| Photos (See all 26 | slideshow) | Videos (see all 2) |
| Tilda Swinton | ... | Margaret Hall | |
| Goran Visnjic | ... | Alek 'Al' Spera | |
| Jonathan Tucker | ... | Beau Hall | |
| Peter Donat | ... | Jack Hall | |
| Josh Lucas | ... | Darby Reese | |
| Raymond J. Barry | ... | Carlie Nagel (as Raymond Barry) | |
| Tamara Hope | ... | Paige Hall | |
| Jordon Dorrance | ... | Dylan Hall | |
| Heather Mathieson | ... | Sue Lloyd | |
| Holmes Osborne | ... | Loan Officer | |
| Richard Gross | ... | Deputy Sheriff | |
| Kip Martin | ... | BYD | |
| Frankie Loyal Delgado | ... | Barrish Brother (as Franco Delgado) | |
| Kip Ellwood | ... | Male Nurse | |
| Margot Krindel | ... | Amber Lloyd | |
| Michael Pizzuto | ... | Heavy-Set Officer | |
| Tajma Soleil | ... | Female Nurse | |
| F.W. McGehee | ... | Music Teacher | |
| Jill Mattson Classical Ballet of Lake Tahoe | ... | Swan Lake Dancers | |
| rest of cast listed alphabetically: | |||
| Tim Halpin | ... | Placer County Detective (uncredited) | |
| Georgann Johnson | ... | 50ish Woman (uncredited) | |
| Kandeyce Jorden | ... | Swan Girl (uncredited) | |
| Scott McGehee | ... | Ambulance Attendant (uncredited) | |
| David Siegel | ... | Ambulance Attendant (uncredited) | |
| Julia Vivian | ... | Student (uncredited) | |
Directed by | |||
| Scott McGehee | (as Scott Mcgehee) | ||
| David Siegel | |||
Writing credits | ||
| Elisabeth Sanxay Holding | (novel "The Blank Wall") | |
| Scott McGehee | (written by) (as Scott Mcgehee) and | |
| David Siegel | (written by) | |
Produced by | |||
| Laura Greenlee | .... | co-producer | |
| Eileen Jones | .... | associate producer | |
| Mindy Marin | .... | associate producer | |
| Scott McGehee | .... | producer (as Scott Mcgehee) | |
| Robert H. Nathan | .... | executive producer | |
| David Siegel | .... | producer | |
Original Music by | |||
| Peter Nashel | |||
Cinematography by | |||
| Giles Nuttgens | |||
Film Editing by | |||
| Lauren Zuckerman | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Kelly McGehee | (as Kelly Mcgehee) | ||
| Christopher Tandon | |||
Set Decoration by | |||
| Nancy Wenz | |||
Costume Design by | |||
| Sabrina Rosen | |||
Makeup Department | |||
| Katrina Chevalier | .... | hair stylist | |
| Raqueli Dahan | .... | key makeup artist | |
| Lisa Rogers | .... | additional makeup artist | |
| Raqueli Dahan | .... | makeup department head (uncredited) | |
Production Management | |||
| Megan B. Agosto | .... | post-production supervisor (as Megan Agosto) | |
| Debbie Brubaker | .... | production manager: San Francisco | |
| Beth DePatie | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Craig Borden | .... | second assistant director | |
| Todd Corman | .... | assistant director: second unit | |
| Gerard Facchini | .... | second second assistant director (as Gerard A. Facchini) | |
| Christopher James Hall | .... | second assistant director: San Francisco (as Christopher Hall) | |
| Mike Kitchens | .... | first assistant director: San Francisco | |
| David N. Schrager | .... | first assistant director | |
| Jason Newmark | .... | additional second second assistant director (uncredited) | |
Art Department | |||
| Charles Bloomfield | .... | construction | |
| Paul Cardona | .... | construction | |
| James Carpenter | .... | construction | |
| Xaime Casillas | .... | lead scenic | |
| Matthew Cavaliero | .... | additional assistant props | |
| Ray Curtis | .... | construction | |
| Earl Douglas | .... | construction | |
| Kip Ellwood | .... | swing | |
| Ellen Freund | .... | property master | |
| Harlan Mack | .... | swing | |
| Andon Major | .... | painter | |
| Richard T. Olson | .... | assistant props (as Richard Olson) | |
| Rod Olson | .... | construction | |
| Dwane Platt | .... | lead man (as Dwane Brion Platt) | |
| Jeff Schonfield | .... | painter | |
| John White | .... | construction | |
| Christina Ann Wilson | .... | assistant art director (as Christy Wilson) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects: FX Concepts Inc. | |
Visual Effects by | |||
| Jessica Abroms | .... | visual effects technical supervisor: PDI | |
| Gianni Aliotti | .... | digital artist: PDI | |
| Richard Chuang | .... | visual effects supervisor: PDI | |
| David L. Goodwine | .... | visual effects production coordinator: PDI | |
| John Hanashiro | .... | visual effects editor: PDI | |
| Jason Heapy | .... | visual effects producer: PDI | |
| Mel Kangleon | .... | digital colorist: PDI | |
| Chris Trimble | .... | digital compositor: PDI | |
| Philip R. Garrett | .... | visual effects production assistant: PDI (uncredited) | |
