The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
Based on a true story, a group of 147 overworked and underpaid Colombian soldiers find the treasure they didn't seek; $46 million. The film is a surreal black comedy and follows 4 of the ... See full summary »
Juan Sebastián Aragón,
Manuel José Chávez
A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla who has defending unpopular figures such as Nazi war criminal Klaus Barbie and Holocaust denier Roger Garaudy.
A common thief (Depardieu) breaks into the house of a professional dominatrix (Ogier), and begins to help her "train" her clients. Though this world is alien to his experience, he finds ... See full summary »
Rodrigo, a poor and troubled teenager in the barrios of Medellin, Colombia, struggles to find hope in a world ravaged by violence and chaos. An aspiring drummer in a punk band, he uses his ... See full summary »
Carlos Mario Restrepo,
Jackson Idrian Gallego
Medellín, 1989. Antonio brings Rosario to the hospital; she's shot, bleeding badly. Flashbacks, mixed with Antonio's wait at the hospital during her surgery, tell the story: Antonio and ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin Alexis, who murders all too easily. When Alexis himself is fatally gunned down, grief-stricken Fernando hunts for his young lover's killer in the Medellin slums, but instead encounters Wilmar, who bears an uncanny resemblance to Alexis. Written by
Sujit R. Varma
Our Lady of The Assassins will have you either loving it or hating it. It polarizes because it never compels as a movie itself, but is laid out before each person, needing him or her to internalize the film. The movie speaks of living in a Columbian drug town and the irony as people get shot everyday by moral-less teens set against the beautiful city and sky. But the main character, an old gay writer, is never engaging or as articulate and thoughtful as one would expect from the "best known grammarian" from Columbia. In fact, as grammar is rigidly structured, so are the writer's banal comments about 'time being what you want it to be' and 'life only being lived to die.' The musings have been heard before, but with greater clarity and depth. There is no epiphany to be associated with any of his sayings. However, he meets a young former gang member, marked for death, named Alexis and they fall in love. The film is so detached that their love is the closest element to emotion, and still one cannot understand why this boy would sleep with a man who incessantly whines constantly. The shocking life in Medellin is the most compelling aspect of the movie and the movie still has points, it's just that they are not nearly poignant enough. They are shown by the director, but never cohesively placed into an argument. I really wished I could have liked this movie.
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