The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
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Goof and Hugo are flatmates in Amsterdam who have made a tidy sum from having sex with tourists, then robbing them. Their goal is to spend the money together on a world trip and their scam ... See full summary »
Robert Jan Westdijk
Medellín, 1989. Antonio brings Rosario to the hospital; she's shot, bleeding badly. Flashbacks, mixed with Antonio's wait at the hospital during her surgery, tell the story: Antonio and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin Alexis, who murders all too easily. When Alexis himself is fatally gunned down, grief-stricken Fernando hunts for his young lover's killer in the Medellin slums, but instead encounters Wilmar, who bears an uncanny resemblance to Alexis. Written by
Sujit R. Varma
should be forced on all news spokesmen with Colombian corpses in the background
Prepared as we are for the image of Columbia that CNN shoves down our throats- full of Narcos, Paracos and desperate politicians-, there is no way to predict the surreal way of life the characters in this movie pass through. This is a film that penetrates into a very real Medellin, where nothing is certain and everything is so vulnerable that human life seems to exist only the instant in which it takes place. Medellin is like Fernando- the main character-, it is like his way of walking through a church in the feverishly catholic ambient of Latin America with his sixteen year old murderer lover- who is actually more like an angel fallen from grace. Alexis- the young shooter- is the result of a less than miserable way of life, where poverty and violence rape viciously at each other, almost to a point of neutralization, what seems perverse is in the end the most innocent. This film is strong and profound, it should be forced on all news spokesmen with Colombian corpses in the background: `Lady this is Medellin, not Switzerland'.
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