Washington Irving (short story "Rip Van Winkle: A Posthumous Writing of Diedrich Knickerbocker")
Rob Gilmer (television story)
(more)
17 May 2000 (USA) more
A man awakwens after sleeping for 20 years to find that his small local town has changed for the worse. | add synopsis
1 nomination more
Very very cute more (3 total)
| James McDaniel | ... | Jack Epson | |
| Mel Harris | ... | Annie Epson | |
| August Schellenberg | ... | Young Dog | |
| Karen Holness | ... | Molly (as Karen R. Holness) | |
| Ken Pogue | ... | Morgan Sutter | |
| Neil Denis | ... | Sean | |
| John Novak | ... | Ted Vonner | |
| Jason Low | ... | Doogie Rydell | |
| Betty Linde | ... | Sarah Laughlin | |
| Alex Bruhanski | ... | Doc Morton | |
| rest of cast listed alphabetically: | |||
| Marcia Laskowski | ... | Georgie | |
| Micki Maunsell | ... | Mrs. Denny | |
| Laurie McLay | ... | Chantelle | |
| Brittany Moldowan | ... | Young Molly | |
| Juno Ruddell | ... | Carabelle | |
| Alec Willows | ... | Hanes | |
Directed by | |||
| Ernest Thompson | |||
Writing credits(WGA) | ||
| Washington Irving | (short story "Rip Van Winkle: A Posthumous Writing of Diedrich Knickerbocker") | |
| Rob Gilmer | (television story) | |
| Rob Gilmer | (teleplay) and | |
| Ernest Thompson | (teleplay) | |
Produced by | |||
| Tony Danza | .... | executive producer | |
| Larry Sugar | .... | producer | |
| Mitch Teemley | .... | co-producer | |
| Troy Westergaard | .... | supervising producer | |
Original Music by | |||
| Terry Frewer | |||
Cinematography by | |||
| Stephen McNutt | |||
Film Editing by | |||
| Sue Blainey | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
Production Design by | |||
| Carmi Gallo | |||
Art Direction by | |||
| Norma Rodgers | |||
Set Decoration by | |||
| Kelly Lycan | |||
Costume Design by | |||
| Beverley Wowchuk | |||
Makeup Department | |||
| Christie Dillabough | .... | assistant makeup artist | |
| Reg Leblanc | .... | key hair stylist | |
| Bernadette McRanor | .... | assistant hair stylist | |
| Lisa Waddell | .... | key makeup artist | |
Production Management | |||
| David Dewar | .... | post-production supervisor | |
| Koa Padolsky | .... | executive in charge of production | |
| Barbara Ann Schoemaker | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Etherington | .... | first assistant director | |
| Catherine Kretz | .... | second assistant director | |
Art Department | |||
| Dean Barker | .... | property master | |
| Larry Iverson | .... | set dresser | |
| Navid Khonsari | .... | assistant property master | |
| Andy Koessler | .... | on-set dresser | |
| Gordon Bud Lancaster | .... | key painter | |
| Janaki Larsen-Rattray | .... | assistant set decorator | |
| Brian Lewis | .... | lead set dresser | |
| Mark McQuillen | .... | construction coordinator | |
| Dean Parker | .... | property master | |
| Darrell Shibley | .... | set dresser | |
| Niki Charalambopoulos | .... | scenic painter (uncredited) | |
| Doris Deutschmann | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Ken Biehl | .... | sound editor | |
| Ken Biehl | .... | sound re-recording mixer | |
| Chester Biolowas | .... | sound editor | |
| Chester Biolowas | .... | sound re-recording mixer | |
| Dean Emerick | .... | boom operator | |
| Tony Gort | .... | sound editor | |
| Tony Gronick | .... | sound supervisor | |
| Jim Harrington | .... | foley artist | |
| Mike Keeping | .... | foley artist | |
| Brent Marchenski | .... | production sound mixer | |
| Brent Marchenski | .... | sound mixer | |
| Rick Senechal | .... | foley artist | |
| Greg Stewart | .... | sound re-recording mixer | |
Special Effects by | |||
| Miki Bang | .... | special effects assistant | |
| Robert Paller | .... | special effects coordinator (as Rob Paller) | |
Visual Effects by | |||
