| Dan Bucatinsky | ... | Eli Wyckoff | |
| Richard Ruccolo | ... | Tom | |
| Sasha Alexander | ... | Jackie Samantha Gold | |
| Adam Goldberg | ... | Brett Miles Sanford | |
| Andrea Martin | ... | Dr. Ellen Wyckoff | |
| Joanna Kerns | ... | Lydia | |
| Christina Ricci | ... | Rayna Wyckoff | |
| Lisa Kudrow | ... | Marie | |
| Doris Roberts | ... | Esther | |
| rest of cast listed alphabetically: | |||
| Tony Abatemarco | ... | Dr. David Wyckoff | |
| Julie Claire | ... | Lizz | |
| Ben Foreman | ... | Young Eli | |
| Sydney Foreman | ... | Young Rayna | |
| Chris Gann | ... | Stripper (as Christian Gann) | |
| Blaise Garza | ... | Young Tom | |
| Michael Harris | ... | Gary | |
| Bev Land | ... | Mitch | |
| Donnie Land | ... | Pizza Guy | |
| Thea Mann | ... | Donna | |
| Matthew Poage | ... | Bartender | |
| Nicolas Surovy | ... | Jim | |
| Nicole Tocantins | ... | Rachael | |
| Hrach Titizian | ... | AA Member (uncredited) | |
Directed by | |||
| Julie Davis | |||
Writing credits(in alphabetical order) | ||
| Dan Bucatinsky | ||
Produced by | |||
| Caroline Aaron | .... | associate producer | |
| Dan Bucatinsky | .... | producer | |
| Scott Budnick | .... | associate producer | |
| Susan Dietz | .... | producer | |
| Donnie Land | .... | producer | |
| Susan B. Landau | .... | executive producer | |
| Juan A. Mas | .... | producer (as Juan Mas) | |
| Don Roos | .... | executive producer | |
Original Music by | |||
| Peter Stuart | |||
| Andrew Williams | |||
Cinematography by | |||
| Goran Pavicevic | |||
Film Editing by | |||
| Glenn Garland | |||
| Mary Morrisey | |||
Casting by | |||
| Sharon Klein | |||
| Patrick Rush | (as Patrick J. Rush) | ||
Production Design by | |||
| Fanée Aaron | (as Fanae Aaron) | ||
Costume Design by | |||
| Peter Mitchell | |||
Makeup Department | |||
| Christina Knapp | .... | key makeup artist | |
| Eden Orfanos | .... | assistant makeup artist | |
| Eleanor Sabaduquia | .... | makeup artist | |
| Brandy Dyan Sharp | .... | makeup artist (as Brandy Sharp) | |
Production Management | |||
| Joan Kelley Bierman | .... | post-production supervisor | |
| Richard DiPatri | .... | unit production manager | |
Art Department | |||
| Jed Caeser | .... | painter | |
| Heather Cantrell | .... | lead man | |
| Flint Ellsworth | .... | carpenter | |
| Katie Mau | .... | property master | |
| Melinda Simon | .... | set dresser | |
| Debra Wilbur | .... | set dresser | |
Sound Department | |||
| Gary S. Gelfand | .... | sound designer (as Gary Gelfand) | |
| Michael Hamm | .... | consultant: Dolby (as Mike Hamm) | |
| James B. Howe | .... | foley mixer | |
| Lee Howell | .... | production sound mixer | |
| Shawn Kennelly | .... | foley recordist | |
| Alan Kerr | .... | foley artist | |
| Mark Linden | .... | sound re-recording mixer | |
| Tara Paul | .... | sound re-recording mixer | |
| Bryan Pennington | .... | consultant: Dolby | |
| Marcus Ricaud | .... | boom operator | |
| Joan Rowe | .... | foley artist | |
| David Scharf | .... | dialogue editor | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Erick Schiele | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Amy Bojanowski | .... | camera loader | |
| Matthew Cozier | .... | still photographer | |
| Nate Foll | .... | additional electrician | |
| Anthony Gotta | .... | gaffer | |
| Bruce Green | .... | Steadicam operator | |
| Brad Heiner | .... | key grip | |
| Peter Jensen | .... | Steadicam operator | |
| Philip Jordan | .... | electrician (as Phillip Jordan) | |
| Alexandra Kravetz | .... | second assistant camera | |
| Michael Kvirikadze | .... | camera loader | |
| Grg Magidow | .... | first assistant camera: "a" camera (as Greg Magidow) | |
| Andrew Medvitz | .... | electrician | |
| Dara Norman | .... | electrician | |
| Sean Peacock | .... | best boy electric | |
| Stephen Raybourn | .... | electrician | |
| Joe Torres | .... | grip | |
| Max Da-Yung Wang | .... | grip | |
| Rick Young | .... | best boy grip | |
| John D. Young | .... | grip (uncredited) | |
| William Rick Young | .... | best boy grip (uncredited) | |
Animation Department | |||
