A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations ... See full summary »
Susan Morrison is getting married to wealthy industrialist Rick Barnes. Danny, her teenage son with ex-husband Frank, isn't happy about this; he stows away in Rick's car one night, planning to go to Frank's house. But while there, he witnesses Rick murdering mysterious stranger Ray Coleman. Problem is, Rick's managed to dispose of most of the evidence, and he's considered a pillar of the community, while Danny has a history of lying. Frank believes him, though, and does some investigating of his own, as Rick's shady past slowly catches up to him and his new family. Written by
Jon Reeves <email@example.com>
When Frank uses his cell phone to call their house near the end to warn Susan and Danny to get out, Rick checks the Caller ID, which comes up Frank Morrison, but with a "410" area code, which is a Maryland number. The movie is set in the area of Southport, North Carolina, which would give Frank a "910" area code. Coincidentally, at the time of filming (prior to number portability) all cell phone numbers in Maryland used the "443" area code. See more »
Dull unoriginal thriller enlivened by excellent performances.
Well, this is certainly nothing we haven't seen before. A rerun of every domestic situation thriller of the past two decades (everything from "Pacific Heights" to "The Hand That Rocks the Cradle"), its one saving grace is its excellent performances: Matt O'Leary, who was also fantastic as Fenton in the brilliant "Frailty", gives a very intelligent mature perfromance; John Travolta makes a likeable hero, while Vince Vaughan is good as the creepy villian (much better than his camp performance as Norman Bates in Gus Van Sant's pointless remake of "Psycho"); and Teri Polo does the best she can with the role of damsel-in-distress. Otherwise, a very dull (apart from the scene where O'Leary is hiding in the car watching the murder
this is suspenseful) movie, with no originality whatsoever.
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