| Cast overview, first billed only: | |||
| Leelee Sobieski | ... | ||
| Hank Azaria | ... | ||
| David Schwimmer | ... | ||
| Jon Voight | ... |
Major-General Jurgen Stroop
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| Donald Sutherland | ... | ||
| Stephen Moyer | ... |
Kazik Rotem
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| Sadie Frost | ... | ||
| Radha Mitchell | ... |
Mira Fruchner
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| Mili Avital | ... |
Deworah Baron
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| Eric Lively | ... |
Arie Wilner
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| Alexandra Holden | ... |
Frania Beatus
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| John Ales | ... |
Marek Edelman
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| Andy Nyman | ... |
Calel Wasser
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Nora Brickman | ... |
Clara Linder
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| Jesper Christensen | ... |
General Kruger
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Using radically refashioned archival footage of the Warsaw ghetto, this interview with Jon Avnet the director of Uprising talks about Marek Edelman who is an evocative memoir of his role in the rebellion that held back the Nazis for almost a month in 1943. The film begins with the growing list of prohibitions and regulations leading to the virtual imprisonment of about half-a-million Polish Jews in an old slum district of Warsaw with inadequate space and plumbing. An overhead tracking shot shows the number of people assembled in the first months of the relocation. The daily struggle against hunger and disease, especially among the dispossessed arrivals seen in their pitful rags, is aggravated by the German demands for "deportations to the east" that many begin to suspect are camouflaged mass murders. By the close of 1942, people living in the ghetto realize they are doomed, and the rudiments of resistance are planned by a handful of the young, including Edelman. Following some ... Written by Leonard Rubenstein
Jon Avnet's "Uprising" is a competently made historical drama about the Warsaw Ghetto Uprising. The attention to historical detail is bang-on, and the film is relentless in its pacing and moments of true horror and desperation. Nevertheless - and for this I might be nitpicking - I was once again left scratching my head as to the filmmakers' decision to encourage the actors to put on vaguely Eastern European and German accents. Technically, if you're going to alter the Geo-linguistic realism but making an English-language film, wouldn't it be best if the actors spoke naturally? This is unfortunate, as it distracts from the compelling plot at various points in the film. At times, we don't see the characters, but rather Hank "Apu" Azaria and David "Ross" Schwimmer hamming it up with their accents.