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Unfaithful (2002)

 -  Drama | Romance | Thriller  -  10 May 2002 (USA)
6.7
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Ratings: 6.7/10 from 52,684 users   Metascore: 63/100
Reviews: 522 user | 155 critic | 34 from Metacritic.com

A New York suburban couple's marriage goes dangerously awry when the wife indulges in an adulterous fling.

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(film "La Femme infidèle"), (screenplay), 1 more credit »
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Title: Unfaithful (2002)

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Nominated for 1 Oscar. Another 5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Myra Lucretia Taylor ...
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Joseph Badalucco Jr. ...
Erich Anderson ...
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Other businessman
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Café bartender
Larry Gleason ...
Tim
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Frank Wilson
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Storyline

Connie Sumner has a loving husband, a beautiful home, and a wonderful son, but she wants more. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. But her selfish actions soon catch up with her... Written by Jango

Plot Summary | Plot Synopsis

Taglines:

If you had the opportunity, would you? See more »


Motion Picture Rating (MPAA)

Rated R for sexuality, language and a scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

10 May 2002 (USA)  »

Also Known As:

Infidelidad  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$309,430 (Japan) (17 January 2003)

Gross:

$1,704,384 (Japan) (31 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The special edition DVD features the alternate ending where there is a different dialogue after they both kiss in the car, during the final scene. Richard Gere then steps out of the car (very emotional scene) before walking up and entering the police station. Fox & Regency wanted this ending at first (it was more Hollywood-esque, in-your-face, clearer kind of ending), but the director and the cast insisted that they put in the current ending you see on the theatrical release. See more »

Goofs

When Connie first goes up to Paul's apartment during the wind storm, her hair changes from very messy to almost neat and back again. See more »

Quotes

Connie Sumner: I think this was a mistake.
Paul: There is no such thing as a mistake. There are things you do, and things you don't do.
See more »

Connections

Referenced in The O.C.: The Swells (2005) See more »

Soundtracks

Dream Loud
Written by Julie Gold
Produced by Chris Bertolotti
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User Reviews

Drama as Art...
3 February 2004 | by (Dallas, Tx) – See all my reviews

I have read alot of reviews here that expressed displeasure for this film based on the notion that this was basically "softcore porn for housewives" and had nothing new to offer it's audience. Ok, granted; this is not the most original film/script ever written, but I think that many reviews (both Professional and Ametuer alike) have missed the point of this film. Behind the obvious guise of a morality tale showing what can happen if you stray from your marital vows, there is a rather amazing piece of art to be seen. This film is not about marital infedelity, but, rather, about DRAMA. This is what we in the Theater refer to as Drama As Art, meaning that the plot is less important than the impact that the various plot points have on the characters, creating more and more and more drama as the story unfolds. As is the great ballets or stage plays ('Giselle', 'Whose Afraid of Virginia Wolf', 'Swan Lake' 'A Streetcar Name Desire'), the DRAMA is the star of the production, not the actors or the plot lines.

And in this respect, 'Unfaithful' excells! Watch carfully as the world slowly turns itself upside down and rips itself to shreds around these two people based on a SINGLE MOMENT IN TIME (the first scene outside of his apartment: Should she go in? Should she go home? One choice, one mopment in time, a world of difference). Based on her choice(s), the drama begins to build to a point when, at the end of the film, the DRAMA is the star, not Geer and Lane. And Drama does a fine job holding this otherwise middle-of-the-road film above the frey.


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