Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Charles Desvallées has good reasons to believe that his wife is cheating on him and hires a P.D. in order to prove himself right. Once he knows the lover is writer Victor Pégala, he drives ... See full summary »
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
Connie Sumner has a loving husband, a beautiful home, and a wonderful son, but she wants more. When she's approached one day by a handsome stranger while trying to hail a taxi, she becomes obsessed with him and eventually starts an affair. But her selfish actions soon catch up with her... Written by
The scene where Connie rides the train home after her first sexual encounter with Paul, and silently remembers the encounter, was filmed in one continuous take. The camera simply stayed on Diane Lane as she went through a series of expressions, and then the scene was cut and edited together. See more »
When Edward, Connie and Charlie are having the burned chicken dinner, the level of milk in Charlie's glass changes, yet since Charlie was talking he could not have drank any. See more »
I think this was a mistake.
There is no such thing as a mistake. There are things you do, and things you don't do.
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A deeply haunting and provocative masterpiece. Stunningfilm-making.
Whoever thought that director Adrian Lyne and star Richard Gere were finished needs to see this haunting and provocative film. Because this is a stunner that will put both back on the map - big time. For all their star power though, it is the female star Diane Lane who must take huge credit for making this such an effective movie.
I've always liked Lane as an actress from when she was a kid in Francis Ford Coppola films, but she rarely got the chance to 'carry' a film. Well, she not only 'carries' UNFAITHFUL, she delivers one of the most haunting and powerful performances I have seen from an actress. Think Julia Roberts in ERIN BROCKOVICH or Ellen Burstyn in REQUIEM FOR A DREAM and you get the picture. Stunning acting.
While the committed performances are what make a great movie greater, it is Adrian Lyne who has constructed such a wonderful and effective rhythm and style to UNFAITHFUL. This is not an art-film, but it is not a blockbuster either. It lays somewhere between the two and delivers on all fronts. I was totally glued to my seat from start to finish.
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