Stunts | |||
| Peter Epstein | .... | utility stunts | |
| Dale Gibson | .... | stunt coordinator | |
| Robert Jauregui | .... | utility stunts | |
| Ben Jensen | .... | stunt coordinator | |
| Ethan Jensen | .... | utility stunts | |
| William S. Judkins | .... | utility stunts (as William Judkins) | |
| David Dustin Kenyon | .... | precision driver: driving sequence | |
| Kay Kimler | .... | utility stunts (as Kay Kimmler) | |
Casting Department | |||
| Everett Blix | .... | extras casting | |
| Everett Blix | .... | local casting | |
| Amanda Harding | .... | casting associate | |
| Nina Henninger | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Judy Chestnut | .... | costume supervisor | |
| Hayley Stuppel | .... | on-set costumer | |
Editorial Department | |||
| Megan B. Agosto | .... | first assistant editor: San Francisco (as Megan Agosto) | |
| Debra Light | .... | first assistant editor: Los Angeles | |
| Robert Marty | .... | assistant editor | |
| Mato | .... | color timer | |
| Dana Mulligan | .... | assistant editor | |
| Martha Pike | .... | assistant editor | |
| Rick Greenhead | .... | telecine colorist (uncredited) | |
Music Department | |||
| Scott Ansell | .... | music recordist (as Scott Ansel) | |
| Ronnie Buttacavoli | .... | musician: trumpet, "En Forme de Habanera" | |
| Missy Cohen | .... | music editor | |
| Michael Farrow | .... | music mixer | |
| Jerry Leonard | .... | musician: guitar | |
| Nelson Padgette | .... | musician: piano, "En Forme de Habanera" | |
| Amy Sheldon | .... | music coordinator | |
| David Torn | .... | musician: special textural music (as Splatter Cell) | |
| Patrick Zimmerli | .... | orchestrator | |
Transportation Department | |||
| Dennis Clark | .... | driver | |
| Jason Fornal | .... | driver | |
| Ed Jones | .... | driver | |
| 'Wild Bill' Laczko | .... | driver (as William Laszko) | |
| Melvin G. Liel | .... | driver | |
| Glenn Mack | .... | transportation coordinator | |
| Patrick Maguire | .... | driver | |
| Nathan Serratore | .... | picture car coordinator | |
| Larry Smith | .... | driver | |
| Chris Tolladay | .... | driver | |
| David D.B. Wilson | .... | transportation captain (as David 'DB' Wilson) | |
| David Dustin Kenyon | .... | production driver (uncredited) | |
Other crew | |||
| Julie Adams | .... | dialect coach: Ms. Tilda Swinton, Mr. Gorin Visnjic and Mr. Johnathan Tucker | |
| Kent James Stewart Barber | .... | additional location manager (as James Barber) | |
| Sivan Baron | .... | assistant to director | |
| Brian Berry | .... | medic | |
| Buffy Beyer | .... | assistant production coordinator | |
| Rhonda Bingham | .... | paymaster | |
| Dale Cannedy | .... | assistant to producers | |
| Carmel Cathi | .... | stand-in | |
| Bundy Chanock | .... | lifeguard: San Francisco | |
| Bundy Chanock | .... | set medic: San Francisco | |
| Francisco Cortes | .... | set production assistant: San Francisco | |
| Jeff DiPaolo | .... | craft service (as Jeff Di Paolo) | |
| Terri Fredlund | .... | production assistant: San Francisco | |
| Rebecca Fulton | .... | script supervisor | |
| Hayley Goggin | .... | key set production assistant | |
| Paul Gugliuzza | .... | medic | |
| Kent Hamilton | .... | insurance: Truman Van Dyne Company | |
| Sebastian Harms | .... | title designer | |
| Robert Hawk | .... | production consultant | |
| James Jaber | .... | boat wrangler | |
| Brent Jones | .... | production accountant | |
| Ryan Khavari | .... | assistant to producers | |
| Kimie Kimura-Heaney | .... | production assistant: San Francisco (as Kimie Kimura-Heany) | |
| Kristen Lamantia | .... | office production assistant | |
| Jack Livesey | .... | Jack Livesey | |
| David Logie | .... | chef: S&H Catering (as Dave Logie) | |
| Hatch Logie | .... | chef: S&H Catering | |
| Jill Mattson | .... | choreographer | |
| Dana M. Michaelsen | .... | first assistant accountant (as Dana Michaelsen) | |
| Stephen Monas | .... | production counsel: Business Affairs Inc. | |
| Maggie Muzio | .... | production assistant: San Francisco | |
| Jason Newmark | .... | set production assistant (as Jason B. Nemark) | |
| Jenna Piccolo | .... | production counsel: Business Affairs Inc. | |
| Linda Stanley | .... | studio teacher | |
| Jendy Stewart | .... | location assistant | |
| Christian W. Thompson | .... | production coordinator (as Christian Thompson) | |
| Jay Townsend | .... | runner: Los Angeles | |
| Gloria M. Uribe | .... | locations: second unit (as Gloria Uribe) | |
| Terry Wyner | .... | location manager | |
| Dwayne Zajonc | .... | helicopter pilot | |
