feel is augmented by its story being told entirely through such TV conventions as bumpers, interviews, voiceovers, cutaway footage, dramatic re-enactments of events by doubles, and exciting tag lines ("Real people...in real danger...in a fight for their lives!"). We even meet most of the characters as they're notified of their selection for "The Contenders" on-camera, as the show's masked, armed minions come to the new contestants' homes like sinister Publishers Clearing House representatives. These TV gimmicks create deliciously satirical overtones in and of themselves, and yet the movie's irony and gallows humor works precisely because it's all played absolutely straight, not with the "nudge nudge wink wink" air that too many recent thrillers have overdone in their attempts to be edgy and postmodern. But the film's brilliant craftsmanship wouldn't be nearly as effective without the power of the fine cast's performances, particularly Brooke Smith; her riveting performance makes Dawn the emotional center of SERIES 7: THE CONTENDERS. That said, the film also chillingly portrays the way fear and self-preservation can turn even the most decent human being into a stone-cold killer. This sharp, smart, exhilarating thriller works on so many levels, and it's got one of the niftiest twist endings in ages, too! Somehow, I suspect it's only a matter of time before a real-life reality show figures out a way to go this far... :-)
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