6.7/10
10,190
181 user 95 critic

The Deep End (2001)

A woman spirals out of control while trying to keep her son from being found culpable in a murder investigation.

Directors:

(as Scott Mcgehee),

Writers:

(novel), (as Scott Mcgehee) | 1 more credit »

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From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 1 Golden Globe. Another 4 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jack Hall
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Carlie Nagel (as Raymond Barry)
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Paige Hall
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Dylan Hall
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Sue Lloyd
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Loan Officer
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Deputy Sheriff
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BVD
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Barrish Brother (as Franco Delgado)
Kip Ellwood ...
Male Nurse
Margot Krindel ...
Jackie
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Storyline

With her husband perpetually away at work, a mother raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop? Written by Sujit R. Varma

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for some violence and language, and for a strong sex scene | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

Release Date:

31 August 2001 (USA)  »

Also Known As:

Bleu profond  »

Filming Locations:

 »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$141,852, 12 August 2001, Limited Release

Gross USA:

$8,821,782, 23 December 2001
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is a remake of the 1949 Columbia film, The Reckless Moment, starring Joan Bennett and James Mason, directed by Max Ophuls. Both films were based on the story "The Blank Wall" by Elisabeth Sanxay Holding. See more »

Goofs

In one scene Beau can be heard off camera practicing his trumpet then immediately ceases to appear on camera to speak with his mother. A bottle of valve oil is in his hand and one valve of his trumpet has been removed, presumably to oil. However, the time that elapses between his playing and appearance on camera is way too short for him to remove a valve from his trumpet. See more »

Quotes

Margaret Hall: We don't have the money.
Alek 'Al' Spera: You have to get the money. Is that not clear enough?
Margaret Hall: It's $50,000. It is not the kind of thing that everyone can just go out and get.
Alek 'Al' Spera: Have you spoken with your husband?
Margaret Hall: He can't be reached. He's on a carrier somewhere in the nor - This is truly none of your business.
Alek 'Al' Spera: What about the old man? Well, you have to try harder.
Margaret Hall: "Try harder?"
Alek 'Al' Spera: I don't think you're really trying.
Margaret Hall: Really?
Alek 'Al' Spera: Yes.
[...]
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Crazy Credits

Extra Credit Erlin A. Velberg See more »

Connections

Referenced in Emmett's Mark (2002) See more »

Soundtracks

Swan Lake, Op. 20, Finale
Written by Pyotr Ilyich Tchaikovsky
Performed by Tbilisi Symphony Orchestra
Courtesy of Megatrax Music/Unlimited Classics
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User Reviews

 
Give this film another chance . . .
9 May 2002 | by See all my reviews

I saw this film last summer in the theaters and while it didn't do much for me at the time, something in it stayed with me. I rented it again and watched it twice more and am now convinced it is a terrific film.

A lot has been said about Swinton's portrayal of a frustrated housewife and she is brilliant, she carries the film with a head-on intensity.

But the screenplay should also be lauded. Yes, this is straight out of 1940's noir, but it all works.

A lot has been said about the sex and sexuality switch of Swinton's son, but it works perfectly. One might ask . . . why doesn't she ask her son about the body before she dumps it? But that would involve TALKING to her son about his sexuality. She'd rather bury the evidence, than ever admit to herself that her son is gay.

Over the course of the film, Swinton begins to understand her son better, she realizes that everyone has their secrets and desires. Her son also realizes the worry he has put his mother through. The last shot, of mother and son huddled together on the bed is of two strong-willed people finally understanding each other as equals. It's a wonderfully telling moment.

Be sure to watch this film more than once . . . it can be taken on many levels.

james


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