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Storytelling (2001)

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College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Marcus (segment "Fiction")
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Amy (segment "Fiction")
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Elli (segment "Fiction")
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Lucy (segment "Fiction")
Nancy Anne Ridder ...
Joyce (segment "Fiction")
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Ethan (segment "Fiction") (as Steven Rosen)
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Melinda (segment "Fiction")
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Sue (segment "Fiction")
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Mike Schank ...
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Mr. DeMarco (segment "Non-Fiction")
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Storyline

Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation Written by Fine Line Features

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 November 2001 (Russia)  »

Also Known As:

Untitled Todd Solondz Project  »

Filming Locations:

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Box Office

Opening Weekend:

$73,688 (USA) (25 January 2002)

Gross:

$912,442 (USA) (22 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Toby Oxman has a poster of the movie The Celebration (1998). See more »

Goofs

The positions of Scooby's hands when he is holding the gun change between shots. See more »

Quotes

Catherine: It was confessional, yet dishonest. Jane pretends to be horrified by the sexuality that she in fact fetishizes. She subsumes herself to the myth of black male potency, but then doesn't follow through. She thinks she 'respects Afro-Americans,' she thinks they're 'cool,' 'exotic,' what a notch he 'd make in her belt, but, of course, it all comes down to mandingo cliché, and he calls her on it. In classic racist tradition she demonizes, then runs for cover. But then, how could she behave otherwise...
See more »

Connections

References The Oprah Winfrey Show (1986) See more »

Soundtracks

A Real Mother for Ya
Performed by Johnny 'Guitar' Watson
Written by Johnny 'Guitar' Watson
Published by Vrijon Music
Courtesy of Spirit One Music and Jake Hooker
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
More Solondz brilliance
10 August 2002 | by (United States) – See all my reviews

Yet another masterpiece from one of the great indie filmmakers. Solondz again uses a lot of his trademark stark and unsettling characters to tell two separate stories. "Fiction" was short and to the point, the message being the utter subjectiveness of the art of storytelling. It was hilarious how the other kids in the writing class reacted to Vi's story, like it was improbable, racist and offensive. Solondz again displayed in this story that many people ARE racist and offensive, sometimes without even realizing it. It would have been impossible to make a whole movie out of "Fiction," and I think it was impressive that Solondz had the daring to just change over to another story without trying to link them, which would have been tedious. Solondz wanted to make two separate points, and the only way to do so was with two separate stories. The graphic sex scene between Selma Blair and Robert Wisdom is blocked out in the R-rated version; Solondz has a big red rectangle over the characters in a successful attempt to show how the MPAA censors can ruin a movie with their silly rules. I actually thought it added to the message of the first story, and the uncensored version is also on the DVD anyway. The second story is much longer and as a result has characters that are much more well developed. The Paul Giamatti character was a hilarious reflection of Solondz himself. Not just physically, but also in the way he was criticized for making fun of the characters in his documentary just as Solondz has been criticized for doing the same in "Welcome to the Dollhouse" and "Happiness." Many people who dislike Solondz films just can't stand the often vicious or disturbing denizens that inhabit his works. These people should stick to watching "Titanic" and "A Walk to Remember" as they have no appreciation for the daring and honest way Solondz makes his movies.


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Is it censorship? Or am I not catching onto something? authorashley86
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