4.5/10
14,505
238 user 89 critic

Rape Me (2000)

Baise-moi (original title)
Unrated | | Crime, Drama, Thriller | 28 June 2000 (France)
Two young women, marginalised by society, go on a destructive tour of sex and violence. Breaking norms and killing men - and shattering the complacency of polite cinema audiences.

Directors:

, (as Coralie Trinh Thi)

Writers:

(screenplay), (screenplay) (as Coralie Trinh Thi) | 1 more credit »
Reviews
Popularity
4,525 ( 102)
3 nominations. See more awards »
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Cast

Cast overview, first billed only:
Karen Lancaume ...
Nadine (as Karen Bach)
Raffaëla Anderson ...
Céline Beugnot ...
La blonde au billard
Adama Niane ...
Le garçon au billard
Christophe Claudy Landry ...
Le mec au comptoir
Tewfik Saad ...
Le serveur bar
Delphine McCarty ...
La colocataire (as Delphine Mc Carty)
Ouassini Embarek ...
Radouan
Patrick Kodjo Topou ...
Wanted (as Patrick-Kodjo Topou)
Simon Nahoum ...
Su copain
Karim Chala ...
Su copain
Lisa Marshall ...
La copine de Manu
Hacène Beddrouh ...
La frère de Manu
Patrick Eudeline ...
Francis
Ian Scott ...
Mec 1 viol
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Storyline

Manu and Nadine lose their last tenuous relationship with main-stream society when Manu gets raped and Nadine sees her only friend being shot. After a chance encounter, they embark on an explosive journey of sex and murder. Perhaps as a revenge against men, perhaps as a revolt against bourgeois society, but certainly in a negation - almost joyful in its senseless violence - of all the codes of a society which has excluded, raped and humiliated them. Controversial for its violence and real sex scenes: a vividly nihilist road movie set in France. Written by H. G. Ziche <hgz@ehess.fr>

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

28 June 2000 (France)  »

Also Known As:

Rape Me  »

Box Office

Opening Weekend:

$11,199 (USA) (29 September 2000)

Gross:

$13,954 (USA) (29 September 2000)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The stars and a director are adult film stars. See more »

Quotes

Nadine: [after the two women murder a man] Fuck, we're useless. Where are the witty lines?
Manu: We've got the moves, that's something. We're not that bad, I think.
Nadine: Noooo. I mean, people are dying. The dialogue has to be up to it. Good and crucial, like!
Manu: We can't write it in advance.
Nadine: You're right... That's totally unethical. Let's grab some drink.
See more »

Connections

References Natural Born Killers (1994) See more »

Soundtracks

Ouvre-Moi
Written and Performed by Virago
With kind permission from Vicious Circle
(P) Pan-Européenne Musique
©2000 Pan-Européenne Musique
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Such a shame
3 March 2005 | by (United States) – See all my reviews

It always interests me that anyone can really call this porn. This is an interesting film, even if you think it's 'crap'. Why is it that all the men I know who've watched it, think it's crap? I teach this film as part of a course and without fail all male students thus far have said it's 'not porn' and the thing they most objected to was seeing 'grannies doin' it'. Could it be the fact that for once we actually see men's faces when they come that disturbs so much? What we never or rarely see in porn, is a male appearing vulnerable. In Baise-Moi this is explored. As is said above, yes the 'plot' may be virtually non-existent, but isn't that the case with most regurgitated mainstream films anyway? This film isn't about stimulating an audience sexually, be they male or female, indeed it is just as objectionable to women as it is to men. But I do believe that the reasons are different. The feedback I've received is that men are expecting to be aroused either through plot, character or scenes of a blatant sexual nature. Women are generally just intrigued and then often put off by the violence - by the women - that is often apparently unmotivated. We don't really see films where women are violent without 'good' cause, it's too disturbing and dispels too many myths that potentially undermine society, supposedly. Only just over a decade ago a film, which by comparison views like Bambi, was almost not made because it depicted 'female violence'. Thelma and Louise was viewed as a rather risky production.

So I'm not surprised that Baise-Moi gets a slating. It may well be all those things that the above reviewer suggests, and indeed there are elements I agree with. But this is an important film, even if you watch it just to hate it. If you do hate it, all I ask is that you really think about why you hate it. If you want CGI, predictable narrative structure, drip-feed invisible editing, and to feel absorbed and immersed (I knock none of these things), then don't bother. If you're a thinking person who has an inquiring mind, give it a go.


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