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Directed by | |||
| Harold Becker | |||
Writing credits(WGA) | ||
| Lewis Colick | (story) & | |
| William S. Comanor | (story) & | |
| Gary Drucker | (story) | |
| Lewis Colick | (screenplay) | |
Produced by | |||
| Harold Becker | .... | producer | |
| Donald De Line | .... | producer | |
| Anson Downes | .... | associate producer | |
| Jim Dyer | .... | co-producer (as James R. Dyer) | |
| Linda Favila | .... | associate producer | |
| Jonathan D. Krane | .... | producer | |
| George Waud | .... | associate producer | |
Original Music by | |||
| Mark Mancina | |||
Cinematography by | |||
| Michael Seresin | (director of photography) | ||
Film Editing by | |||
| Peter Honess | |||
Casting by | |||
| Gretchen Rennell | (as Gretchen Rennell Court) | ||
Production Design by | |||
| Clay A. Griffith | |||
Art Direction by | |||
| Barry Chusid | |||
Set Decoration by | |||
| Robert Greenfield | |||
Costume Design by | |||
| Bobbie Read | |||
Makeup Department | |||
| Michelle Bühler | .... | makeup artist: Mr. Travolta (as Michelle J. Buhler) | |
| Candida Conery | .... | hair stylist | |
| Polly Earnshaw | .... | makeup artist | |
| Tina Earnshaw | .... | key makeup artist (as Tina M. Earnshaw) | |
| Gail Hensley | .... | hair stylist | |
| Linda Kamp | .... | makeup artist | |
| Heidi Kulow | .... | makeup artist | |
| Yolanda Toussieng | .... | hair stylist: John Travolta | |
| Cecilia Verardi | .... | makeup artist | |
| Toni-Ann Walker | .... | key hair stylist | |
| Deborah Ball | .... | hair stylist (uncredited) | |
| Janet Carey | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Jim Dyer | .... | unit production manager | |
| Stuart Neumann | .... | production supervisor | |
Special Effects by | |||
| William M. Bohlen | .... | special effects technician | |
| Robert Cates | .... | special effects technician | |
| Joseph L.E. Chenier III | .... | special effects technician | |
| David Fletcher | .... | special effects technician | |
| James J. Guarrera | .... | special effects foreman | |
| David Hill | .... | special effects technician | |
| Joe D. Ramsey | .... | special effects coordinator | |
| John Weeks | .... | special effects technician | |
| Heath Hood | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Lloyd Lee Barnett | .... | digital compositor | |
| Marla Carter Barrett | .... | title compositor (as Marla Carter) | |
| Patrick Murphy | .... | lead digital compositor: Pixel Magic | |
| Daniel Strange | .... | title sequence | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| Joe Bucaro III | .... | stunt double | |
| Tyler C. Daum | .... | stunt driver | |
| Allan Graf | .... | stunt coordinator: second unit | |
| Cinda-Lin James | .... | stunt double | |
| Mike Justus | .... | utility stunts | |
| Tree O'Toole | .... | stunt double | |
Casting Department | |||
| Marty Cherrix | .... | location casting (as Marty Keener Cherrix) | |
| Lisa Loia | .... | casting assistant | |
| Terri Tracy | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Elinor Bardach | .... | costume supervisor | |
| James P. Cullen | .... | costumer: Mr. Travolta (as Jimmy Cullen) | |
| Lorie L. LaBrant | .... | set costumer | |
| Romeo Pompa | .... | costumer | |
| Jessica S. Smith | .... | key costumer | |
| Verena O'Connor | .... | set costumer (uncredited) | |
Editorial Department | |||
| Brett Carroll | .... | first assistant film editor | |
| Donald Freeman | .... | final colorist | |
| Adrian Kays | .... | editor: main titles | |
| Angie Luckey | .... | assistant editor | |
| Steve Moe | .... | assistant editor | |
| Jim Passon | .... | color timer | |
Music Department | |||
| Sandy DeCrescent | .... | orchestra contractor | |
| Melissa Deanne Ferguson | .... | assistant music editor | |
| Steve Kempster | .... | score mixer | |
| Dave Metzger | .... | orchestrator | |
| Lee Scott | .... | music editor: temp music | |
| Ellen Segal | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Marc Fantini | .... | composer: additional music (uncredited) | |
| Steffan Fantini | .... | composer: additional music (uncredited) | |
| Dave Metzger | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Neil Castles Jr. | .... | picture car coordinator | |
| Tyler C. Daum | .... | transportation coordinator | |
| Travis Eliot | .... | wardrobe driver | |
| Wayne Jones | .... | transportation captain | |
| Brett Leslie | .... | driver | |
| Linda Pickett | .... | driver | |
| Randall Pickett | .... | driver | |
| Cindi Randall | .... | driver | |
| Tim J. Walters | .... | picture car mechanic | |
| Tim Whisenant | .... | transportation: Mr. Travolta (as Tim J. Whisenant) | |
| Scott Siler | .... | transportation co-captain (uncredited) | |
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| Strangers on a Train | The Gift | Disturbia | Hate Crime | Fury |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
To start off, I enjoyed "Domestic Disturbance". I found it kept me shaking and on the edge of my seat through-out the entire film (which was rather short, by the way).
ACTING: As you probably already know, this film has some of the best-in-the-biz. Including such stars as John Travolta and Vince Vaughn, alongside newcomer Daniel O'Leary. Travolta decently played the good-guy divorced father, trying to protect his teenage son from an apparent murderer.
The murderer/stepfather was played typically by Vaugh who's portrayed serial killer roles in other movies such as "Clay Pigeons" and the remake of Hitchcock's classic thriller, "Psycho". And on to the young victim of mayhem...
Daniel O'Leary. A relatively good child actor who convincingly plays a stressed, frightened teen boy seems the perfect choice, with his convicingly frightened facial expressions.
All in all good acting. Mainly on Vaughn and Travolta's part.
STORY/WRITING: The movie flails mainly in this category. Thrilling, edge-of-your seat thriller until un-eventful ending. I'll try not to give it away, but it's a tad rushed.
The story isn't all-to origional, nor is anything else in this film. The dialogue is mediocre. Basically the entire script is pretty mediocre...
DIRECTING: Very nice direction. The director's dark, creepy style carries the movie along swiftly. If this director had been given a better script, with the same actors, "Domestic Disturbance" could've achieved brilliance.
Once again, direction is a high-point in this film.
BOTTOM LINE: A good thriller. 7 out of 10 stars.