From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.
Jennifer Jason Leigh,
Stephen Adly Guirgis
Ira is a nervous playwright waiting and hoping to succeed with his art, which he takes it very seriously. But following his dreams and ambitions isn't something easy to do, specially when ... See full summary »
Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation Written by
Fine Line Features
Performed by Nathan Larson and Nina Persson
Written by Nathan Larson and Nina Persson
Published by The Music Of NATO and Stockholm Songs
Nathan Larson appears courtesy of Artemis Records
Nina Persson appears courtesy of Stockholm Records See more »
Not his best work, but not as bad as everybody says
Not the best work from this director, but not as bad as many people seem to think. 'Fiction,' while unpleasant, is Solondz in fine, chilly form. He gets criticized a lot for showing contempt for his characters, but his movies are more than the simplistic revenge fantasies they get written off as. When he's on, there's something really beautiful about his dry, clear vision: he's truly appalled, even frightened, by his characters and their hypocrisies. 'Fiction' is a toxic little parable about what's wrong with the processes of both making and interpreting art, and Selma Blair's performance is quite surprising and good. But 'Nonfiction' misfires. It, too, contains some brilliant insights about making art (and personally, I wasn't bothered by the navel-gazing), but they're spread quite thin, and the narrative itself meanders, never really finding its rhythm. (In other words, the storytelling itself is its worst weakness.) Paul Giamatti is typically good, but he doesn't always have much to work with. Overall, 'Storytelling' is too uneven to get very enthusiastic about; then again, it's more interesting than much else out there. 6 out of 10.
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