Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
Charles Desvallées has good reasons to believe that his wife is cheating on him and hires a P.D. in order to prove himself right. Once he knows the lover is writer Victor Pégala, he drives ... See full summary »
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Connie Sumner has a loving husband, a beautiful home, and a wonderful son, but she wants more. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. But her selfish actions soon catch up with her... Written by
In the children's play, the kids are doing sign language. Charlie's part is, "What's the sense in walking if you don't walk tall?" and he signs, "What's the sense in walking if you 'boy' walk tall." See more »
We take Medicard...
I'm sorry, we don't take charity cases here.
[closes the door, and then opens it again]
It was a joke.
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For much of his career,director Adrian Lyne has clearly had sex on the brain,or thoughts of eroticial porno,turning out huff and puff features both good(the Oscar winning Fatal Attraction and the controversial Lolita)and bad(9 1/2 Weeks and Indecent Proposal,the latter firmly cemented as one of the worst films of its decade). Happily,Unfaithful rests more toward the upper end of the spectrum;based on a 1969 French film by Claude Chabrol(La Femme Infidele),the movie sports a continental demeanor that seems wholly appreciate,but as a whole we have seen this kind of adulterated behavior several times before. Diane Lane's standout performance is what elevates the first half,which could be easily dismissed as a straight-to-cable soaper or straight-to-video softcore porno assembly. A well to do housewife seemingly content with her husband(Richard Gere,is one of his best works here and one of his finest performances since the latter part of the 80's and early 90's),her son (Erik Per Sullivan),and her home in a quaint New York(upscale Manhattan) suburb,unexpectedly enters into a torrid affair with a French book dealer(Oliver Martinez-who looks like something out of grocery store paperback novel and one of those daytime TV soap hunks). Lane's complex portrayal of a woman caught between the borders of reason and risk is simply smashing,yet eventually she's not required to carry the picture by herself,as the second half heads off in some interesting and unexpected directions that ultimately lead to the wonderful amibiguous final shot. Unfaithful works for viewers willing to put some thought into it that only works for those who want cheap thrills will probably be disappointed,but in all its a illusion of eternal bliss that will find this easily a satisfying picture.
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