| Sandy Stoltz | .... | production assistant (uncredited) | |
Thanks | |||
| Clark Aganon | .... | special thanks | |
| Brian E. Conley | .... | special thanks | |
| Chris Cullens | .... | special thanks | |
| David Dotson | .... | special thanks | |
| Anne Friedberg | .... | special thanks | |
| Gregory Goodman | .... | special thanks | |
| Dane Holweger | .... | special thanks | |
| David Dustin Kenyon | .... | special thanks | |
| Mary Lonergan | .... | special thanks | |
| Richard Lonergan | .... | special thanks | |
| Eric Mas | .... | special thanks | |
| Michael McCusker | .... | special thanks | |
| Beth McGroarty | .... | special thanks | |
| Michael Mueller | .... | special thanks | |
| Robert Ted Parker | .... | special thanks | |
| Patricia Perbetsky | .... | special thanks | |
| Bronwyn Preston | .... | special thanks | |
| Howard A. Rodman | .... | special thanks (as Howard Rodman) | |
| Roger Schwed | .... | special thanks | |
| Israel Segal | .... | special thanks | |
| Mike Shannon | .... | special thanks | |
| Steve Shurtz | .... | special thanks | |
| Blossom Siegel | .... | special thanks | |
| Aron Warner | .... | special thanks | |
| Pete Wittlinger | .... | special thanks | |
| Paul Zaentz | .... | special thanks | |
| Pamela Zeh | .... | special thanks | |
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| All Good Things | River's Edge | So Sweet, So Dead | Munich | Conviction |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Tilda Swinton stars in "The Deep End," a 2001 film also starring Goran Visnjic of 'ER' fame and Peter Donat. It's a modern remake of Max Ofuhls "The Reckless Moment." Swinton plays Margaret Hall, a busy mother in charge of three children and her father-in-law (Donat) while her naval husband is away at sea. Her older son Beau (Jonathan Tucker) is gay, and when the film starts, he has just been in a terrible car accident with his drunken boyfriend Darby (Josh Lucas). Margaret goes to see him at a nightclub, The Deep End, and asks him to stay away from her son. Though we don't see the scene, she offers him $5,000 to do so. That night, he comes to see Beau, and a fight occurs. After Beau goes back to his house, Darby falls off the peer, impaling himself on an anchor. Margaret finds the body the next day and gets rid of it in the ocean and drives his car to another location. But someone knows that Darby was there, and Margaret is visited by a blackmailer, Goran Visnjic, who represents himself and his partner, and he wants $50,000, or he will give a video of Beau having sex with Darby to the police.
This is a story about unfinished thoughts, about a woman who does what she feels she has to without thinking it through. "If you're having feelings -" she says to her son, "My husband wouldn't understand -" she says to Visnjic about Beau, but never completes the sentence. She lives in a world where sometimes, it's easier not to know - or there's no time to really figure it out - and just cut to the situation.
Someone on this board said this is a film that can be appreciated on many levels, and that's true. The level I'll offer is that the Swinton character is forced by circumstances to live in the moment and just take care of things as they come up - be it blackmail, her father-in-law collapsing, finding a dead body. She's the master of split-second decisions. When Visnjic orders her to "try harder" to get the $50,000, she admits that "yes, maybe I'm not trying hard enough. Maybe you can tell me how I can try harder between driving to ballet and soccer practice, trying to reach my husband..." He eventually sees what her life is, and, as the crux of the film, the two form an important bond.
Tilda Swinton gives a brilliant performance, an underplayed one, of a woman who internally is on the verge of a nervous breakdown but externally holds it together for her family. When she goes to her father-in-law for money - $50,000 - as usual, she doesn't finish the whole thought, and he gives her $80 from his wallet. She only smiles and thanks him. When she finally breaks down, for the last reason one can imagine from the beginning of the film, she finds support from an unlikely person - who also has to keep it together amidst personal turmoil.
One more thing - someone else on this board commented that there were many negative comments on this film from people looking at it from a technical point of view. That is the reaction I had from reading comments on "The Reader." There is an emotional aspect to film. Some of us would rather get into the characters more than the lighting. I guess you'd say it's just another level of appreciation.