| Simon Lacey | .... | visual effects supervisor | |
| Michael Porterfield | .... | digital compositing artist | |
Stunts | |||
| Jim Dunn | .... | stunts | |
| Gaston Howard | .... | stunts | |
| Ernie Jackson | .... | stunts | |
| Yusef Martin | .... | stunts | |
| Scott Nicholson | .... | stunts | |
| Danny Virtue | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Paul Akehurst | .... | lamp operator | |
| Ian Andrews | .... | lamp operator | |
| Darcy Booth | .... | dolly grip | |
| Scott Clark | .... | gaffer | |
| Roberto W. Contreras D. | .... | camera operator | |
| Roberto Contreras | .... | camera operator | |
| Clayton J. McCallum DuBois | .... | clapper loader | |
| Chris Dyson | .... | first assistant camera | |
| Miles Giesbrecht | .... | grip | |
| Louise Haut | .... | best boy grip | |
| Rick Laning | .... | key grip | |
| Kelly Mason | .... | camera operator | |
| Jordan Neifer | .... | grip | |
| Shinpei Otsuki | .... | second assistant camera | |
| Tony Richardson | .... | lighting best boy | |
| Gregory Rutherford | .... | grip | |
| Tristan Schon | .... | trainee assistant camera | |
| Eike Schroter | .... | still photographer | |
| Maria Stanborough | .... | lamp operator | |
| Perry Steinhilber | .... | generator operator | |
Casting Department | |||
| Lori Marshall | .... | extras casting | |
Costume and Wardrobe Department | |||
| Susan Canning | .... | set costumer | |
| Rita Crouch | .... | wardrobe set supervisor | |
| Margaret Perry | .... | assistant costume designer | |
Editorial Department | |||
| Flavio Bidese | .... | on-line editor | |
| Greg Gunnarson | .... | on-line editor | |
| Dawn Knight | .... | post-production coordinator | |
| Hilary Peabody | .... | assistant editor (as Hillary Peabody) | |
| James Telfer | .... | colorist | |
| Allison Volk | .... | assistant post-production coordinator | |
Transportation Department | |||
| Gordon Alyward | .... | transportation co-captain (as Gord Alyward) | |
| Ian Montgomery | .... | transportation captain | |
| Fraser Sutherland | .... | transportation coordinator | |
Other crew | |||
| Andrew Buziak | .... | assistant production accountant | |
| Gwenda Edmonds | .... | script supervisor | |
| Barbara Enefer | .... | assistant production coordinator | |
| Michael Fedyk | .... | production office assistant | |
| Michael Gazetas | .... | assistant location manager | |
| Lee Jeffrey | .... | stand-in | |
| Farrel J. Lusse | .... | production assistant | |
| Brigette Mackenzie | .... | assistant to producer | |
| Louisa Main | .... | production coordinator | |
| Althea McAdam | .... | stand-in | |
| Bryan Noon | .... | production accountant | |
| Lee Pesochin | .... | production office assistant | |
| Ritch Renaud | .... | location manager | |
| Alison Wells | .... | unit publicist | |
USA:95 min
James McDaniel (Jack Epson), Mel Harris (Annie Epson), Neil Denis (Sean) and John Novak (Ted Vonner) are, or at least were, recurring guest stars on "Stargate SG-1" (1997) which is also filmed in Vancouver, Canada. more
Continuity: When Jack wakes up 20 years later, he has dread-locks. If he was alone for 20 years, with nobody disturbing him, he couldn't have possibly put his own dread-locks in. more
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Canada section | Add this title to MyMovies |
This movie is indeed about a Rip Van Winkle type situation, but there are various plot aspects like who put him to sleep, how he deals with his family when he returns from the sleep, how he helps the town. It was especially nice to be reminded that yes, just one person CAN make a difference, and our small-town USA is worth saving. It reminds us that life is magic, it isn't about your money or your status, and it does so in a lovely Disney-reminiscent rated G fashion. Watch this one with your kids!