This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in ... See full summary »
In a small, dilapidated village in 1990s Hungary, life has come to a virtual stand-still. The Autumn rains have started. A few of the villagers expect to receive a large cash payment that ... See full summary »
One night Maloin, a switchman at a seaside railway station situated by a ferry harbor, witnesses a terrible event. He is just watching the arrival of the last ferry at night from his ... See full summary »
A large, claustrophobic apartment is the setting for this intense chamber drama. In this dense setting, the inhabitants of the apartment reveal their darkest secrets, fears, obsessions and hostilities.
Miklós Székely B.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the... See full summary »
Péter Breznyik Berg
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. Aambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions... Written by
The film was made with 6 cameramen: one American, two Hungarians, two Germans and one Frenchman. See more »
Janos finds Lajos, who is supposedly dead, yet you can clearly see the actor breathing. See more »
You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience ...
[...] See more »
Book 1 - Prelude No. 8 in E-flat minor (BWV 853)
from The Well-Tempered Clavier
composed by Johann Sebastian Bach
The "grating" recording that György listens to in his study, though the piano is far from "perfectly tuned". See more »
Imagine it. You spend four years on a project, with big funding hassles and changes in crew; and then, finally, after your film is very enthusiastically received at Cannes, the lab goes and destroys the only English-subtitled print before it's shown at the Edinburgh festival. Obviously Bela Tarr doesn't have his sorrows to seek.
Some might accuse the film--which centres on a rural town riven by the arrival of a "circus" consisting only of a dead white whale in a corrugated iron trailer and a character called "The Prince" whose nihilistic and inflammatory remarks incite riots--of veering very close to a parody of miserabilist cinema. Okay, so it's in black and white; there's a lot of mud, rubbish, smoke and wetness; there's not much dialogue between not very attractive people; every take lasts between five and ten minutes; and there are many scenes of people trudging through cold and bleak landscapes. (You'll never see so much trudging in a film.) Lars Rudolph, as the hero Janos, looks like a cross between a young Klaus Kinski and Frasier's brother, Niles, and spends most of the film wild-eyed and harried.
However, Tarr's distinctive style--exceptionally fluid and intricate tracking shots rendered in beautifully sharp monochrome--perfectly matches the grim story, which, as the director pointed out, explores the "boundaries between civilisation and barbarism". Any seemingly parodic moments are far outweighed by extremely powerful ones, notably the opening scene in a pub where the hero explains what an eclipse is using the sozzled bar clientele; the hero's deeply unsettling encounter with the "Prince"; and the mob's attack on a hospital.
Although the narrative falls apart a bit in its closing scenes, the film's images stay with the viewer in ways unmatched much recent cinema. This film demands your time and concentration, but rewards them; it has a unique and mesmerising rhythm. And the music, by Mihaly Vig, is simply beautiful.
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