The Life of Juanita Castro (1965)

Ronald Tavel's THE LIFE OF JUANITA CASTRO is one of Andy Warhol's triumphs as a filmmaker. A playwright (Tavel himself) taunts a number of actors into improvising a truly ridiculous but ... See full synopsis »

Director:

Andy Warhol

Writer:

Ronald Tavel

Stars:

Marie Menken, Elecktrah, Waldo Díaz Balart

Cast

Complete credited cast:
Marie Menken	...	Juanita Castro
Elecktrah	...	Raul Castro
Waldo Díaz Balart	...	Himself
Mercedes Ospina	...	Fidel Castro
Marina Ospina	...	Che Guevara
Ultra Violet	...	(as Isabelle Dufresne)
Ronald Tavel	...	Stage Director
Fayette Hauser

Storyline

Ronald Tavel's THE LIFE OF JUANITA CASTRO is one of Andy Warhol's triumphs as a filmmaker. A playwright (Tavel himself) taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family... See full synopsis »

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Plot Keywords:

all female cast | stage play | satire

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Genres:

Comedy

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Details

Country:

USA

Language:

English Spanish

Release Date:

22 March 1965 (USA)

Also Known As:

La vida de Juanita Castro

Filming Locations:

West 10th Street, Manhattan, New York City, New York, USA

Company Credits

Technical Specs

Runtime:

66 min

Sound Mix:

Mono

Color:

Black and White

User Reviews

A satire on the Cuban Revolution as seen through the eyes of Castro's sister.

The Team of Ronald Tavel and Andy Warhol devised to turn out movies prodigiously at the breakneck speed of one or two features per month. The inspiration for Juanita Castro, (a satire on the Cuban Revolution as seen through the eyes of Fidel Castro's sister) came easily from a variety of contemporary sources, but mostly from an article in Life magazine. Before shooting Ronald Tavel aranged three rows of seats for the actors, then he and Warhol set up the camera in front of them, not satisfied with it he moved it of to the side and placed a lamp stand where the camera was and told the actors to address the lamp stand. The dialogue is read out to the cast, then the cast recites what was said as a sort of a verbal card cue, meanwhile the camera rolls capturing everything. At the end when Juanita is ordered to stand up and address the camera she steps out of veiw of the camera and talks to the lampstand. Although Edie Sedgewick is not credited in this film, she is off ot the side and can be seen breifly.