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Directed by | |||
| Robert Luketic | |||
Writing credits(WGA) | ||
| Amanda Brown | (novel) | |
| Karen McCullah Lutz | (screenplay) & | |
| Kirsten Smith | (screenplay) | |
Produced by | |||
| Ric Kidney | .... | producer | |
| Christian McLaughlin | .... | co-producer | |
| David Nicksay | .... | co-producer | |
| Marc Platt | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Anthony B. Richmond | (director of photography) | ||
Film Editing by | |||
| Anita Brandt-Burgoyne | (as Anita Brandt Burgoyne) | ||
| Garth Craven | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Missy Stewart | (as Melissa Stewart) | ||
Art Direction by | |||
| Daniel Bradford | |||
Set Decoration by | |||
| Kathy Lucas | |||
Costume Design by | |||
| Sophie De Rakoff | (as Sophie de Rakoff Carbonell) | ||
Makeup Department | |||
| Linda Arnold | .... | hair stylist | |
| Jenny-King Turko | .... | makeup artist | |
| Brad Wilder | .... | key makeup artist | |
| Joy Zapata | .... | key hair stylist | |
| Leslie Devlin | .... | makeup artist (uncredited) | |
| Warren Lewis | .... | hair stylist (uncredited) | |
| Denise Paulson | .... | makeup artist (uncredited) | |
| Roddy Stayton | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Ric Kidney | .... | unit production manager (as Richard J. Kidney) | |
| Shelly Kidney | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcei A. Brown | .... | second assistant director (as Marcei Brubaker) | |
| Marisa Ferrey | .... | second second assistant director | |
| Josh King | .... | first assistant director | |
Art Department | |||
| Paul Ashmore | .... | stand-by painter | |
| Ron Ashmore | .... | paint foreman | |
| Adam Austin | .... | on-set dresser | |
| Douglas Berkeley | .... | set designer | |
| Steve Borgese | .... | greens person | |
| Jon J. Bush | .... | lead man (as Jon Bush) | |
| Laura J. DeRosa | .... | art department coordinator | |
| China Fox | .... | assistant property master (as China Iwata) | |
| Douglas Fox | .... | property master | |
| Lance Gunnin | .... | construction foreman | |
| Steve A. Hagberg | .... | construction coordinator (as Steve Hagberg) | |
| Patricia Owen | .... | assistant art director (as Patty Owen) | |
| Michael P. Sweeney | .... | assistant property master (as Mike Sweeney) | |
| Eric Bryant | .... | art department assistant (uncredited) | |
| L. David Gordon | .... | drapery foreman (uncredited) | |
| Sean D. Jackson | .... | greensman (uncredited) | |
| Wendy Jerde | .... | scenic painter (uncredited) | |
| Chris Peterson | .... | set dresser (uncredited) | |
| David Scott | .... | graphic artist (uncredited) | |
| Richard Blake Wester | .... | set dresser (uncredited) | |
Special Effects by | |||
| David P. Kelsey | .... | special effects coordinator (as Dave Kelsey) | |
Visual Effects by | |||
| Lloyd Lee Barnett | .... | digital compositor (uncredited) | |
| Scott Dougherty | .... | digital effects producer: Cinesite (uncredited) | |
| Christopher Grandel | .... | digital compositor (uncredited) | |
| Vincent Lavares | .... | digital asset manager (uncredited) | |
| Derek Ledbetter | .... | visual effects (uncredited) | |
| Josh Novak | .... | lead compositor: main title sequence (uncredited) | |
| Alfredo Ramirez | .... | titles compositor: Picture Mill (uncredited) | |
Casting Department | |||
| Dena Berman | .... | casting assistant | |
| Michelle Morris | .... | casting associate (as Michelle Morris-Gertz) | |
| Mariann H.W. Lee | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Kim Carleton | .... | costumer | |
| Kim Johnson | .... | costumer | |
| Mary C. Lane | .... | key costumer (as Mary Lane) | |
Editorial Department | |||
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Shawn Petersen | .... | post-production assistant | |
| Alex Renskoff | .... | first assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Tim Vincent | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Anita Camarata | .... | music supervisor | |
| Debbi Datz-Pyle | .... | orchestra contractor | |
| Brian Dixon | .... | music recordist | |
| Ron Fair | .... | executive soundtrack producer | |
| Dennis S. Sands | .... | scoring mixer (as Dennis Sands) | |
| Nick South | .... | music editor | |
| William T. Stromberg | .... | conductor (as William Stromberg) | |
| Paul Wertheimer | .... | music recordist | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Mark Eshelman | .... | scoring crew (uncredited) | |
| Jason Lloyd | .... | scoring crew (uncredited) | |
| Eric Stonerook | .... | music preparation (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
| Pat Weber | .... | scoring technician (uncredited) | |
Transportation Department | |||
| Daniel Canamar | .... | transportation office coordinator (as Dan Canamar) | |
| David Menapace | .... | transportation captain (as Dave Menapace) | |
| Michael Menapace | .... | transportation coordinator (as Mike Menapace) | |
| Lin C. Smith | .... | driver | |
| Mark Brown | .... | driver: production van (uncredited) | |
| Pete Newman | .... | unit driver (uncredited) | |
| Chad Wingerd | .... | transportation assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
A fun if totally unbelievable flick that plays like a college version of CLUELESS at times. Beverly Hills airhead Reese W. enters Harvard to win her boyfriend back, only to find she's got the right stuff to be an ace Harvard student. This is a actually an empowerment flick disguised as a fluffy comedy -- which makes it wonderful viewing for impressionable young girls like my youngest daughter, who is 14. Well acted by Reese W., who is now a major star, and Stiffler's Mom as a shy, subservient beauty salon worker. Some may find it similar to MISS CONGENIALITY as well, another empowerment flick disguised as a fluffy comedy. Recommended.