| Olivier D. Benamou | .... | computer animator (as Olivier Benamou) | |
Casting Department | |||
| Alyson Silverberg | .... | casting associate | |
| Barbara Stordahl | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Shawn Barry | .... | costume supervisor | |
| Michelle Roth | .... | key costumer | |
Editorial Department | |||
| Susan Han | .... | apprentice editor | |
| Leah Landrey | .... | assistant editor | |
| David Lebowitz | .... | assistant editor | |
| Mato | .... | color timer | |
| Jessica Thurber | .... | apprentice editor | |
Music Department | |||
| Jeff Rabhan | .... | music supervisor | |
| Paul Rabjohns | .... | music editor | |
| Nicole Tocantins | .... | music supervisor | |
Transportation Department | |||
| Jim Meech | .... | transportation coordinator | |
| Woody Wagner | .... | transportation captain | |
Other crew | |||
| Ron Black | .... | day security | |
| Marcin Borkowski | .... | assistant production coordinator | |
| Scott Budnick | .... | assistant: Susan B. Landau | |
| Carlos Castellanos | .... | production coordinator | |
| Tanner Crane | .... | set production assistant | |
| Amy Roos Flemming | .... | assistant: Don Roos (as Amy Roos) | |
| Tricia Goken | .... | script supervisor | |
| Angela Kerensky | .... | assistant: Susan Dietz | |
| Ivan Kraljevic | .... | office production assistant | |
| Lance W. Lanfear | .... | additional set production assistant (as Lance Lanfear) | |
| Kojo Lewis | .... | location manager | |
| Patty Onagan | .... | unit publicist | |
| Matthew Poage | .... | web site designer (as Mathew Poage) | |
| Sergio Portella | .... | office production assistant | |
| Irwin M. Rappaport | .... | attorney | |
| Dan Riley | .... | assistant: Irwin M. Rappaport | |
| Steven Saporito | .... | legal consultant | |
| Chad Sugerman | .... | set production assistant | |
| Caroline Williams | .... | assistant: Dan Bucatinsky | |
Thanks | |||
| Robert L. Goodman | .... | special thanks | |
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| Adam & Steve | Personal Velocity: Three Portraits | Kings & Queen | My Own Private Idaho | Happy Endings |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Very nice, easy-going and consistently charming. And still ,looking back, I find it hard to find that something special to remember from the movie. There is simply not very much to make it stand out from every other `romantic comedy' except the fact that the story is about two men! The performances are nicely turned and Ruccolo is charming in his part, as is Doris Roberts, who ultimately makes the biggest impression even though she is only on-screen for about 15 minutes. For a gay-themed movie, there is quite a large budget at work here (at least it looks that way) and that certainly is a nice change from all the grainy, blown-up indy-movies that is too common when the subject is homosexuality. And it has a script that is witty and sympathetic towards its characters, gay or straight, with some hilarious comedy from Eli's psychologist parents as portrayed by Martin and Abatemarco. But nothing new is on display here. Eli, as portrayed by Dan Bucatinsky, comes over as somewhat annoying, even though he should be the most sympathetic of the two main protagonists, mainly because he is unnatural in his wittisisms and one-liners. These lines are penned by Bucatinsky himself, by the way, and while they often are very funny, sometimes they come over as too contrived. And I couldn't escape a certain feeling of shallowness. The movie constantly touches on an interesting issue or storyline, but chickens out before anything goes too far away from the mainstream (as in the story about Tom's parents and his sister, alcoholism). And the biggest damage is done from the fact that nothing very special happens. The plot must have been written on the back of a stamp because basically Tom meet Eli, walks out of Eli, comes back to Eli and so on. But what am I complaining of? It still is nice to see a movie with gay characters acting as normal people. It is sweet, good-natured and watchable. Just not very memorable.