The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Goof and Hugo are flatmates in Amsterdam who have made a tidy sum from having sex with tourists, then robbing them. Their goal is to spend the money together on a world trip and their scam ... See full summary »
Robert Jan Westdijk
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Francis Ford Coppola
C. Thomas Howell,
Medellín, 1989. Antonio brings Rosario to the hospital; she's shot, bleeding badly. Flashbacks, mixed with Antonio's wait at the hospital during her surgery, tell the story: Antonio and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin Alexis, who murders all too easily. When Alexis himself is fatally gunned down, grief-stricken Fernando hunts for his young lover's killer in the Medellin slums, but instead encounters Wilmar, who bears an uncanny resemblance to Alexis. Written by
Sujit R. Varma
Everyone's rotten. The world is run by crooks. Look at our despicable President: "A decision that will benefit all Colombians!" Ha.
If you want, I'll shoot him. I mean it.
That's just a waste of bullets.
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"Colonia USA (Terror Punk)"
Written by La Pestilencia
Performed by La Pestilencia See more »
A middle-aged Colombian writer, disgusted with life and contemptuous of religion, becomes involved sexually and romantically with teen-aged Medellin boys who kill effortlessly and with little provocation. At first appalled, he eventually grows addicted to the deaths the boys bring about, their magical ability to resolve the annoyances of everyday life, such as noisy neighbors and aggressive cab subway riders. The plot has some really astonishing surprises, and the taut nearly flawless script (in Spanish) is a treasure. The film , obviously the product of a philosophically inclined mind (Schroeder studied philosophy at the Sorbonne), is a thinking filmgoer's feast and works on many different levels. The main character's ambivalence about religion (the film's title, and the fact that the writer keeps finding himself in cathedrals) furnishes much matter for reflection. This film is not for everyone--- it is, even for these times, shocking. Those more comfortable with the blowsy and predictable product issuing from Hollywood committees should probably avoid it. But those who treasure the ability of film to explore provocative and original ideas will love it.
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