Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate ... See full summary »
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Susan Morrison is getting married to wealthy industrialist Rick Barnes. Danny, her teenage son with ex-husband Frank, isn't happy about this; he stows away in Rick's car one night, planning to go to Frank's house. But while there, he witnesses Rick murdering mysterious stranger Ray Coleman. Problem is, Rick's managed to dispose of most of the evidence, and he's considered a pillar of the community, while Danny has a history of lying. Frank believes him, though, and does some investigating of his own, as Rick's shady past slowly catches up to him and his new family. Written by
Jon Reeves <firstname.lastname@example.org>
The website address when Frank (Travolta) is looking for information about Ray Coleman is http://www.chicagoenquirer#/.com/raycoleman1999/threeconvictions-385803.html. It does not exist. See more »
At the end of the movie, when Frank, Rick and Danny are sailing Frank gives direction to turn the ship around and starts doing a tack (shifting the sailboat with the nose into the wind). Checking the horizon we can see the boat turning right. The next shot (taken from above) shows the boat making a jibe (shifting the sailboat with the stern through the wind), turning left. See more »
Dull unoriginal thriller enlivened by excellent performances.
Well, this is certainly nothing we haven't seen before. A rerun of every domestic situation thriller of the past two decades (everything from "Pacific Heights" to "The Hand That Rocks the Cradle"), its one saving grace is its excellent performances: Matt O'Leary, who was also fantastic as Fenton in the brilliant "Frailty", gives a very intelligent mature perfromance; John Travolta makes a likeable hero, while Vince Vaughan is good as the creepy villian (much better than his camp performance as Norman Bates in Gus Van Sant's pointless remake of "Psycho"); and Teri Polo does the best she can with the role of damsel-in-distress. Otherwise, a very dull (apart from the scene where O'Leary is hiding in the car watching the murder
this is suspenseful) movie, with no originality whatsoever.
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