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A beautiful damsel comes onto stage and makes pigeons appear; then she transforms into a chimera, half woman, half fancy pigeon.
Segundo de Chomon, the film's director, was Pathe's answer to Georges Melies. This looks like a stage magic act, but there are clear signs that the first half is managed by running the film backwards: in the original shoot, she lifts the pigeons from their roosts and sets them flying offstage. The second half is more of a straight stage illusion. The whole thing is aided by some beautiful color stencil work that still survives in the copy I looked at.
Although this short lacks the vivacity of Melies' movies, it makes it up in its elaboration.
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