A woman along with her lover, plan to con a rich man by marrying him and on earning his trust running away with all his money. Everything goes as planned until she actually begins to fall in love with him.
Connie Sumner has a loving husband, a beautiful home, and a wonderful son, but she wants more. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. But her selfish actions soon catch up with her... Written by
The scene where Connie rides the train home after her first sexual encounter with Paul, and silently remembers the encounter, was filmed in one continuous take. The camera simply stayed on Diane Lane as she went through a series of expressions, and then the scene was cut and edited together. See more »
It is clearly shown how windy it is, as Edward prepares to leave for work. As Connie looks out the window to watch Edward leave, it is a calm day, with no wind. Next shot, it is windy again. See more »
Having an affair is nothing like taking a pottery class.
No. It would start out like that, and then, um, something would happen. Someone, uh, finds out, or someone falls in love, and it ends disastrously. It always ends disastrously.
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A deeply haunting and provocative masterpiece. Stunningfilm-making.
Whoever thought that director Adrian Lyne and star Richard Gere were finished needs to see this haunting and provocative film. Because this is a stunner that will put both back on the map - big time. For all their star power though, it is the female star Diane Lane who must take huge credit for making this such an effective movie.
I've always liked Lane as an actress from when she was a kid in Francis Ford Coppola films, but she rarely got the chance to 'carry' a film. Well, she not only 'carries' UNFAITHFUL, she delivers one of the most haunting and powerful performances I have seen from an actress. Think Julia Roberts in ERIN BROCKOVICH or Ellen Burstyn in REQUIEM FOR A DREAM and you get the picture. Stunning acting.
While the committed performances are what make a great movie greater, it is Adrian Lyne who has constructed such a wonderful and effective rhythm and style to UNFAITHFUL. This is not an art-film, but it is not a blockbuster either. It lays somewhere between the two and delivers on all fronts. I was totally glued to my seat from start to finish.
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