Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Mean, gritty, dirty and low and that's just the Policeman Gary Keltie (Ken Stott) out for retribution for the horrendous crimes against the helpless people of Edinburgh during the nineteen ... See full summary »
Based on the 17th Century play, this modernization finds a young man in love with a woman who is promised to another. Pleading with her man-servant to murder her pledged, he in turn ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
Billy Connolly plays Steve Myers, a lawyer who became a fisherman from frustration. When his one piece of property, his boat, is struck by lightning and destroyed he is denied insurance ... See full summary »
At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells ... See full summary »
The writer of "Billy Elliot" should have quit whilst he was ahead.
"Gabriel and Me" is as flat as "Billy Elliot" sparkled.
Jimmy Spud (the lead 11-year-old) lives in yet another north east dysfunctional family and, for reasons which remain obscure, decides he wants to train as an angel (the usual qualification - being dead - does not seem to apply in this plot). He applies to The Archangel Gabriel - in the human form of Billy Connelly - who obliges by appearing at unpredictable points to tell him how he is progressing. (Not well). Meanwhile Dad contracts lung cancer and Jimmy is disgusted when Gabriel refuses to cure him. This movie is implausible in the extreme - even if "Gabriel" is a figment of Jimmy's imagination. Apart from David Bradley's Grandad, the characters are two-dimensional, inconsistent and, worst of all, uninteresting. Any emotional content is crassly handled to the point of embarrassment - up to and including the death of Jimmy's father. On the plus side it is beautifully photographed; but can we PLEASE have a contemporary film, set in Newcastle, which DOESN'T make it look like a place which is slowly crumbling into non-existence?
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