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Storytelling (2001)

6.9
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Ratings: 6.9/10 from 14,424 users   Metascore: 50/100
Reviews: 129 user | 103 critic | 31 from Metacritic.com

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

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Cast

Cast overview, first billed only:
...
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Marcus (segment "Fiction")
...
...
Amy (segment "Fiction")
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Elli (segment "Fiction")
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Lucy (segment "Fiction")
Nancy Anne Ridder ...
Joyce (segment "Fiction")
...
Ethan (segment "Fiction") (as Steven Rosen)
...
...
Melinda (segment "Fiction")
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Sue (segment "Fiction")
...
Mike Schank ...
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Mr. DeMarco (segment "Non-Fiction")
...
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Storyline

Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation Written by Fine Line Features

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 November 2001 (Russia)  »

Also Known As:

Untitled Todd Solondz Project  »

Filming Locations:

 »

Box Office

Opening Weekend:

$73,688 (USA) (25 January 2002)

Gross:

$912,442 (USA) (22 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Emmanuelle Chriqui, Adam Hann-Byrd, and Heather Matarazzo also filmed scenes that were cut from the film. See more »

Goofs

When the Livingstons are eating dinner, towards the end of the scene, Mikey's collar goes from inside his sweater to outside between shots. See more »

Quotes

Mr. Scott: I don't know about what happened... because once you start writing, it ALL becomes fiction.
See more »

Connections

References Schindler's List (1993) See more »

Soundtracks

Fiction
Performed by Nathan Larson and Nina Persson
Written by Nathan Larson and Nina Persson
Published by The Music Of NATO and Stockholm Songs
Nathan Larson appears courtesy of Artemis Records
Nina Persson appears courtesy of Stockholm Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The "Non-fiction" story is the superior fiction.
6 January 2003 | by (Malmo, Sweden) – See all my reviews

I was fascinated by Todd Solondz's HAPPINESS, a spell-binding drama every minute of it - sometimes terribly naked. There are such tendencies also in STORYTELLING, but only in the second of the two independent parts.

The first part, called "Fiction", is significantly shorter than part two, "Non-fiction". This is as it should be, but the best would be to exclude it completely. The story about emotional tension between a college girl with ambition to become a writer, her frustrated CP boyfriend and their impressive/monstrous teacher, the successful writer, is just as conventional as the stories the students write in the film. This may be intentional, to cause multiple layers of meta-effects, but it doesn't save this part of the movie from being pretty predictable and boring.

And the story ends before it should. A sort of coitus interruptus (if the term is allowed), which demands some kind of return or closing-up later on in the movie - but there is none. I got the strong impression that this part was only included to make the movie full-time.

The second story, "Non-fiction", is clearly stronger, and told with much more passion from the writer/director. Here, many facets are explored, the characters are complex, the drama intricate - and the tension builds, right below the drab suburban surface. It is impressive how elements common in just about any family life, here add to the suspense and the sense of doom. The thrill of trivial life, but not at all trivially portrayed.

This might be the reason for the title "Non-fiction", since the lives and fates shown in the story feel so real - contrary to what happens in "Fiction".

Still, this story, too, has been told insufficiently, as if abbreviated, or halted at points where it was about to erupt into infernal drama. Pity. Did Solondz retreat from his own vision? Did he censor himself to get more of a general audience?

I hope that it's not the case. His portrayal of human life, although unpleasant indeed, is fascinating and uniquely his. So he must be true to it.


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