The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ...
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13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
Based on a true story, a group of 147 overworked and underpaid Colombian soldiers find the treasure they didn't seek; $46 million. The film is a surreal black comedy and follows 4 of the ... See full summary »
Juan Sebastián Aragón,
Manuel José Chávez
Rodrigo and his friends are bored teenagers living in Medellin. Rodrigo wants to start a punk band. The youths mainly loaf around the hillside shanty towns and, for kicks, steal a bike or car, or shoot someone.
Carlos Mario Restrepo,
Jackson Idrian Gallego
Medellín, 1989. Antonio brings Rosario to the hospital; she's shot, bleeding badly. Flashbacks, mixed with Antonio's wait at the hospital during her surgery, tell the story: Antonio and ... See full summary »
A lot of people live in an ocupated house; after many years of quiet living, the owner of the house wants them out. They try whatever they can to avoid being put out, without sucess. But ... See full summary »
A body is discovered impaled on a stake near a scenic lake near Bogota. A journalist try to find what happened. With a friend, they set about to find the cause of the crime and uncover an ... See full summary »
Daniel Giménez Cacho,
Manuel, 9, has an old ball with which he plays football every day in the countryside. He dreams of becoming a great goalkeeper. His wishes seem set to come true when Ernest, his father, ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin Alexis, who murders all too easily. When Alexis himself is fatally gunned down, grief-stricken Fernando hunts for his young lover's killer in the Medellin slums, but instead encounters Wilmar, who bears an uncanny resemblance to Alexis. Written by
Sujit R. Varma
Occasionally venturing into dreamlike surrealism, the movie mostly hits you with a heavy dose of cinema verite. The movie is about the city of Medellin in the same way that Midnight Cowboy is about New York. The characters aren't dealing with the problem of staying human in a huge metropolis, but staying human in the midst of instability that verges on anarchy.
The effects of fifty years of civil war aggravated by narcotrafficking and the associated crime are shown in two ways, which are the central themes of the film: the shift from the old and traditional to the modern, and the loss of value that human life has suffered. The banality of the several killings in the movie drives home the second, and the explorations that Fernando and his two boyfriends (sequential, not simultaneous) take through the city show the first.
The movie is violent like the Godfather is violent: the killings are not gratuitous, they are there to make a point. As a document of life in an industrial Andean city which just happens to be the second city of the country poised to become the next Vietnam, or better said, the next El Salvador, La virgen de los sicarios is excellent. It is sophisticated in its writing and its photography. The characters are human and complex. It ought to be in far wider release than just one screen in the whole L.A. area - which happens to be on the West Side, where Spanish-speaking people typically don't live.
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