This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in ... See full summary »
One night Maloin, a switchman at a seaside railway station situated by a ferry harbor, witnesses a terrible event. He is just watching the arrival of the last ferry at night from his ... See full summary »
A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós Székely B.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the... See full summary »
Péter Breznyik Berg
In a small, dilapidated village in 1990s Hungary, life has come to a virtual stand-still. The Autumn rains have started. A few of the villagers expect to receive a large cash payment that ... See full summary »
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. Aambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions... Written by
The title references the German musician Andreas Werckmeister (1645-1706). See more »
Janos finds Lajos, who is supposedly dead, yet you can clearly see the actor breathing. See more »
I have to make it clear that not even for a moment is there doubt that it is not a technical but a philosophical question. So that the tonal system in question, through researches, has led us inevitably to a test of faith, in which we ask: on what do we base our belief that this harmony, the core of every masterpiece, referring to its own irrevocability, actually exists or not. From this it follows that we should speak of, not research into music, but a unique realization of non-music which for...
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A portrait of a small town in Hungary descending gradually into civil
An extraordinarily brilliant movie. But this is not for everyone. Beautifully shot in black and white, the director bravely specialises in spectacularly lengthy shots which the viewer's brain will either become absorbed by or reject for tedium. An interesting dimension which can heighten involvement in these long shots (or annoy the hell out the unconvinced) is rhythmical sound - be it cranky machinery (reminiscent of Sergio Leone),walking, or an amazing scene where two kids are jumping up and down and banging on drums on the eve before a riot ensues. There is a detachment to the camera-work which reminded me of Kubrick. Again this is a technique which will alienate many viewers. But it works disturbingly well in particular during the penultimate riot scene at the hospital.
I watched this followed by The Damnation on the current double-disc DVD edition available in the UK which is a superb issue and has an interview with the Director as a bonus feature. Interesting to note that he states quite categorically that he intends no allegorical/symbolic element to his work.
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