County Durham, during the endless, violent 1984 strike against the Thatcher closure of British coal mines. Widower Jackie Elliot and his firstborn, fellow miner Tony, take a dim view of 11 year-old second son Billy's poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey, encourages Billy's desire, aroused by the teacher, who judged him talented enough for private lesson, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother's opposition to indispensable support. Written by
In 2012, an article in London's Evening Standard covered a 19-year-old dancer, Liam Mower, who had come full-circle as a result of this movie. When Mower saw the film as a small child, it inspired him to become a dancer - specifically to aspire to a role in the New Adventures Dance Company's all-male production of Swan Lake, which is the ballet that the adult Billy performs in at the end of the movie Billy Elliot. While still a child, Mower then played the role of Billy Elliot in the London production of the stage musical adaptation of Billy Elliot. And then, at 19, Mower joined the New Adventures company, where (as of 2015) he has danced in ballets including Nutcracker!, Sleeping Beauty, Edward Scissorhands, and Swan Lake. Mower also went back to the London stage musical to play the dream ballet's "Adult Billy" in Billy Elliot the Musical Live (2014). See more »
When the dance teacher goes into Billy's house to confront his family about the audition at the Royal Ballet School, you can hear 'Tellytubbies', a daytime children's programme on the TV in the background. 'Tellytubbies' was first aired in 1997, some 13 years after when the film was set. See more »
Find a place on that bloody wall and focus on that spot. Then whip your head 'round and come back to that spot. Prepare!
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I went into this movie expecting to hate it, and found myself instantly smiling at the playful opening credits with Billy jumping on a trampoline. From there on it just got better and better. The wasn't even a minor character that I could say needed work. The cast as a whole was brilliant - and surprising at times. The father and brother come off as these one-sided brutal characters in the beginning and then as you watch, they become two of the most well constructed and acted characters this year and for who knows how long. Jaime Bell is brilliant for a first-timer and his dance is wonderful. There are also so many layers to the film. From brilliant cinematography to wonderful symbolism both in the script and in the music (listen for the tune Billy is playing on piano in the main score during the big moments). The music on a whole was brilliantly picked and I don't think a single element was overlooked or addressed. If you haven't seen this movie - GET OFF YOUR BUTT AND INTO THE THEATER! It is truly an experience that everyone should have and I hope to see more from this writer, director and a brilliant new face in Jaime Bell.
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