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Storytelling (2001)

R  |   |  Comedy, Drama, Romance  |  8 November 2001 (Russia)
6.9
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Ratings: 6.9/10 from 14,737 users   Metascore: 50/100
Reviews: 129 user | 104 critic | 31 from Metacritic.com

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

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Title: Storytelling (2001)

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Cast

Cast overview, first billed only:
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Marcus (segment "Fiction")
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Amy (segment "Fiction")
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Elli (segment "Fiction")
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Lucy (segment "Fiction")
Nancy Anne Ridder ...
Joyce (segment "Fiction")
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Ethan (segment "Fiction") (as Steven Rosen)
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Melinda (segment "Fiction")
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Sue (segment "Fiction")
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Mike Schank ...
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Mr. DeMarco (segment "Non-Fiction")
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Storyline

Storytelling is comprised of two separate stories set against the sadly comical terrain of college and high school, past and present. Following the paths of its young hopeful/ troubled characters, it explores issues of sex, race, celebrity and exploitation Written by Fine Line Features

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

8 November 2001 (Russia)  »

Also Known As:

Untitled Todd Solondz Project  »

Filming Locations:

 »

Box Office

Opening Weekend:

$73,688 (USA) (25 January 2002)

Gross:

$912,442 (USA) (22 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Emmanuelle Chriqui, Adam Hann-Byrd, and Heather Matarazzo also filmed scenes that were cut from the film. See more »

Goofs

When the Livingstons are eating dinner, towards the end of the scene, Mikey's collar goes from inside his sweater to outside between shots. See more »

Quotes

[Marty and Mikey sit by the comatose Brady, who lies in his own bed]
Mikey Livingston: Dad? Do you think that Brady will ever get better?
Marty Livingston: One in a million recover.
Mikey Livingston: Maybe he's that one in a million.
Marty Livingston: Mikey, there's optimism, and then there's stupidity. It's a very fine line.
Mikey Livingston: [pause] I don't think there's any hope, either. I was just trying to make you feel better.
See more »

Connections

Spoofs American Beauty (1999) See more »

Soundtracks

Storytelling
Performed by Belle & Sebastian
Written by Belle & Sebastian
Published by Sony ATV Music Publishing
Courtesy of Jeepster Recordings Limited & Matador Records, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Some of the best writing you will ever see.
23 March 2008 | by (United States) – See all my reviews

Writer/director Todd Solondz last rocked my world with Happiness, which was the sharpest, most unflinching black comedy I'd ever seen. He does it again with Storytelling, keeping his impeccable edge while exploring some intriguing new turf. No doubt wary after his previous ventures, Solondz attempts to circumvent some of the criticisms that less savvy viewers are bound to make. Sure enough, they go ahead and make them; the reviews are polarized. But the film is a masterpiece.

The film has two parts. The first part, titled Fiction, focuses on a creative writing student Vi (Selma Blair), her Cerebral Palsy-stricken boyfriend Marcus (Leo Fitzpatrick) and their professor Mr. Scott (Robert Wisdom).

The classroom setting provides an unusual venue: a story writing workshop within a story. Solondz puts one of the characters through a perversely traumatic experience, which we witness as viewers of the movie. Before we have a chance to pass judgment on Solondz, his character writes about the event in the 3rd person and reads the story in class. All accusations one might level against Solondz (namely: bad taste, plus every "ism" in the book) get made by the fellow students, who detest the story. But in the context of the movie, they're condemning an account of an event that actually happened! Very clever...

In spite of some of the grotesque twists, I found myself laughing out loud fairly often. Solondz has a gift for rendering subtle ironies that become overwhelmingly funny.

The lead characters are fascinating and multi-layered. Vi seems innocent, but if you pay close attention, you'll notice she's not particularly sincere. One would like to root for Marcus, but his condition doesn't excuse him for being a lousy writer and a self-absorbed a**hole. The professor may be a monster, but he is also very frank.

The second part Nonfiction is also highly self-aware. It covers the making of a two-bit documentary. In the process, the dialog once again anticipates many of the charges some will make against Solondz (that he exploits his subjects and creates a sensational freak show for us to snicker at). There's a cameo role with Mike Schank, who was featured in real life in American Movie. The similarities between the documentary American Movie, the fiction Storytelling and the documentary within a fiction (tentatively titled American Scooby) are uncanny.

Scooby (Mark Weber) is the ultimate apathetic suburban slacker teen. While very much spoiled and sheltered, he is also alienated from, and resentful of, his elders. He perks up a bit when there are no grownups around, but most of the time the "stupid" barrier is up and his eyes are half-closed and red from smoking pot. He's such a lost cause, he attracts the attention of an aspiring documentarian (Paul Giamatti).

As you might expect, the rest of Scooby's family is a real piece of work. Scooby's dad (John Goodman) is loud and domineering. His mom (Julie Hagerty) is idiotic. His younger brother Brady (Noah Fleiss) is a jock, perhaps the closest to what we'd like to consider "normal".

The brainy youngest brother, Mikey (Jonathan Osser) is a real standout. He tags around with the overworked El Salvadorian housemaid Consuelo (Lupe Ontiveros) and asks her lots of questions. His curiosity is cute, but his conceited insensitivity truly boggles the mind.

Solondz definitely favors the sordid, but I'm not sure he does so gratuitously. I think he simply refuses to pretend, as so many other do, that the world is a tidy, simple place. (Those who seek to preserve such a notion are guaranteed to abhor his work.) But is it fair to berate Solondz just because he dares to present what others systematically avoid? Whose vision is more skewed: Solondz for pointing out the dog***t on our shoes, or the mainstream for ignoring it?

I wish I could agree that his writings are contrived and distorted, but I don't think they are. Through the media, through the grapevine and sometimes with my own eyes, I've seen events that are every bit as twisted and "wrong" as those Solondz creates. Everywhere I look, I encounter people who could easily be incorporated into a Solondz script.

Every storyteller recreates the world according to his/her own vision. Todd Solondz just happens to be vastly more perceptive and talented than most. Storytelling is one of the most insightful, clever and thought-provoking films I've ever seen. Watch it multiple times for maximum yield.


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